PatjacK
Published on 12/19/08 at 07:47
View Previous notice. Very complete.
UTILIZATION
The finish is superb. No fart in the junction body / neck.
The cream binding body-neck-and especially head is the most beautiful effect. Previous versions had the classic head, without ornament of this kind.
The grip is quite comfortable. She is not heavy extrment, however, I will not try to put barbed wire as a strap. Simply put, this is not the worst.
The handle 60's is extremely pleasant. There, again, this is the right balance: enough country to take confidence when its solidity and fine enough for the ease.
CASC is to treble for classic Les Paul.
SOUNDS
Plugs into a full stack Marshall JCM 2000 TSL 100 now:
1) Clear sound
- Bridge: Fun, without being truly transcendent. I always had trouble with any fawn bridge pickup clean sound. However, we feel the banging the microphone, not really dsagrable.
- Intermediates: Hot, very hot. Ideal for arpges and Jazz sounds. She will not blush face a lot of half-boxes.
- Channel: Purely blues. I hte him a flank lgre reverb. The few solos flow easily and are more qu'agrables.
2) His saturbr />
- Bridge: Slamming again. On a Marshall, that's what it takes. Those playing on distortions less british him prfreront certainly P90. But with distortion "dirt" Made In England, it is the right thing.
- Intermediates: I'll let you judge, I am not a proponent of this position regardless of the guitar used.
- Channel: blues here above. A be regulated. Notes solos are nice and hot tears. On a Fender Blues Deluxe, a must do wonders. Already on my Marshall, I am convinced.
Sort this out in it all. Rock, Pop, Jazz, Blues, Hard. The output level of the mini are still a little lightweight for the metal. I test with an overdrive just to see what gave: ben finally, heavy metal, there's way.
OVERALL OPINION
I was looking guitar in my life. I. This is my troisime Gibson, and that's good.
I'm not ready for me dbarasser. I melt for littrallement Les Paul Goldtop when I saw a video with someone playing on a model 73 when I was 7 years. I wanted it ever since. It was worth the wait, I wanted the guitar that I will look old. This is the case today ...
A limited edition 400 copies? He needed one for me ...
The quality has a price in the words Previous user. For this type of guitar, that kind of investment is more than wise.
UTILIZATION
The finish is superb. No fart in the junction body / neck.
The cream binding body-neck-and especially head is the most beautiful effect. Previous versions had the classic head, without ornament of this kind.
The grip is quite comfortable. She is not heavy extrment, however, I will not try to put barbed wire as a strap. Simply put, this is not the worst.
The handle 60's is extremely pleasant. There, again, this is the right balance: enough country to take confidence when its solidity and fine enough for the ease.
CASC is to treble for classic Les Paul.
SOUNDS
Plugs into a full stack Marshall JCM 2000 TSL 100 now:
1) Clear sound
- Bridge: Fun, without being truly transcendent. I always had trouble with any fawn bridge pickup clean sound. However, we feel the banging the microphone, not really dsagrable.
- Intermediates: Hot, very hot. Ideal for arpges and Jazz sounds. She will not blush face a lot of half-boxes.
- Channel: Purely blues. I hte him a flank lgre reverb. The few solos flow easily and are more qu'agrables.
2) His saturbr />
- Bridge: Slamming again. On a Marshall, that's what it takes. Those playing on distortions less british him prfreront certainly P90. But with distortion "dirt" Made In England, it is the right thing.
- Intermediates: I'll let you judge, I am not a proponent of this position regardless of the guitar used.
- Channel: blues here above. A be regulated. Notes solos are nice and hot tears. On a Fender Blues Deluxe, a must do wonders. Already on my Marshall, I am convinced.
Sort this out in it all. Rock, Pop, Jazz, Blues, Hard. The output level of the mini are still a little lightweight for the metal. I test with an overdrive just to see what gave: ben finally, heavy metal, there's way.
OVERALL OPINION
I was looking guitar in my life. I. This is my troisime Gibson, and that's good.
I'm not ready for me dbarasser. I melt for littrallement Les Paul Goldtop when I saw a video with someone playing on a model 73 when I was 7 years. I wanted it ever since. It was worth the wait, I wanted the guitar that I will look old. This is the case today ...
A limited edition 400 copies? He needed one for me ...
The quality has a price in the words Previous user. For this type of guitar, that kind of investment is more than wise.