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Published on 03/07/09 at 01:29
I mounted the mic on a guitar I made a month ago.
The sound is both hot and nervous, but very versatile vintage since I use both jazz for the metal.
The cache is semi-open, it gives the original look and a microphone, I think, pretty class.
Wiring is simple, noted that on a guitar Duesenberg there is a split that allows to explore all the sounds imaginable, without any loss in volume when changing from one tone to another.
The output level is high, no problem with a couple gibson 490 in handle.
Nervousness is also related to the guitar (ash body) but I also had a Duesenberg was surprised by fishing for this microphone.
The grain is very fine, it colors the overdrive a bit like the sound of Gibbons in ZZ and fries can be strings, there is a dynamic quite impressive.
In a Mesa 2:50 + JMP1 the distortion is anything but chemical: a real sound to the Mastodon, huge and full, not hollow (rather rounded in the treble) and to switch from rhythm to solo without failing.
A 90 euros new, do not hesitate.
I would probably not on the microphone to the guitar next, although the desire to try all the mics in the world has long haunted me. To be continued ...
The sound is both hot and nervous, but very versatile vintage since I use both jazz for the metal.
The cache is semi-open, it gives the original look and a microphone, I think, pretty class.
Wiring is simple, noted that on a guitar Duesenberg there is a split that allows to explore all the sounds imaginable, without any loss in volume when changing from one tone to another.
The output level is high, no problem with a couple gibson 490 in handle.
Nervousness is also related to the guitar (ash body) but I also had a Duesenberg was surprised by fishing for this microphone.
The grain is very fine, it colors the overdrive a bit like the sound of Gibbons in ZZ and fries can be strings, there is a dynamic quite impressive.
In a Mesa 2:50 + JMP1 the distortion is anything but chemical: a real sound to the Mastodon, huge and full, not hollow (rather rounded in the treble) and to switch from rhythm to solo without failing.
A 90 euros new, do not hesitate.
I would probably not on the microphone to the guitar next, although the desire to try all the mics in the world has long haunted me. To be continued ...