coolwaiss
Note : 10 sur 10
« Its dynamic static »
Published on 02/18/11 at 01:10see previous review
OVERALL OPINION
1 mois.Je have compared to: SM 58, BETA 58A, OM3, TG88, E865, E835, RODE NT1 (all microphones are in perfect working condition ) in passing through a MOTU MK1, MK1 and a ENVOICE SOLO 610.Sa sound color is close to the Neumann KMS 105, which is a static. He did not "projecting" the SM58, because it seems to compress the voice and return the stamps with neutrality (the highs are sweet and serious not accented). In previous opinions, it is often considered better than the SM58, as a singer, I prefer to style "intimate" or grades must be heard (in a noisy environment) not for the Blues or the sound "dirty", "thick" and "potato" of the SM58 seems to me more adapté.Par analogy would be the SM58 and OM7 GIBSON, TELECASTER.L a 'OM7 is more than SM58 microphone, but its "transparency" is remarkable.
OVERALL OPINION
1 mois.Je have compared to: SM 58, BETA 58A, OM3, TG88, E865, E835, RODE NT1 (all microphones are in perfect working condition ) in passing through a MOTU MK1, MK1 and a ENVOICE SOLO 610.Sa sound color is close to the Neumann KMS 105, which is a static. He did not "projecting" the SM58, because it seems to compress the voice and return the stamps with neutrality (the highs are sweet and serious not accented). In previous opinions, it is often considered better than the SM58, as a singer, I prefer to style "intimate" or grades must be heard (in a noisy environment) not for the Blues or the sound "dirty", "thick" and "potato" of the SM58 seems to me more adapté.Par analogy would be the SM58 and OM7 GIBSON, TELECASTER.L a 'OM7 is more than SM58 microphone, but its "transparency" is remarkable.