the wait
Published on 11/17/08 at 01:39
How long have you use it?
Only two trials but having taken the time all the same
this instrument was not mine ...
- What is so special that you like most and least?
being the least for me: the size of the instrument, the responsiveness of the pads ...
the most, being virtually identical to the least: I will explain
the size of the instrument is confusing at first, especially for someone who only plays on acoustic .. BENCHMARKS being virtually redefine ... once this is achieved, c still more cool not to tear arms ... but I think it is more difficult to switch from acoustic to electro, rather than vice versa ...
next space ... I am silent there is nothing to say ... ... and 2 temps 3 mouvements, c tidy!
the reactivity of pads: I found this great, 5 minutes ... after, must see, although the sensitivity of the pad is well spaced, I find the bounce too pronounced.
I would say that learning of such an instrument (as I find it amazing all the same) is risky! for a student, I suspect the passage to sound very very difficult ...
also found a lower wholesale: charley responsiveness and cymbals:
crash: impec
charley: reactivity ok but no opportunity to play semi-open ... and it, not c terrible ..
same as when the ride: no difference (or little) between the bell / slice / body of the cymbal and also no diff from the striking position of the rod (neck / body / olive)
- Have you tried many other models before buying it?
TD3 and TD6: blah ....
How would you rate the quality / price?
difficult to judge: it is not for me
everything is debatable, finacierement, but the high-end sound are also overpriced so .....
- With experience, you do again this choice? ...
if I had to buy an (electro), and before thinking about the td20, I would think strongly in the first td12
at least at the module, on c ... Now, I would have looked better but it does not seem to have seen an exit / element of the module: it must be relatively delicate recording ...
to end on a positive note: c ... a super instrument that is far from the elec ... 80 years of getting started is quick, easy and, above all, realistic .... c a positive note so that I would leave
Only two trials but having taken the time all the same
this instrument was not mine ...
- What is so special that you like most and least?
being the least for me: the size of the instrument, the responsiveness of the pads ...
the most, being virtually identical to the least: I will explain
the size of the instrument is confusing at first, especially for someone who only plays on acoustic .. BENCHMARKS being virtually redefine ... once this is achieved, c still more cool not to tear arms ... but I think it is more difficult to switch from acoustic to electro, rather than vice versa ...
next space ... I am silent there is nothing to say ... ... and 2 temps 3 mouvements, c tidy!
the reactivity of pads: I found this great, 5 minutes ... after, must see, although the sensitivity of the pad is well spaced, I find the bounce too pronounced.
I would say that learning of such an instrument (as I find it amazing all the same) is risky! for a student, I suspect the passage to sound very very difficult ...
also found a lower wholesale: charley responsiveness and cymbals:
crash: impec
charley: reactivity ok but no opportunity to play semi-open ... and it, not c terrible ..
same as when the ride: no difference (or little) between the bell / slice / body of the cymbal and also no diff from the striking position of the rod (neck / body / olive)
- Have you tried many other models before buying it?
TD3 and TD6: blah ....
How would you rate the quality / price?
difficult to judge: it is not for me
everything is debatable, finacierement, but the high-end sound are also overpriced so .....
- With experience, you do again this choice? ...
if I had to buy an (electro), and before thinking about the td20, I would think strongly in the first td12
at least at the module, on c ... Now, I would have looked better but it does not seem to have seen an exit / element of the module: it must be relatively delicate recording ...
to end on a positive note: c ... a super instrument that is far from the elec ... 80 years of getting started is quick, easy and, above all, realistic .... c a positive note so that I would leave