View other reviews for this product:
KirKill « oh no .... »
Published on 12/06/12 at 08:21Les Paul by Gibson USA
Mahogany body as Traditional (weight relief) AA maple table, mine is blue I admit that it is successful
Mahogany neck profile 60 touches 22 frets maple roast
micro: 496R neck and 500T bridge (ceramic)
mechanical vintage tulip
Gibson and Stopbar and Tune-O-Matic
2 tone 2 volume with push / pull
UTILIZATION
the handle is fine it's 60, it is easy to feel comfortable it after we like it or not a matter of taste ...
the system of push / pull is rather fragile especially in the position where one draws the button on mine is a 360 but it still works good ...
side weight is lighter than the Classic 90s which was pretty heavy on the other hand it was a 100% full
SOUNDS
the sound is modern microphones config is the same as the Flying V, the sound is a little brighter than the Gibson Classic 90 years, we are in more in the middles and treble that is where it is expressed best in the big drive it does well there's teeth, by the clean looks against cold is unattended after you have to play with the Tone ... and here it is the better side after the push / pull it immediately gives one side Jimmy Page, with a config Alnico 3 neck and Alnico 5 bridge in I think it may well blow test ... if you have a more open range system with single or dual I like but there is a difference of volume still
OVERALL OPINION
The black dot is the key "Baked Maple" even if you do not feel much difference if it is notable that visually because it really is ugly, it looks like a Ovaltine puked a bum lol
inventiveness of Gibson: reusing the name of a series that has card at the time and key changes the way ... the great guy except for the price you want to rosewood and maple if not all take a Stratocaster or Telecaster ... just for that I say no, we do not care where our mouth especially in nine can be Traditional
Mahogany body as Traditional (weight relief) AA maple table, mine is blue I admit that it is successful
Mahogany neck profile 60 touches 22 frets maple roast
micro: 496R neck and 500T bridge (ceramic)
mechanical vintage tulip
Gibson and Stopbar and Tune-O-Matic
2 tone 2 volume with push / pull
UTILIZATION
the handle is fine it's 60, it is easy to feel comfortable it after we like it or not a matter of taste ...
the system of push / pull is rather fragile especially in the position where one draws the button on mine is a 360 but it still works good ...
side weight is lighter than the Classic 90s which was pretty heavy on the other hand it was a 100% full
SOUNDS
the sound is modern microphones config is the same as the Flying V, the sound is a little brighter than the Gibson Classic 90 years, we are in more in the middles and treble that is where it is expressed best in the big drive it does well there's teeth, by the clean looks against cold is unattended after you have to play with the Tone ... and here it is the better side after the push / pull it immediately gives one side Jimmy Page, with a config Alnico 3 neck and Alnico 5 bridge in I think it may well blow test ... if you have a more open range system with single or dual I like but there is a difference of volume still
OVERALL OPINION
The black dot is the key "Baked Maple" even if you do not feel much difference if it is notable that visually because it really is ugly, it looks like a Ovaltine puked a bum lol
inventiveness of Gibson: reusing the name of a series that has card at the time and key changes the way ... the great guy except for the price you want to rosewood and maple if not all take a Stratocaster or Telecaster ... just for that I say no, we do not care where our mouth especially in nine can be Traditional