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Nigel
Published on 07/23/04 at 06:51
Characteristics are known to almost everyone and for details refer to offcial site. A major disadvantage in my opinion: no possibility of an additional baffle within the loop with another amp or tweak a walkthrough ... home. This point is logically determined by Fender to sell the Head model but ... a detail that has weighed heavily in my decision to separate myself after 3 years of loyal service. I bought in fact one of the first models came out and did it update by Fender France every year.
Excellent point: XLR outputs for recording or a cover impeccable front stereo. Side effects, algos bases are there with a very good return and a few bonus pearls of beauty such steps echo the questions that simulate famous reverb bands.
Major drawback in my opinion, the operating system (even on the issue 2) does not allow complete autonomy in the implementation of patches. We regret not being able to include cumulative effects blocks in quantities to address interesting sounds more experimental and original.
The knobs is mobile, in addition to being pretty fun, very convenient to avoid losing the north between different patches and still have before the real-time adjustments during the research phase and comparing sounds.
The tuner is a little too sensitive on certain model. I have a friend who has one also and can not correctly allocate grant my instrument (Floyd Classic Stratocaster U.S.) while mine is on the nickel ... do not search sometimes loll
The trim is a thing which is interesting because according to the instruments we can properly manage the output level. Cons by the major weakness of this amp is the retitution low frequencies, the phenomenon of tailgating CSP is quite common and painful when using EQ scooped. Using quite often with my strat Hotrails neck in the worst trouble I had to limit the phenomenon of saturation involuntary.
UTILIZATION
The focntionnement is easy as pie and it happens fairly quickly for her to find a few that we know what we want. The docs are very well done but useless as the beast is easily accessible. The MIDI implementation is easy and using a controller is strongly recommended for use on stage.
SOUNDS
Question sounds, patches plants are quite interesting to understand the constitution and a patch of what not to do lollll. In fact (this is the case to say ...) by traversing the bank works there much difference between the dynamic sounds and a setup quite disconcerting tandem compressor / noise gate.
The sounds are clear ... it's imperial "Clear" his favorite field, and the crunch and distortion very correct without resorting to pedals. That said it is important to note that this is an amp very uncomfortable in the bass. To proscribe all those good old EQ V (even if they are pushed to lower half) and / or instruments a bit outsized, or a pulling rope style all like 12/56 in mouh Wholesale lolll. This type of sound is poorly managed mostly average sound level.
For me the real problem is that this amp sounds good at low speeds (up to 2 masters), but once you start typing in the yield (master 3 or 4) are sometimes exposed to problems bass response. The clean sounds are good in all circumstances but the distortion can be improved with some instruments with high output level. The only remedy is to play with microphones or opt for a simple EQ balanced but ...
At first I thought it was mine that was not the best but thought that my friend is royally indented.
OVERALL OPINION
This an excellent and quite expensive extra amp for blues guitarists, pop and other soft enough currents. I do not recommend to be the starting point of a basic config used on stage and in recording. As soon as one turns to rock and we need to boot, you can also have problems with painful distal who no longer follows. Otherwise the power is quite satisfactory for small and medium-sized scenes when we stay soft in its register. Best used with a good scratch because the pieces of plastic and other ways ibamachin stick squatruc have some trouble to get it right the tagazou.
Other regrets: the effects section incomplete in terms of ability to edit patches and the addition of a baffle which is impossible unless to be clever.
Excellent point: XLR outputs for recording or a cover impeccable front stereo. Side effects, algos bases are there with a very good return and a few bonus pearls of beauty such steps echo the questions that simulate famous reverb bands.
Major drawback in my opinion, the operating system (even on the issue 2) does not allow complete autonomy in the implementation of patches. We regret not being able to include cumulative effects blocks in quantities to address interesting sounds more experimental and original.
The knobs is mobile, in addition to being pretty fun, very convenient to avoid losing the north between different patches and still have before the real-time adjustments during the research phase and comparing sounds.
The tuner is a little too sensitive on certain model. I have a friend who has one also and can not correctly allocate grant my instrument (Floyd Classic Stratocaster U.S.) while mine is on the nickel ... do not search sometimes loll
The trim is a thing which is interesting because according to the instruments we can properly manage the output level. Cons by the major weakness of this amp is the retitution low frequencies, the phenomenon of tailgating CSP is quite common and painful when using EQ scooped. Using quite often with my strat Hotrails neck in the worst trouble I had to limit the phenomenon of saturation involuntary.
UTILIZATION
The focntionnement is easy as pie and it happens fairly quickly for her to find a few that we know what we want. The docs are very well done but useless as the beast is easily accessible. The MIDI implementation is easy and using a controller is strongly recommended for use on stage.
SOUNDS
Question sounds, patches plants are quite interesting to understand the constitution and a patch of what not to do lollll. In fact (this is the case to say ...) by traversing the bank works there much difference between the dynamic sounds and a setup quite disconcerting tandem compressor / noise gate.
The sounds are clear ... it's imperial "Clear" his favorite field, and the crunch and distortion very correct without resorting to pedals. That said it is important to note that this is an amp very uncomfortable in the bass. To proscribe all those good old EQ V (even if they are pushed to lower half) and / or instruments a bit outsized, or a pulling rope style all like 12/56 in mouh Wholesale lolll. This type of sound is poorly managed mostly average sound level.
For me the real problem is that this amp sounds good at low speeds (up to 2 masters), but once you start typing in the yield (master 3 or 4) are sometimes exposed to problems bass response. The clean sounds are good in all circumstances but the distortion can be improved with some instruments with high output level. The only remedy is to play with microphones or opt for a simple EQ balanced but ...
At first I thought it was mine that was not the best but thought that my friend is royally indented.
OVERALL OPINION
This an excellent and quite expensive extra amp for blues guitarists, pop and other soft enough currents. I do not recommend to be the starting point of a basic config used on stage and in recording. As soon as one turns to rock and we need to boot, you can also have problems with painful distal who no longer follows. Otherwise the power is quite satisfactory for small and medium-sized scenes when we stay soft in its register. Best used with a good scratch because the pieces of plastic and other ways ibamachin stick squatruc have some trouble to get it right the tagazou.
Other regrets: the effects section incomplete in terms of ability to edit patches and the addition of a baffle which is impossible unless to be clever.