All user reviews for the Kami Micros Blackrose

I own this mic on a guitar neck luthier Davids custom shop.
This is coupled with a micro PRS Dragon II splite in bridge.

I also experience a set Kami stratovolcano on an Ibanez roadstar 1984
that satisfies me.

For Blackrose, it's a great mic in its class but has the defects of its qualities:

Advantage:
It is clean.
For Clean and distortion lead it works great.
Clarity, precision sound even in large distortion: nothing in excess.
For jazz is also good, although I personally prefers a more classic 57 "roots"

Disadvantage:
It is clean.
So Blues and other dirty crunch, go your way because it will be too specific
cruncher for badly as we like.
Normal, we can not do a good thing and its opposite at the same time.
You just need to know before purchasing this Blackrose.
EDIT:
I have read information on the Pharaonic higher prices for pickups sylvain
(Like almost tripled)
I do not get into this controversy which allows no doubt be able to honor
orders without losing money.
I personally have had the chance to m 'buy one secondhand before. (100 euros)
Would I put twice?
Surely not.
But for other brands either ..

Following a request that I just discovered: the KAMI blackrose installed on my LP CUSTOM the custom shop GIBSON, verse with NO PAF from the same manufacturer / designer. I think it is worth mentioning this info.
I use it for 1 year and a half, and I've tried many other mics before this one. .... The whole class really.
Without making too much, I found the gem, this kind of microphone that literally transcends the potential of a guitar.
I bought the guitar with pickups already installed on it, and I had tried many model before, when I plugged in my all-tube KOCH, I immediately felt the difference between the series and the fact hand slap!
EVERYTHING IS BALANCED clear crunch yesterday gain, micro cash everything. Very accurate, with a high level of output, it requires precision in the game.
A MUST HAVE ON ITS guitar

Micro handmade and more Made in France! I see right away that say Okay, well you're wrong, I tried a lot of the Seymour Duncan SH and SSL and such on the side of EMG ... for these microphones Kami is the ultimate, outstanding production quality is not quantity that counts in terms of production ... even if you wait a little microphone frankly it's worth the trouble, is the slamming, the sound is creamy, not blur it, the sound is powerful while retaining accuracy, a definition out of the ordinary ... we are short in Excellence, the designer knows his job is a passion ... the race Knob volume is usable on a magnitude rarely seen.
You want to get out the sounds of classic brands of microphones, then try one board micro Kami or you want a microphone with your particular sound is possible I have asked and frankly I was not disappointed at all, good I still see that cause and the price well it is reasonable in light of what I know of microphones made entirely by hand, I plan to start campaigning find Kami microphones that will suit my EC-1000 because EMG kit does not suit me for info and I mounted the Blackrose in the neck position (neck) and the model in the bridge position Arashi (Bridge) on my PRS, I love these 2 mics because they are used in both solo Rhythmic or as needed, a kill these micro KAMI, a big THANK YOU to the magician Sylvain Kami!

There is also Judge Fredd who says what he thinks of pickups Kami to this address:
https://www.judge-fredd.fr/spip.php?article604