All t adj said. I confirm: it needs a good rglage. Good to know: mine had a wedge to block the vibrato (not possible to mount the notes) I did remove a luthier ... who told me that c'tait ralisations really a beautiful instrument for a SERIES!

UTILIZATION

From my point of view, the handle is gnial. Nothing to do with the Ibanez, but with comfort. I did polish the frets, it sounds since nickel.
It is trslgre, but a dense and its trs, moreover, quite special, is dmarquant of what has been commonly used to hearing.
Mine is green. Superb finish, with no default.

SOUNDS

I play rock, heavy plutt, however, never be extreme. It provides sound and trs trs pro (I had the opportunity to take him in the studio, and it does fly!).
When empty, it has a nice rsonnance. You want to plug trs fast!
I jou on various amplifiers (transistor, lamps, modlisation). Pingle she released her game every time. Mention specially the three microphones and split that offer a truly staggering array regardless of the channel used (clean, crunch, distortion ...).
Personally, I like the positions intermdiaires. And for those who know something about King's X, playing with Goldilox can touch the sound of the trs prs matre Ty Tabor.
I really like the splitter, rather unusual: just a switch, not a push-pull!

OVERALL OPINION

I have 7 years. I possde diffrent guitars, and say it's my MODEL premium (the era I had been to a few 1000).
The report price is gnial quality, I'll buy myself a prt of OCCAZ (apparently no longer produces the Yamaha models).
I do not regret my choice at all. In addition, it is relatively rare, making it possible to be both visually mark the point of view of sound.