lil « Good, but ... »
Published on 03/20/11 at 06:16I've had three years, bought 200 € at the auditorium in Paris.
It is a stereo headset that I used for mixing and recording. And he does his job very well set an example for precisely reverb tail or make a good equalizer.
The spatialization is good, probably due to the fact that this headphone is open.
But he just let me go. Cables (because there are two and not as a single on studio headphones) writhe and regularly during the recording session they undergo stretching effects.
Since I have a sound that is sometimes on one side or the other with a crackling sound horrible.
I believe that despite its qualities, these headphones are not quite adapted to the harsh life in a home studio.
It sorely lacks robustness.
For example I have an AKG 141Studio for 6 or 7 years and it has not budged. Unfortunately I found this headphone bad.
What to do?
A ULTRASONE PRO 900 may be, but twice as expensive.
Or BEYERDYNAMIC DT-880 PRO more affordable.
It is a stereo headset that I used for mixing and recording. And he does his job very well set an example for precisely reverb tail or make a good equalizer.
The spatialization is good, probably due to the fact that this headphone is open.
But he just let me go. Cables (because there are two and not as a single on studio headphones) writhe and regularly during the recording session they undergo stretching effects.
Since I have a sound that is sometimes on one side or the other with a crackling sound horrible.
I believe that despite its qualities, these headphones are not quite adapted to the harsh life in a home studio.
It sorely lacks robustness.
For example I have an AKG 141Studio for 6 or 7 years and it has not budged. Unfortunately I found this headphone bad.
What to do?
A ULTRASONE PRO 900 may be, but twice as expensive.
Or BEYERDYNAMIC DT-880 PRO more affordable.