View other reviews for this product:
lukleprog
« Swiss Army Knife »
Published on 10/02/14 at 06:20what else to say about the features if it is provided with what it takes to record guitar, bass, voice
2 XLR inputs (phantom power please), two jack inputs with active instruments for it seems to me,
a USB port, a SPDIF jack and headphone jack
the choice of entries is in the virtual mixer Podfarm
BOSS GS10 to my excellent passed away after the cat will be relieved it!
So I needed a similar product but considering the price of the Boss at the time (500 euros anyway) and that of the 6 line I thought I had to deal with a gadget more for what I stand corrected heavily
UTILIZATION
I use the UX2 with cubase and the driver didn 'never fails no re-installation as a PCI card that I also have and I will not mention the name
latency is low in contrast board, throw an occasional glance at the VU meters (which are very convenient for that matter) was quick to climb the towers
I have swung a couple of tracks for a bounce and he kept all its clarity
the design of the machine is very successful single buttons and lightness of all are a little cheap
GETTING STARTED
Installation is no problem I have an XP but you need an internet connection to enjoy the Podfarm
Software is not resource hungry, I can make it work with an audio editor and Nuendo together launched and it 's no no crash yet I do not have a racing while being USB2
I never used the UX2 to record one or more tracks simultaneously because I have a table for firewire recording everything
the Podfarm is simple enough to use only annoying downside: some simulations Amp absent if the software is not complete
For my part, I also use the gearbox software
OVERALL OPINION
I am a single home-studio owner, I have the UX2 for almost a year and I can not compare with the 10 GS I owned
latency is already lower than the GS10
sound higher color more potato least aigrelets, patches and other simulations are convincing but the effects for bass and vocals seem a bit neglected (that is unfortunately the case with most multi-effects) apart a patch that makes it sound like a bass Rickenbaker
compared to GS10 lacks the slow gear which cut attacks automatically (like PDAL steel but can be compensated with a volume pedal) and feadback effect simulating the feedback to this memorandum which gave a devastating effect for solos but otherwise it has nothing to envy
I recently made the vocals sound with a singer and even if it does not transcend it can fill a sound recording on the fly until something better
but the more I think it is the bounce
I was previously on a PCI card that seemed fine but when I have switched to the UX2 I redid all the mixes of my songs with this card
sound even with many tracks is clear I can lower the sound track and it is still distinctly audible in the master, the bass is well defined without absorbing any
looking back I wonder how I have managed without
considering the price it's almost given for a map of this level
the distinction which I love the most it's versatility, clarity and Podfarm which is very successful
the less they are simulations of missing amp in some patches, you need an internet connection to activate the software, the interface lacks noon, as I have been able to perceive in the model that I have a low level between the left and right channel but nothing that is handicapping for normal use
although honestly do not have it, if you need a multi-effects and a sound card without the tantrums your banker does not go beyond that is the Swiss Army knife of the musician you need
2 XLR inputs (phantom power please), two jack inputs with active instruments for it seems to me,
a USB port, a SPDIF jack and headphone jack
the choice of entries is in the virtual mixer Podfarm
BOSS GS10 to my excellent passed away after the cat will be relieved it!
So I needed a similar product but considering the price of the Boss at the time (500 euros anyway) and that of the 6 line I thought I had to deal with a gadget more for what I stand corrected heavily
UTILIZATION
I use the UX2 with cubase and the driver didn 'never fails no re-installation as a PCI card that I also have and I will not mention the name
latency is low in contrast board, throw an occasional glance at the VU meters (which are very convenient for that matter) was quick to climb the towers
I have swung a couple of tracks for a bounce and he kept all its clarity
the design of the machine is very successful single buttons and lightness of all are a little cheap
GETTING STARTED
Installation is no problem I have an XP but you need an internet connection to enjoy the Podfarm
Software is not resource hungry, I can make it work with an audio editor and Nuendo together launched and it 's no no crash yet I do not have a racing while being USB2
I never used the UX2 to record one or more tracks simultaneously because I have a table for firewire recording everything
the Podfarm is simple enough to use only annoying downside: some simulations Amp absent if the software is not complete
For my part, I also use the gearbox software
OVERALL OPINION
I am a single home-studio owner, I have the UX2 for almost a year and I can not compare with the 10 GS I owned
latency is already lower than the GS10
sound higher color more potato least aigrelets, patches and other simulations are convincing but the effects for bass and vocals seem a bit neglected (that is unfortunately the case with most multi-effects) apart a patch that makes it sound like a bass Rickenbaker
compared to GS10 lacks the slow gear which cut attacks automatically (like PDAL steel but can be compensated with a volume pedal) and feadback effect simulating the feedback to this memorandum which gave a devastating effect for solos but otherwise it has nothing to envy
I recently made the vocals sound with a singer and even if it does not transcend it can fill a sound recording on the fly until something better
but the more I think it is the bounce
I was previously on a PCI card that seemed fine but when I have switched to the UX2 I redid all the mixes of my songs with this card
sound even with many tracks is clear I can lower the sound track and it is still distinctly audible in the master, the bass is well defined without absorbing any
looking back I wonder how I have managed without
considering the price it's almost given for a map of this level
the distinction which I love the most it's versatility, clarity and Podfarm which is very successful
the less they are simulations of missing amp in some patches, you need an internet connection to activate the software, the interface lacks noon, as I have been able to perceive in the model that I have a low level between the left and right channel but nothing that is handicapping for normal use
although honestly do not have it, if you need a multi-effects and a sound card without the tantrums your banker does not go beyond that is the Swiss Army knife of the musician you need