I use this cymbal for a year and a half on a jazzette 'artist birch' home first. My feeling has not changed I'm in love with this cymbal. I usually just prfre reviews on the gear (or buy dja possd which, gnral, rsument roughly what I think. But the seeing that the page is still blank ...
Well, trve chat, this cymbal is really a success sacr. APRS lots of tests the bagueterie istambul cymbals (looking for his jazz, matte) I finally cracked on the K. Its principal is to provide a CHARACTERISTICS his mat trs, trs hot and be both super thin ("thin" zildjian see on the site). It really gives a feeling of unusual warmth and precision LEFM (good is not an Avedis ...). Because of being too thin, it has a staggering range from lightweight rle as it is the frle rponse a big crash-ride as it is loose. If so, the K Custon dry light is one of the few wrinkles that crashes without turning his room into RPET church steeple!
Obviously, there is a type of sound that is truly special and trs, if the few drummers I know can be found very effective (not just in jazz!) Is the Test it all happens.