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the bubble
Published on 10/03/08 at 00:31
Précésents see the reviews and the site of yam
lack of other audio I / O for my taste.
UTILIZATION
The touch is heavy, in fact more than many acoustic pianos. me I'm fine. it allows muscles fingers. I certainly would use it for technical accuracy.
SOUNDS
I was pleasantly surprised by the sounds of piano, I expected worse given the views of others on the issue. But let's be clear: you will never render a very special acoustic fortunately, where happiness to continue playing on a real piano.
that said, this machine is certainly metal, but dosed more than its predecessors (I speak here of Clavinova and portable that I have tested).
the dynamic range, only the internal amplification is already interesting. it assumes good things in external amplification seen other reviews.
I find sufficient internal amplification. My u1 is nearly as powerful as that I speak here as an interpreter and not listener) cover open and it costs 7500 euros. one great thing: the key off, you always hear the effects of the table. harmony, it's great fun! else, the notion of spatial hearing: the speakers behind and before that avoid pushing the sound because the singers can not hear the sound, or lower because you can not hear the singers and other instrumentalists, an idea simple and brilliant that I have tested in September.
I do not mean that the other sounds of piano, I did not really like, yam would still have made an effort in that direction, too bad, right down to the note.
OVERALL OPINION
I tried it on one hour of Schumann (Scenes from Childhood), Mozart (Sonata called easy) and pieces of my composition. This was not enough to learn, but enough to realize it has possibilities. forget the classic if you are professional, except for small concerts in remote locations, but not agree to specialists.
I will say more after receipt and more intensive use, must first of all I order.
I've had two days. I find the same errors on my part expressiveness on the P140 as the u1 is a good sign .... it responds well, touch requires thorough without being blurry, I like it! his side, I can still play the Schumann by putting a small minimum Interpret, I can still not ask the richness of a real piano, it's impossible. put some review of the volume thoroughly blurred, there is not at all, it depends on the joint (fingers of course!), except that where some acoustic pianos "hide" a little this gap in interpreter (but unfortunately not the listener!), p 140 sends it to you in full face and that's fine, as you progress and commend the game in question! the piano is really solid and well finished, for now, I is suitable for all styles of music. attention: I think it is too subjective!
Today I have for two months. working "I Feel Pretty" from West Side Story, I felt for the first time the harmonic limits of the beast, when we sounded different agreements quickly (last page, the last two systems of the song for those who know) , you feel the next synthetic samples, which is like a "voicing" finally something not really like the acoustic piano. it was a little disturbed at first but I no longer work on this machine as my technique and just for sound. after all, a joy on the sound, I return to my u1. The yam is like all digital sound in a beautiful appearance, and when you dig more than the attack of the sound and timbre, you can feel the machine. I can assure you, there is a very good investment, you've got the advice of a pianist confirmed.
lack of other audio I / O for my taste.
UTILIZATION
The touch is heavy, in fact more than many acoustic pianos. me I'm fine. it allows muscles fingers. I certainly would use it for technical accuracy.
SOUNDS
I was pleasantly surprised by the sounds of piano, I expected worse given the views of others on the issue. But let's be clear: you will never render a very special acoustic fortunately, where happiness to continue playing on a real piano.
that said, this machine is certainly metal, but dosed more than its predecessors (I speak here of Clavinova and portable that I have tested).
the dynamic range, only the internal amplification is already interesting. it assumes good things in external amplification seen other reviews.
I find sufficient internal amplification. My u1 is nearly as powerful as that I speak here as an interpreter and not listener) cover open and it costs 7500 euros. one great thing: the key off, you always hear the effects of the table. harmony, it's great fun! else, the notion of spatial hearing: the speakers behind and before that avoid pushing the sound because the singers can not hear the sound, or lower because you can not hear the singers and other instrumentalists, an idea simple and brilliant that I have tested in September.
I do not mean that the other sounds of piano, I did not really like, yam would still have made an effort in that direction, too bad, right down to the note.
OVERALL OPINION
I tried it on one hour of Schumann (Scenes from Childhood), Mozart (Sonata called easy) and pieces of my composition. This was not enough to learn, but enough to realize it has possibilities. forget the classic if you are professional, except for small concerts in remote locations, but not agree to specialists.
I will say more after receipt and more intensive use, must first of all I order.
I've had two days. I find the same errors on my part expressiveness on the P140 as the u1 is a good sign .... it responds well, touch requires thorough without being blurry, I like it! his side, I can still play the Schumann by putting a small minimum Interpret, I can still not ask the richness of a real piano, it's impossible. put some review of the volume thoroughly blurred, there is not at all, it depends on the joint (fingers of course!), except that where some acoustic pianos "hide" a little this gap in interpreter (but unfortunately not the listener!), p 140 sends it to you in full face and that's fine, as you progress and commend the game in question! the piano is really solid and well finished, for now, I is suitable for all styles of music. attention: I think it is too subjective!
Today I have for two months. working "I Feel Pretty" from West Side Story, I felt for the first time the harmonic limits of the beast, when we sounded different agreements quickly (last page, the last two systems of the song for those who know) , you feel the next synthetic samples, which is like a "voicing" finally something not really like the acoustic piano. it was a little disturbed at first but I no longer work on this machine as my technique and just for sound. after all, a joy on the sound, I return to my u1. The yam is like all digital sound in a beautiful appearance, and when you dig more than the attack of the sound and timbre, you can feel the machine. I can assure you, there is a very good investment, you've got the advice of a pianist confirmed.