-Chinese-made
Mahogany neck-through-24 frets, ebony fingerboard (yum) 1
Bc rich sub-floyd lisence, very bad, -2 for the price of a good rises ca buy a floyd the price of a skyscraper 650 250 = € 900
-2 Double bc rich (great surprise)
-2 Volumes a three-position selector type tonalite gibson
Nato-body (very good sound)
Very-good finish for a price
Lutra not great at the knockout box for microphones -1 (on mine to get high the bridge pickup is really bad so even -1)
Mechanical-shit -1 (I am the severe vi there is a beer of good quality rope)
-Value for money: a little expensive compared with the overall quality (if you count the purchase of an original floyd) -1
Total 5 / 10

UTILIZATION

The handle is a real treat if you like a little round handle type gibson.
access to the acute lethal grace is the profile of the neck-through.
The ebony fingerboard is beautiful, very pleasant

Electronic level two volumes a tone selector 3 positions a very good position for my taste, very easy to use so

hardware level: the Macanese are disgusting and floyd does not HOLDS ACORD after use -1 only because if we change the floyd (which I also dry) block string offsets the bad Mecas

Total 9 / 10

SOUNDS

So that's where it becomes more interesting and more surprising:
BC Rich is the microphones Excellent (I say that I am an Unconditional EMG, I play sometimes DiMarzio, and somewhat more rarely duncan, and only three brands!). the choice of microphone is always something very delicate following the result that is desired, and I thought choosing a pure tone zone / paf pro on the guitar. I still wanted to try at home quietly original mics (one never knows), but not of ilusion me because I always was very disappointed microphones "offered" with guitars (v7/v8, DiMarzio IBZ, RN, gibson epiphone in design, jackson, duncan design, etc. ...). and many of the friends: slap in my face!
These microphones have a real character and a very strong personality, a grain halfway between DiMarzio (Tone Zone) and Duncan (sh4), a large full dynamics on top of that, and an output level to rival the concurrency ( same EMG). While there is a black dot: the precision. it is not catastrophic, but the accuracy is still far from the high-end concurrency.
this little personal lack of precision gives bcp charming and quite frankly I wonder if I'll change the pickups ...

in addition to being well made, they are very versatile, you can play everything with: jaz, blues, Detah metal, heavy rock that spot, neo, etc ...

I basically ssuis under the spell of the couple grate micro in terms of sound and if I could I would put 25/10

I can already hear the purists go me beaten up: do not care because I know what a very good scratch (les paul, sg, RR1, start us, eclipse, etc ...) and frankly the price diference is far from justified

OVERALL OPINION

Unfortunately nothing is perfect, and this guitar proves it, as the sound is mortal, the finishes are great for the price, the comfort of game is Excellent, but frankly even if it is not € 650 a ruin it is expected Honesty in all have a Luter meileure of quality ... floyd the horrible, that price has not be asking too much.
writ as stated at the beginning: a little expensive for what it is (-1) but hey you have to take into account qqchose much more subjective: there are only bc rich warlock who makes and models Chinese are the easiest to find so if you like ...