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rhum66
Published on 07/24/08 at 07:29
These microphones were placed on a classic Stratocaster fiesta red series 50, for about 6 mùois.
The sounds are reminiscent of those microphones layers of Lynyrd Skynyrd (Sweet Home Alabama ..) or the hendrix little wing of the crystalline or ultra sounds dirty to hendrix improv "Villanova Junction" in Woodstock.
I can compare with the texas special and 67/62 with the two sets of Fender, custom stamped shop.Les in texas are very full-bodied midrange and treble lacks a bit, so they're very well on key rosewood for sounds Very velvety. The 57/62 are small wonders: I have mounted on the same guitar (but surf green), it really touches mapple hendrix especially, but not too much midrange, bass velvet crunch of specific A balanced bite and never aggressive.
Precisely speaking, or rather aggressive biting is the specificity of 69, attacking the strings, the notes gently tear, especially with light crunch (ts 808), and a slightly dirty blues, IT There is no better, or are velvety and soft 57/62 (polite shall we say ...), the tear in the top 69 méduims and pull on the leash like a mad dog, or the sounds of shelling texas round sometimes missing teeth, the 69 cisellent in the mix without losing treble (even if you use a tube screamer ded'aigus eater.).
The intermediate positions are clear in his clear: it sometimes imression to have a natural chorus (the other sets do not provide this ...
In short, for 260 Euros, transform a Southwestern lambda vintage sound machine (that is standard practice in the United States to customize the microphones ...), we approach the models two to three times more expensive for not much and we was not afraid to go play pub with ...
For those who hesitate, do not hesitate, go for it.
I have other Mexican Classic series and I plan to test other sets (Fat 50 ', 54 Custom and Seymour ssl1).
These microphones have a modest level of output, resistance 5.9 K for the three microphones (to compare Texas are around 6.4 K to 7 K depending on the position of the microphone), but this is precisely why it bite well.
A play on Twin or Deluxe Reverb (all lamps) with a tube screamer, it's the marshmallows, it's dripping ...
View test youtube: http://fr.youtube.com/watch?v=zfnCbvKy2HU
The sounds are reminiscent of those microphones layers of Lynyrd Skynyrd (Sweet Home Alabama ..) or the hendrix little wing of the crystalline or ultra sounds dirty to hendrix improv "Villanova Junction" in Woodstock.
I can compare with the texas special and 67/62 with the two sets of Fender, custom stamped shop.Les in texas are very full-bodied midrange and treble lacks a bit, so they're very well on key rosewood for sounds Very velvety. The 57/62 are small wonders: I have mounted on the same guitar (but surf green), it really touches mapple hendrix especially, but not too much midrange, bass velvet crunch of specific A balanced bite and never aggressive.
Precisely speaking, or rather aggressive biting is the specificity of 69, attacking the strings, the notes gently tear, especially with light crunch (ts 808), and a slightly dirty blues, IT There is no better, or are velvety and soft 57/62 (polite shall we say ...), the tear in the top 69 méduims and pull on the leash like a mad dog, or the sounds of shelling texas round sometimes missing teeth, the 69 cisellent in the mix without losing treble (even if you use a tube screamer ded'aigus eater.).
The intermediate positions are clear in his clear: it sometimes imression to have a natural chorus (the other sets do not provide this ...
In short, for 260 Euros, transform a Southwestern lambda vintage sound machine (that is standard practice in the United States to customize the microphones ...), we approach the models two to three times more expensive for not much and we was not afraid to go play pub with ...
For those who hesitate, do not hesitate, go for it.
I have other Mexican Classic series and I plan to test other sets (Fat 50 ', 54 Custom and Seymour ssl1).
These microphones have a modest level of output, resistance 5.9 K for the three microphones (to compare Texas are around 6.4 K to 7 K depending on the position of the microphone), but this is precisely why it bite well.
A play on Twin or Deluxe Reverb (all lamps) with a tube screamer, it's the marshmallows, it's dripping ...
View test youtube: http://fr.youtube.com/watch?v=zfnCbvKy2HU