marcibus
Note : 8 sur 10
« funky and / or psychedelic! »
Published on 04/19/13 at 09:12Analog, with full settings ...
on one side the signal change: the sub octave, guitar, octave and fuzz
the other modulation (filter what) resonance, the beginning and end of the sequence, and the spleen. In addition: the trig (time or effect snaps wholesale) and attack (for violins effects for example).
UTILIZATION
It's pretty simple and visual end, after touching a bit of everything we understand how it works fairly easily (I think).
No presets or noon, it's mono!
SOUND QUALITY
I love the sound! It's hot, a little dirty, not for rhythmic chordal
but for very groovy riffs, although the fact that FAT!
With a little experience it also acts octavia and fuzz.
OVERALL OPINION
I have the old version, I put it in the loop of the amp,
or I isolates with non-true bypass pedals.
This is the sound of keyboards before digital, but the guitar.
With a phaser behind a little delay is what to do ...
This is a bit of a tool in itself.
on one side the signal change: the sub octave, guitar, octave and fuzz
the other modulation (filter what) resonance, the beginning and end of the sequence, and the spleen. In addition: the trig (time or effect snaps wholesale) and attack (for violins effects for example).
UTILIZATION
It's pretty simple and visual end, after touching a bit of everything we understand how it works fairly easily (I think).
No presets or noon, it's mono!
SOUND QUALITY
I love the sound! It's hot, a little dirty, not for rhythmic chordal
but for very groovy riffs, although the fact that FAT!
With a little experience it also acts octavia and fuzz.
OVERALL OPINION
I have the old version, I put it in the loop of the amp,
or I isolates with non-true bypass pedals.
This is the sound of keyboards before digital, but the guitar.
With a phaser behind a little delay is what to do ...
This is a bit of a tool in itself.