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honesty
Published on 03/18/05 at 03:18
I will not repeat the characteristics. Just to emphasize that it presents as a solid body guitar with an acoustic look. The fabication of quality is top, she seems solid (very beautiful mahogany back well designed to be soft in the corners).
USE
The body parat a little heavy and dsquilibr but nothing serious.
Comfortable neck, flat fingerboard and pretty inserts.
The amount of sounds that can produce this guitar is awesome. It is a dream for the studio.
The alternate tuning (we can even simulate an acoustic bass), the virtual capo, the built-compressor and rglage the position of the virtual micro electroacoustic put a slap in the moment.
SONORITS
on the other hand, regarding the quality of the sounds, like the Variax 700 "electric" I possde must be qualified. I am Introduced certain, if the amount of intresants and usable sounds is waiting for you, do not talk about modlisation sounds of guitar legend!
There really see anything. You will not have all rsonnances and harmonics of the original instrument. The range and grain are not at the rendezvous. In some cases it borders on the ridiculous (the guitar "nylon" sounds like a tuft Mtal). Moreover, almost all folk have little nearly the same grain of its key personalities and we do not distinguish the original.
Nevertheless, I am not. A versatile acoustic was much taken up by a microphone (without breath or the resumption of the noise kind of computer ventilation). What I regret most is that the famous micro produces no noise or mdiator fund. What harmonics and effects and less. I tried to take it in duplicate with a studio microphone, but the body is really a solid body and produces currently are no rsonnance, rubbing a mdiator and the strings added, however, things tr s intressantes (but there are catches heads of the noise).
NOTICE GLOBAL
In conclusion, this is a possder guitar. very convenient, especially for the creation and probably on stage (I could not talk). Creativity is dcuple and I think many possiblits are possible on an album.
The fact remains that the true sound of an equivalent prices are much better. It was when even the upscale this price. It is true that, even if we stick one mule guitar (Jumbo or Dread for example), it will split the purchase of a personal professional quality studio and a compressor of the same level. A gal prices must go down range. If you can afford it, buy an acoustic 1200 and a microphone 300 and you will laugh by listening to the Variax.
To stay in 1200, if you plan to use only his dreadnough and that you are in a config home studio with everything you need (compressor, quas, reverb ...) prf ground, in the same price range, an electro (like Takamine Tan 15). It must be said that in this case the Variax not hold water.
I put 10 all the same because I think it is an extraordinary instrument of creation and faster decision-heads positioning the microphone and many rglages.
I'm not sr however I referrer this choice, but it's really a matter of taste.
USE
The body parat a little heavy and dsquilibr but nothing serious.
Comfortable neck, flat fingerboard and pretty inserts.
The amount of sounds that can produce this guitar is awesome. It is a dream for the studio.
The alternate tuning (we can even simulate an acoustic bass), the virtual capo, the built-compressor and rglage the position of the virtual micro electroacoustic put a slap in the moment.
SONORITS
on the other hand, regarding the quality of the sounds, like the Variax 700 "electric" I possde must be qualified. I am Introduced certain, if the amount of intresants and usable sounds is waiting for you, do not talk about modlisation sounds of guitar legend!
There really see anything. You will not have all rsonnances and harmonics of the original instrument. The range and grain are not at the rendezvous. In some cases it borders on the ridiculous (the guitar "nylon" sounds like a tuft Mtal). Moreover, almost all folk have little nearly the same grain of its key personalities and we do not distinguish the original.
Nevertheless, I am not. A versatile acoustic was much taken up by a microphone (without breath or the resumption of the noise kind of computer ventilation). What I regret most is that the famous micro produces no noise or mdiator fund. What harmonics and effects and less. I tried to take it in duplicate with a studio microphone, but the body is really a solid body and produces currently are no rsonnance, rubbing a mdiator and the strings added, however, things tr s intressantes (but there are catches heads of the noise).
NOTICE GLOBAL
In conclusion, this is a possder guitar. very convenient, especially for the creation and probably on stage (I could not talk). Creativity is dcuple and I think many possiblits are possible on an album.
The fact remains that the true sound of an equivalent prices are much better. It was when even the upscale this price. It is true that, even if we stick one mule guitar (Jumbo or Dread for example), it will split the purchase of a personal professional quality studio and a compressor of the same level. A gal prices must go down range. If you can afford it, buy an acoustic 1200 and a microphone 300 and you will laugh by listening to the Variax.
To stay in 1200, if you plan to use only his dreadnough and that you are in a config home studio with everything you need (compressor, quas, reverb ...) prf ground, in the same price range, an electro (like Takamine Tan 15). It must be said that in this case the Variax not hold water.
I put 10 all the same because I think it is an extraordinary instrument of creation and faster decision-heads positioning the microphone and many rglages.
I'm not sr however I referrer this choice, but it's really a matter of taste.