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Rgplayer01 « To die for! »
Published on 01/06/14 at 08:38I use these mics for two weeks. I could easily have post this review the same day that I brought them up as they fooled me but I preferred to wait for a step back. I have little experience with microphones "boutique" so I do not have many points of comparison. Anyway now I have no need to compare, I found!
I have Fender Stratocaster Custom Shop 1960 quartersawn neck with rosewood key "Slabboard" which was equipped with very special microphones: the CS'69. This is a very good guitar with a violin top flight but I thought the microphones do not put enough value. I recently discovered Marc Tornado MS and given very positive that I read reviews, I decided to commission a set L Series '60 with a capacitor Paper in Oil to try. What a great idea!
To put it simply, it's beautiful and it works on all selector positions. The sound is round and biting without being garish or aggressive. The dynamics are very impressive and all shades attack pick or fingers are transcribed! Clear or overdrive, the sound is never flat or soulless. The neck pickup is beautiful with this flute sound so characteristic, inter-positions are present and finally here is a pleasant to the ear central microphone and bridge pickups with body! Where it is very strong, is that they are very transparent. I mean that I recognize very well the sound had my guitar before but now it is of superior quality, as if my guitar was unbridled. Without exaggeration, it really goes something now when I play this guitar!
Marc was very good advice and did a great job. I went home to install and it even made me try his pickups on one of his amps. It's really good work and it deserves to be highlighted!
I have Fender Stratocaster Custom Shop 1960 quartersawn neck with rosewood key "Slabboard" which was equipped with very special microphones: the CS'69. This is a very good guitar with a violin top flight but I thought the microphones do not put enough value. I recently discovered Marc Tornado MS and given very positive that I read reviews, I decided to commission a set L Series '60 with a capacitor Paper in Oil to try. What a great idea!
To put it simply, it's beautiful and it works on all selector positions. The sound is round and biting without being garish or aggressive. The dynamics are very impressive and all shades attack pick or fingers are transcribed! Clear or overdrive, the sound is never flat or soulless. The neck pickup is beautiful with this flute sound so characteristic, inter-positions are present and finally here is a pleasant to the ear central microphone and bridge pickups with body! Where it is very strong, is that they are very transparent. I mean that I recognize very well the sound had my guitar before but now it is of superior quality, as if my guitar was unbridled. Without exaggeration, it really goes something now when I play this guitar!
Marc was very good advice and did a great job. I went home to install and it even made me try his pickups on one of his amps. It's really good work and it deserves to be highlighted!