-That is Made in korea -> but do you not trust it remarkably constructed and assembled, the Japanese could not have done better ...
He normally has 24 frets and 2 emg 81, except that I oddly jai an emg 81 in position chavalet and emg 85 in the neck position (the acronym is emg c dor .... I still do not why but it suits me well .... I think this guitar has known the two configurations.
- The guitar has a floyd bridge Licenced (trs but good)
- Two pots: one volume and the other Tone selector 3 positions
- The handle is polished, his stick a little when playing lomptemp Dranga but nothing is a "dsagrment" vrmant minimal compared to the speed of play it provides. I put 10 pasque is a sick setup for the price (760E magazine "slash" Pontoise) wood is the accajou and the table is in curly maple! not to mention the floyd ... rve what.

UTILIZATION

Then the handle is VERY enjoyable, almost autan a ibanez neck .... it is thin, flat ass .. gnial order to be a lese in both solo and rhythmic. CHAC is acute in exellent as good as on my ibanez no problem of the ct, the round is through.
- The guitar is well vrment balance is not too heavy and does not cause pain
- Is obtained easily sound good enough to turn the knob to select the micro tonal adquate in the style of music you want and it spits out a party's max ..
the emg 81 in it for the plot against the clear is better but ia Paski jai me a 85 that allows me davoir his ass a hot or a good clear sound ptit blues distortion tro not so strong .. jai no problem for my 10 but I scratched. It's less if you have a 81 in round (that sounds cold but hey more bcp its appeals to some) ... but it turns a micro (for a emg 85 or 60 for example) and EMG 81 is sells (very) easily.

SOUNDS

- Then it can be said to be made for my style of music I play metal thrash / death like metallica, slayer, megadeth, carcass, etc. ...... it is perfect (even Metallica and Slayer as microphones and even branded guitar as well) has the emg 81 in the pot and revolutionized my little 30 watt roland heavy distortion, and the 85 is for gnial acoustic passages.

- I play on a Roland 30 watt modlisation and the most powerful and a little bidoullant Galiza (1 or 2 minutes is enough) it sounds vrment thrash / death, gnial!!

- Then the bridge pickups (EMG 81) is very cold in a clear and gives roughly the same as that of the scratch was empty ...... conrtre by the neck pickup is warmer and bold perfect for acoustic passages

- I like knowing that all the sound to play my com jai need a big distortion but also a warm bridge pickup in my visits to acvoustique .. it is after the 85 vr ke is not as warm and fat than a good passive in vieu gibson but it's not what I asked. I play bass not me and I'm not a fan of his ultrta super hot pickups selui my neck suits me perfectly.

OVERALL OPINION

I the User for a little less than me but I had time to ssibr />-like overall bcp guitar that jaime most is the look, sound the handle, the floyd, and everything else.
Jai-then not have to ssier MODEL else I tried everything that the price I knew that with the EMG, the floyd, and maple for the table 760E (the list price is 899th! !) a "slash and computer music" of Pontoise (it is the price of thomann Kelker and another store in Paris, jai me since I ssier comand of other models but with absolutely regret my jai mh400 that my t much better.
- The ratio of price and exellent quality it has the same CHARACTERISTICS (a unit for the floyd, the MH 400 is a Licenced while it is an original signature on) a Kirk Hammett signature (2 emg 81) or Jeff Hanneman (a emg emg 81 and 85) that cost more than any two 2500E .....
- With the experience I would choose this faith miles