AlexCailliau
Note : 8 sur 10
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Published on 11/29/11 at 03:43Multi-effect rather orient Reverb
INPUT / OUTPUT XLR (analog) and AES or SPDIF (Digital)
For more information see the website of TC
UTILIZATION
The handling is very simple. Without reading the manual, CSTA easy all the basic functions of the unit.
SOUND QUALITY
see below.
OVERALL OPINION
I use the M3000 for 3 years. I bought it to replace my Lexicon MPX-550 with the main advantage of being able to change the routing programs without having to change preset effects ... (On the Lexicon, a verb and delay in parallle do not have the same preset as the same effects in mono for example).
I love it for vocals and string instruments such as acoustic guitars, banjo, lap steel.
The only criticism I would make: the sounds are sometimes too clean ... Its small ERRF the M2000 has sometimes more grain ... Adpend and the type of music but sometimes apprciable.
The other ngatif the M3000, 90% of its effects are prprogramms reverbs, there are few other effects prprogramms and missing a pitch worthy of the name or distortion (as I sometimes use on voice).
INPUT / OUTPUT XLR (analog) and AES or SPDIF (Digital)
For more information see the website of TC
UTILIZATION
The handling is very simple. Without reading the manual, CSTA easy all the basic functions of the unit.
SOUND QUALITY
see below.
OVERALL OPINION
I use the M3000 for 3 years. I bought it to replace my Lexicon MPX-550 with the main advantage of being able to change the routing programs without having to change preset effects ... (On the Lexicon, a verb and delay in parallle do not have the same preset as the same effects in mono for example).
I love it for vocals and string instruments such as acoustic guitars, banjo, lap steel.
The only criticism I would make: the sounds are sometimes too clean ... Its small ERRF the M2000 has sometimes more grain ... Adpend and the type of music but sometimes apprciable.
The other ngatif the M3000, 90% of its effects are prprogramms reverbs, there are few other effects prprogramms and missing a pitch worthy of the name or distortion (as I sometimes use on voice).