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blackle
Published on 07/14/11 at 06:44
In all respects identical to the SPX 90 with a time delay of half higher and a frequency modulation (LFO) is also doubled. An input jack, two jack outputs, one chooses the level of work (+4 or -20 dB), the conversion is done in 16 bit linear sampling frequency of 31.25 kHz which leads to a bandwidth 20 to 12 kHz maximum.
UTILIZATION
As the SPX 90, the programming process and editing is very simple despite the limited number of key front. The famous cross-key layout in my Yamaha is a good compromise.
SOUND QUALITY
See SPX 90.
Only the modulation effects of foreign exchange due to the modulation frequency (speed) that goes from 20 to 40 Hz in this final will not give any more, except one that seems LFO "connect" less easily ..
OVERALL OPINION
This little machine widely used until the mid-90 remains despite his age, perfectly readable today. As for the SPX 90, I keep .. The Scarecrow and Mrs. King.
UTILIZATION
As the SPX 90, the programming process and editing is very simple despite the limited number of key front. The famous cross-key layout in my Yamaha is a good compromise.
SOUND QUALITY
See SPX 90.
Only the modulation effects of foreign exchange due to the modulation frequency (speed) that goes from 20 to 40 Hz in this final will not give any more, except one that seems LFO "connect" less easily ..
OVERALL OPINION
This little machine widely used until the mid-90 remains despite his age, perfectly readable today. As for the SPX 90, I keep .. The Scarecrow and Mrs. King.