Behringer Composer Pro MDX2200
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Behringer Composer Pro MDX2200

Composer Pro MDX2200, Studio compressor from Behringer in the MDX series.

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All user reviews for the Behringer Composer Pro MDX2200

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Phils2111/23/2006

Phils21's review (This content has been automatically translated from French)

Behringer Composer Pro MDX2200
For years I used the model Behringer I'm not about to let this model I work for sound systems where space is sometimes difficult to sound systems. It is a fast processor dynamic expander and noise gate for the price why effective without private manifestly critical opinions I am a bit surprised by the reaction of certain provider. it is true orchestral concert is not clear but background music was carefully with this model can achieve good results in all areas.

UTILIZATION

For years I used the model Behringer I'm not about to let this model I work for sound systems where space is sometimes difficult to sound systems. It is a fast processor dynamic expander and noise gate for the price why effective without private manifestly critical opinions I am a bit surprised by the reaction of certain provider. it is true orchestral concert is not clear but background music was carefully with this model can achieve good results in all areas.

SOUND QUALITY

For years I used the model Behringer I'm not about to let this model I work for sound systems where space is sometimes difficult to sound systems. It is a fast processor dynamic expander and noise gate for the price why effective without private manifestly critical opinions I am a bit surprised by the reaction of certain provider. it is true orchestral concert is not clear but background music was carefully with this model can achieve good results in all areas.

OVERALL OPINION

For years I used the model Behringer I'm not about to let this model I work for sound systems where space is sometimes difficult to sound systems. It is a fast processor dynamic expander and noise gate for the price why effective without private manifestly critical opinions I am a bit surprised by the reaction of certain provider. it is true orchestral concert is not clear but background music was carefully with this model can achieve good results in all areas.
barnee01/06/2006

barnee's review (This content has been automatically translated from French)

Behringer Composer Pro MDX2200
Compressors, rack

UTILIZATION

Super-easy!

SOUND QUALITY

-Effective

OVERALL OPINION

I bought 2 copies of this machine in 1999/2000.
A little over 300 euros a beast!
I have often met in racks of concert halls.
My first real compressor: all settings are there!
attack
threshold
rate
relaxation
Output Gain

There is even an expander / gate input of each channel and a limiter output.
Buttons and notched it ... it is not good ...

I would do this choice. Even at the time I broke the piggy bank for you ...
For sound, other high-end compressor are certainly better.
For this price (for the time!) Is what was best.
bloodsugar08/09/2005

bloodsugar's review (This content has been automatically translated from French)

Behringer Composer Pro MDX2200
See site behringer.

transistor analog compressor, 2 channels 1 rack unit.
settings conventional threshold, ratio, atack and release.
makeup gain adjustment (adjustment of output) per channel
limiter and more output per channel
a gate or not activated first compressor with adjustable threshold (interresting)

Ultra connectors complete:
- Input / Output TRS or XLR
- Side chain

integrated power supply,

Full brief!

UTILIZATION

Who knows a compressor, the config is simple, yes.
The volume pot is a bit small and the concept "a lot of functions on a unit only" has its limits, ie it should not have too big fingers and go like a nag on pain of moving a set in refining another.

Otherwise, very good point for me, signage and LED meters.
Each switch is turned on activation, perfect for getting together on a dark scene (not gadgets at all)
LED meter and large, reactive and assignable (2 LED meter per channel, assignable to input to output, gain reduction or output signal ... Everything is possible)
Briefly, in a very noisy environment, we already made many little adjustment to the views (it paradoxical for a sound processor but really, it helps)

So very positive point for me -> leds métreq the swichq bright.
Point a bit boring -> the knobs too closely spaced, and notched (boring to refine a setting that should be really accurate)

SOUND QUALITY

The sound quality directs this compressor
- To live (cif conc, groups that rotate in autoprod without letting on each date, repeat ...) it is perfect in this application.

- Home studio for a treatment that does not nessessite a huge sound quality
can range from mild to prevent a comp Converto of saturated, or you can really pump big beat loops if this is your ray ... he can do anything. (Some comp can not pump, not possessing a relatively high proportion)

- To familiarize themselves with a compressor / gate (all functions are there ... and the mastering, you'll be ready to move to the higher range, but I would not before. "Unnecessary to assign an Avalon type that does has never touched the compression)

I used to insert a long time before attacking the console Converto a sound card via the direct out of the console (not saturate), on
Battery
voice
bass

I used to live on a farm sub group (CG, CC, TOM1, TOM2, OH1, OH2)

Do not reversible, a comp to 200 euros will never do as a comp in 2000. While the features may look equivalent on paper, sound quality is different. This comp is fairly transparent in terms of tone color (no specific color)

it will make a comp or severe soft, cheap and with good quality. Not great, but good. In any case, ample for the home stud, for repeated use, caf conc, etc ...

OVERALL OPINION

I have 2 3 years.
no reliability problems, always rack ever since.

I like almost everything.
- The characteristic hyper-complete (side chain, LED meters, all possible settings, stereo utilisatoin possible for a submix)
- Compactness (I have small fingers)
- Good build quality (it's clean and nothing happens)
- Good sound quality for the ridiculous price (and the other alesis presonus 200 or 300 euros are no better after is just marketing)

Like any product, I try to APPRI on piece and not on rumors.
For me, this compressor is very much his job, especially for the price.
It does not get the moon for you, but you'll get your money (and a little more)
thierry3108/08/2005

thierry31's review (This content has been automatically translated from French)

Behringer Composer Pro MDX2200
Users of these compressors (owns 2) over 3 years on live voice and the sound drum machine that works terribly well.

UTILIZATION

Very simple to implement, robust design (no problem so far)

SOUND QUALITY

Once properly adjusted it works very well.

OVERALL OPINION

If you watch a little bit of what it finds in the racks of groups (professional and amateur) that occur in live throughout the year to liven up your evenings, there is a good chance that you trouvier compressors or Behring Another périf this brand. So let's stop everything and say everything about anything on the produce Berhinger me I have my full racks, I used the quotidiennent and to this day (over 3 years) the only concern is I who have done (on a broken potentionnetre Equalizer 2x31)
It works very well and saw the price it does not worth to do without
If necessary, I buy Behring
djfred200007/31/2005

djfred2000's review (This content has been automatically translated from French)

Behringer Composer Pro MDX2200
Rackable

UTILIZATION

Manual light

SOUND QUALITY

Food peus reliable but the rest ok

OVERALL OPINION

Very good machine but no after sales service !!!!!
I've had 2 years and served 15 x can be (and one day it will not turn over
I returned for repair (allimentation)
for repair is already close to 75 euros for quotation on any device nimporte behringer
short a time past the warranty as a selling nTip ..... it works
matches .... trash because I have a new for the price
I prefer not to put a little more expensive but to see the stuff reliably
LoHerry10/27/2004

LoHerry's review (This content has been automatically translated from French)

Behringer Composer Pro MDX2200
Compressor / Limiter / Gate 2 channels (which can be coupled to a stereo source) with analog technology.

In addition to the selector Soft / Hard Knee compression, it has a circuit for IKA compression interactive depends on signal given.

It also has an auto mode to automatically set the attack time and release.

Can integrate a source of external compression through its side chain.

All settings are accessible knobs, very easy access.

The system has a hard bypass (relay) which is very convenient in the case of electrical problems (no risk of sending a big "flop" to the speakers).

Illuminated buttons and 12 LED bar graph for signal input / output and compression, so direct reading which is very pleasant.

Balanced XLR connectors on serious or Jack for all inputs and outputs (side chain included), with switch-level processed signal to the rear of the effect.

UTILIZATION

Nothing to say about the configuration, there is nothing easier! Everything is accessible from the first glance.

The edition is totally handy since no menus or other ...

The manual is OK, but I recommend however to read the English version, still more accurate (since no translation error).

SOUND QUALITY

The gate is correct.

The compressor efficient enough for this price range (it goes into effect in its own compressor). It has among others a selector to limit compression particularly appeal to serious (a practice not to cut the dynamic sounds very clear).

The limiter is still effective and practical to secure its system.

OVERALL OPINION

I use it for 4 years now and never had any problems.

I used to be the output table for amplification (and thus coupled) on either voices or instruments like guitars insert on my table.

What I like most is its simplicity of use and efficiency as well as information directly displayed and understandable first glance.

The value for money is in the best ...
In this price range, this choice I would do without hesitation!