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Révérend John « Fat Sound Machine »
Published on 12/19/11 at 23:40Double pre-amp compressor any lamp. In between with a faade Instrument To baptize equipped with a legalization Hight & Low.
___2 Pairs of XLR Sym. 1 Mic and 1 line
___Les Insert (I / O) by Jack sym.
All in 2U 19 "all black, black button, switch Metal, VU meters are needles. In short a tank finally sober and discreet studio class discrte ...
UTILIZATION
The machine is clear trs. If a musician is back. The nitre has seen two positions:
__Gain Of.
__Reduction Gain by the compressor .*
Hight Pass Filter A 50, 100 htz or nothing.
Compression comes dbrayable the help of another switch:
__Norm Output level with the compressor
__Out "" "" Only the Pramp
Listen __SC "" "The insert.
APRS is good because of its gain without the compressor. Then activates or not Bouzin.
The must know a little music. The compressor is usual rglages Tresher, attack and release a 4-position (fail) and level.
This compression is terrible that simple rglage must spend time in a cost. Jolie still sound coming out of this machine is standard. But little Savre APRS blow in an unusable mix. a dribble by pushing earnings. The only pramp pose no problem and it is beautiful! Bandwidth wider than a highway. I have cable above the Flamingo Junoir (Violet Design) of NT2A Rode, A Se 2200T, My C012 Oktava, my Shure PG 56 and 52, finally I tried all my mics with almost all sources: Drum, Brass, Percussion, Strings Violin and Cello, Guitar Folk and Classical Guit Amplify and low voices and of course ...
It's a matter of taste, but the quality is l. His masterly a political commitment to music.
Compression is more like a limiter when same. The more you push the more it pramp limit. It works a little old you it seems like toft audio. Is the gain of changing its behavior. It lacks even nervosa with an attack to 0 it lets its micro-second switching time of inaction APRS is a real Less for him. Colmplexes on signals, such as a complete set of drums or Over Head is less "boring", but on a low .... Too bad. I did not even pass a mix deans but I really think it is almost done.
Well I'm a fan. I've had the T Toft Audio Universal Audio of the art ...
Apart from the original sounds about these brands. The 1960 sounds much more class than everything except the Universal of course.
In between not tried is to rev it seems good quality too, but my machine was suffering from this. I rcupre rvis today by a luthier friend of mine in electronics.
This problem has t often evokes in this forum. The between saturates and is unusable.
My friend "you had a light skeleton, but the manufacturer also said that the Tagus saturates quickly ....... your machine suffers from anything, any components do not run ..."
I dj saturated in the first quarter. he "should spend the first to have a nice Moitiers saturation ..."
A change that I would come see Post.
SOUND QUALITY
Dj I just said?
Transparency is everything for his ings, I make music
I say pre amp prfre characters tried to get an ide!
OVERALL OPINION
APRS one year of use I just do rvis because it's worth it.
At: the sound standard fat without losing DEFINITIONS.
Cons: The attack of the compressor fast enough.
On occasion, the price of 800 to 100 make a big deal.
I think the other test product from Drawmer to see.
___2 Pairs of XLR Sym. 1 Mic and 1 line
___Les Insert (I / O) by Jack sym.
All in 2U 19 "all black, black button, switch Metal, VU meters are needles. In short a tank finally sober and discreet studio class discrte ...
UTILIZATION
The machine is clear trs. If a musician is back. The nitre has seen two positions:
__Gain Of.
__Reduction Gain by the compressor .*
Hight Pass Filter A 50, 100 htz or nothing.
Compression comes dbrayable the help of another switch:
__Norm Output level with the compressor
__Out "" "" Only the Pramp
Listen __SC "" "The insert.
APRS is good because of its gain without the compressor. Then activates or not Bouzin.
The must know a little music. The compressor is usual rglages Tresher, attack and release a 4-position (fail) and level.
This compression is terrible that simple rglage must spend time in a cost. Jolie still sound coming out of this machine is standard. But little Savre APRS blow in an unusable mix. a dribble by pushing earnings. The only pramp pose no problem and it is beautiful! Bandwidth wider than a highway. I have cable above the Flamingo Junoir (Violet Design) of NT2A Rode, A Se 2200T, My C012 Oktava, my Shure PG 56 and 52, finally I tried all my mics with almost all sources: Drum, Brass, Percussion, Strings Violin and Cello, Guitar Folk and Classical Guit Amplify and low voices and of course ...
It's a matter of taste, but the quality is l. His masterly a political commitment to music.
Compression is more like a limiter when same. The more you push the more it pramp limit. It works a little old you it seems like toft audio. Is the gain of changing its behavior. It lacks even nervosa with an attack to 0 it lets its micro-second switching time of inaction APRS is a real Less for him. Colmplexes on signals, such as a complete set of drums or Over Head is less "boring", but on a low .... Too bad. I did not even pass a mix deans but I really think it is almost done.
Well I'm a fan. I've had the T Toft Audio Universal Audio of the art ...
Apart from the original sounds about these brands. The 1960 sounds much more class than everything except the Universal of course.
In between not tried is to rev it seems good quality too, but my machine was suffering from this. I rcupre rvis today by a luthier friend of mine in electronics.
This problem has t often evokes in this forum. The between saturates and is unusable.
My friend "you had a light skeleton, but the manufacturer also said that the Tagus saturates quickly ....... your machine suffers from anything, any components do not run ..."
I dj saturated in the first quarter. he "should spend the first to have a nice Moitiers saturation ..."
A change that I would come see Post.
SOUND QUALITY
Dj I just said?
Transparency is everything for his ings, I make music
I say pre amp prfre characters tried to get an ide!
OVERALL OPINION
APRS one year of use I just do rvis because it's worth it.
At: the sound standard fat without losing DEFINITIONS.
Cons: The attack of the compressor fast enough.
On occasion, the price of 800 to 100 make a big deal.
I think the other test product from Drawmer to see.