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gigipe « Great »
Published on 05/01/13 at 04:04Form of USO (Unidentified Object playing music) does not allow him to enter into a rack.
It is very complete, but the number of channels is limited. This means that sound in a jazz ensemble of 15 musicians is impossible with itself. We solved the problem with an additional table dedicated to drums and percussion that has a single entry! (200 €)
It is used for a music school, and two groups: 15 and 7 jazz musicians pop / rock / varieties.
UTILIZATION
General setup a bit confusing at first but once made extremely simple abstraction of ancient knowledge.
The manual is clear (PDF on iPad, PC, etc.) and complex yet essential to start. After everything is intuitive.
The biggest problem is the manipulation of knobs levels on the iPad screen. Wanting to use the same aesthetic as the console we lose in practice. An Update Firmware iPad wins with straight sliders please.
SOUNDS
The sound is giant, little or no wind.
We played 6 (2 voice, guitar, bass, keyboard, drum machine) without amp and live on the console (with DI box for guitar and shure wireless system for bass), recorded all on SD card. The quality is perfect, low sounds in the studio, the guitar is clear.
The musicians are the limiting factor!
And many configurable filters in all directions.
Dynamics dream for our needs: we do not play at the Zenith. But the volume of beeps in a gym with all the vagaries of such acoustic room.
OVERALL OPINION
2 months of use, before we played on an analog Peavey 32 tracks for 7 years no comparison
This is the top 8
We are not swallowed sound as there are probably settings that they will not find. But we are far short of its potential.
The top:
- Control the iPad, no need to put the console at the back of the room with 30 m cable.
- The overall quality
- Recognition of the instruments as they are connected
The flop:
- Firmware iPad perfectible
It is very complete, but the number of channels is limited. This means that sound in a jazz ensemble of 15 musicians is impossible with itself. We solved the problem with an additional table dedicated to drums and percussion that has a single entry! (200 €)
It is used for a music school, and two groups: 15 and 7 jazz musicians pop / rock / varieties.
UTILIZATION
General setup a bit confusing at first but once made extremely simple abstraction of ancient knowledge.
The manual is clear (PDF on iPad, PC, etc.) and complex yet essential to start. After everything is intuitive.
The biggest problem is the manipulation of knobs levels on the iPad screen. Wanting to use the same aesthetic as the console we lose in practice. An Update Firmware iPad wins with straight sliders please.
SOUNDS
The sound is giant, little or no wind.
We played 6 (2 voice, guitar, bass, keyboard, drum machine) without amp and live on the console (with DI box for guitar and shure wireless system for bass), recorded all on SD card. The quality is perfect, low sounds in the studio, the guitar is clear.
The musicians are the limiting factor!
And many configurable filters in all directions.
Dynamics dream for our needs: we do not play at the Zenith. But the volume of beeps in a gym with all the vagaries of such acoustic room.
OVERALL OPINION
2 months of use, before we played on an analog Peavey 32 tracks for 7 years no comparison
This is the top 8
We are not swallowed sound as there are probably settings that they will not find. But we are far short of its potential.
The top:
- Control the iPad, no need to put the console at the back of the room with 30 m cable.
- The overall quality
- Recognition of the instruments as they are connected
The flop:
- Firmware iPad perfectible