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SlapKid « quietly, incredible! »
Published on 11/07/10 at 05:18Just a teaser, 45min test.
Mexican vintage vibrato bridges with 6 points folded sheet metal, mechanical oil bath.
Channel 22 frets, frets thin profile almost Ibanez (a D or C then a very oval) end but not too close. Completely painted.
2 humbuckers, 5 positions in the Ibanez (1-3-5 and 2-4 type les paul kind strat splitted with microphones), all without a sound.
Greenish pickguard (on sonic blue is medium, but good), and type amp knobs (volume, but it really bothers you know ... since 60!).
Unit tested very well made, well cut nut, frets, which exceed, sonic blue paint spotless, well-adjusted microphones (cell blocks below the strings).
UTILIZATION
I was surprised by this handle, I almost found my profile rg, frets are all fine vintage. The varnish is unpleasant, sticks to the palm, but hey I had not taken with my patoune eh.
Light weight, nice, the guitar sounds good vacuum. Good access to treble just need to climb on the button, nothing catastrophic.
Ergonomics very good except for one, always the same, moreover, the bevel to the forearm is badly cut, if you do not play with the guitar under the chin I mean. Ole sombrero on!
The screws on the bridges, especially the low E, and beyond the palm charcutent happily, thank you Fender.
SOUNDS
Tested the headphone via pedal board Expo boss (aside, except for the reverb and tweed sd1 is a true horror these pedals), and small amp volume necessarily reduced.
Well it sounds nice, okay it doubles but always with that character foil a bit hollow in the stratum. Ventilated I would say.
Vintage at heart, the sounds go really well in the media (especially compared to my basswood RG) is articulated and round / heat.
Positions 2 and 4 are differentiated, and make it rather well. You will not texmex peps of course, but no noise either.
I do not see the pure metal with the equipment tested (sonic blue clear handle), the frequencies are not enough outfits (in the wrong way?) For that. Here is the reigning rg.
That said, you see an ugly scratch with a light blue?! This is the revolution in
OVERALL OPINION
fender! A known count to 22 and finally 2 we finally got a guitar that makes noise is worth nothing in the contemporary electro!
I am baba!
It's very very well as a guitar!
Vibrato wins not to be used on the other hand is probably much in his vintage Stratocaster.
The finish is wonderful, the pickups too, comfort is all good.
The asking price is ridiculous compared to what the house you charge for Squier.
In short, why I have not taken away again? Ben had not 600roros on me, but I just said I was cycling then again ...
My God I'm a liar, ho! A strat
Mexican vintage vibrato bridges with 6 points folded sheet metal, mechanical oil bath.
Channel 22 frets, frets thin profile almost Ibanez (a D or C then a very oval) end but not too close. Completely painted.
2 humbuckers, 5 positions in the Ibanez (1-3-5 and 2-4 type les paul kind strat splitted with microphones), all without a sound.
Greenish pickguard (on sonic blue is medium, but good), and type amp knobs (volume, but it really bothers you know ... since 60!).
Unit tested very well made, well cut nut, frets, which exceed, sonic blue paint spotless, well-adjusted microphones (cell blocks below the strings).
UTILIZATION
I was surprised by this handle, I almost found my profile rg, frets are all fine vintage. The varnish is unpleasant, sticks to the palm, but hey I had not taken with my patoune eh.
Light weight, nice, the guitar sounds good vacuum. Good access to treble just need to climb on the button, nothing catastrophic.
Ergonomics very good except for one, always the same, moreover, the bevel to the forearm is badly cut, if you do not play with the guitar under the chin I mean. Ole sombrero on!
The screws on the bridges, especially the low E, and beyond the palm charcutent happily, thank you Fender.
SOUNDS
Tested the headphone via pedal board Expo boss (aside, except for the reverb and tweed sd1 is a true horror these pedals), and small amp volume necessarily reduced.
Well it sounds nice, okay it doubles but always with that character foil a bit hollow in the stratum. Ventilated I would say.
Vintage at heart, the sounds go really well in the media (especially compared to my basswood RG) is articulated and round / heat.
Positions 2 and 4 are differentiated, and make it rather well. You will not texmex peps of course, but no noise either.
I do not see the pure metal with the equipment tested (sonic blue clear handle), the frequencies are not enough outfits (in the wrong way?) For that. Here is the reigning rg.
That said, you see an ugly scratch with a light blue?! This is the revolution in
OVERALL OPINION
fender! A known count to 22 and finally 2 we finally got a guitar that makes noise is worth nothing in the contemporary electro!
I am baba!
It's very very well as a guitar!
Vibrato wins not to be used on the other hand is probably much in his vintage Stratocaster.
The finish is wonderful, the pickups too, comfort is all good.
The asking price is ridiculous compared to what the house you charge for Squier.
In short, why I have not taken away again? Ben had not 600roros on me, but I just said I was cycling then again ...
My God I'm a liar, ho! A strat