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reXet
Published on 05/26/09 at 05:05
2 unitsrunissant rack in a device the legendary pramplificateur lamp 610 and 1176LN compressor.
UTILIZATION
The use is not complicated.
On the part of the classic pramplification it was a gain of a pad, phase reverse and EQ a little bonus (not on the original version if I do not say BTIS ) with frequency drives are prdfinis beaches but well chosen. It allows among others to do a little editing (very musical) decision. Ct compression is slightly more complicated. We have the standard Attack and Release. L o a lgrement appear different from conventional compressors is that the dose level of compression via the Input level: the more we send level, the higher the compression is strong. A little to Drout dpart but you get done quickly.
SOUND QUALITY
Cf conclusion
OVERALL OPINION
Dcrire difficult words by the sensations that we have the cost of this channel.
The sound is full, gnreux, it seems to matrialiser in your ears. This is the very first time I have the feeling of Contents carve. It was a musical with this vintage ct a bit "fat" and warm. That's exactly what I wanted to have cost the APRS trs premium (SSL, Neve, etc.).. AKG 414 XLII a coupled it gives my voice made the ct granular rock'n'roll that I like both! Taken on my acoustic guitar he also wonders and I do not even speak of its use in a DI for bass, a real rgale. You can push the machine to its limits, it will come out always something musically INTERESTED even magic! It's good to add that feeling into a purely analog studio that is becoming more and more by the aseptic numrique.
I think this couple (AKG 414 XLII) has a strong personality and trs it would be may be not all styles dj possde but if something transparent in its arsenal and that we want toffe his sonic palette with something more typical with characters so it's a choice to make your eyes closed ... ears open ...
UTILIZATION
The use is not complicated.
On the part of the classic pramplification it was a gain of a pad, phase reverse and EQ a little bonus (not on the original version if I do not say BTIS ) with frequency drives are prdfinis beaches but well chosen. It allows among others to do a little editing (very musical) decision. Ct compression is slightly more complicated. We have the standard Attack and Release. L o a lgrement appear different from conventional compressors is that the dose level of compression via the Input level: the more we send level, the higher the compression is strong. A little to Drout dpart but you get done quickly.
SOUND QUALITY
Cf conclusion
OVERALL OPINION
Dcrire difficult words by the sensations that we have the cost of this channel.
The sound is full, gnreux, it seems to matrialiser in your ears. This is the very first time I have the feeling of Contents carve. It was a musical with this vintage ct a bit "fat" and warm. That's exactly what I wanted to have cost the APRS trs premium (SSL, Neve, etc.).. AKG 414 XLII a coupled it gives my voice made the ct granular rock'n'roll that I like both! Taken on my acoustic guitar he also wonders and I do not even speak of its use in a DI for bass, a real rgale. You can push the machine to its limits, it will come out always something musically INTERESTED even magic! It's good to add that feeling into a purely analog studio that is becoming more and more by the aseptic numrique.
I think this couple (AKG 414 XLII) has a strong personality and trs it would be may be not all styles dj possde but if something transparent in its arsenal and that we want toffe his sonic palette with something more typical with characters so it's a choice to make your eyes closed ... ears open ...