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FreeSon audio mastering
Published on 05/17/08 at 04:15
I think this is the new model, the PSI-M A25 ( https://www.psiaudio.com/downloads/psi_A25_M_techdata.pdf ) replaces the A25-3.
- What technical specifications motivated your choice?
I had to monitors REFERENCE CHARACTERISTICS indisputable.
Given my profession, I use them on all styles of music. This can range from subtle acoustic transient, heavy and powerful sounding electronic music.
- For what purpose?
Main monitors in mastering rgy ( http://www.freeson.ch/ )
- What environment cost? ...
Attention particulire t contribution of lacoustique rgy ( http://www.freeson.ch/traveaux.html ) , t nothing left to chance to achieve a sound balance of the most demanding.
A washing, it is fitted dun bass trap of 5m3 effective til 19Hz, the walls are slanted latraux (angle 4) to avoid standing waves, ceiling and walls are related s alternately by absorption, diffraction and dispersion to optimize the sound diffusion and to control the time rverbration.
SOUNDS
- The curve frequency drives is it neutral enough?
Something quite special to be cit each monitor is measured and delivered with its individual curve frequency drives.
The range of the new model frquences PSI A25-M t wide.
New rponse + / - 1.5 dB 38Hz - 20kHz / - 6dB 32Hz 23kHz
The balance feels that any listening level (volume).
I used to work volume low enough (must prserver eardrums) but I like to push a little from time to time (this must be fun).
- Stereo image is good?
I work in an environment where the sound is exemplary, it immediately puts in obviousness the rendering of the image of a pair of Stereo Monitors
ISPs are absolutely gorgeous
- The sound is clear and prcis across the spectrum?
Difficult to judge a monitor on the plan in any objectify the influence of the place of your exact Whereas COST influence.
In order to judge the neutrality of the curve of a monitor frquences, environment cost is paramount.
Also monitor the location of equal importance it took me two weeks to find the location in my IDAL rgy
Incredibly on monitors of this stature, the 3 cm dplacement this feels much
APRS rgler this time the location of monitors in the pice, I am delighted.
Of all my customers who spend at the studio PSI A25-M are unanimously
Cost "entertainment":
We feel like our CD redcouvrir of references everything becomes clear cost a good record on these speakers is a rel pleasure, I would say same as it becomes enjoyable
Of course there is the reverse of the mdaille A dynamic mix terribly boring without these monitors and not a terrible drive causes an unbearable weariness
We can not say it's the default monitor is simply that we are frustrated not to find this feeling of plnitude, the coup is s'em ....
These monitors allow express the perfection of the shot seem more mdiocrit mdiocre Here
In the workplace:
Nothing wrong, these speakers bring out all the default of a mix, they leave nothing to spend
Here it is the quality Premire research on studio monitors, they do not forgive.
- The dynamic is it respect? ...
That's one of the most spectacular of these monitors, they possdent an incredible dynamic.
Anecdote, professionals in the field of high Fidler is go to the studio. In costing the ISPs they taient scotch by the dynamics they dgagent. So they believe that I spent taient audio files to 24bit because of APRS them it is not possible to have such a dynamic line of 16bit rat c'tait many masters HAVE COMPLETED in 16bit
Another positive cash in the PSI max even with a mix of trs load low frequencies, you can push the threshold of pain ... these monitors do not distorsionnent.
Ct level and max. m dlivrent a program they no less than 121dB (pair)
OVERALL OPINION
- How long have you use it?
6 months intensive use
- What is the particular feature you like best and least?
Nothing wrong, I love all the same color that I confess not to be little unanimity.
I had the opportunity costs of the sub complment A225-M, I do not t in this configuration sduit bass seemed dominant, but good to be said that the positioning monitors and the acoustics of the pice left largely DSIR.
Cot SETTING THE attnuateur there is a calibration for low volume and a attnuateur gnral.
This may limit some stepfather face competition, but this should not be mistaken, they are highly professional instructors made to a working environment COST.
For the rest they are positioned and attnue bases if we want to approach the walls.
- Have you tried many other models before acqurir?
J'hsitais long between PSI and A21-M 8250 A Genelec DSP m'intressait much for their acoustic correction technology
When I heard the PSI A25-M n'tait no doubt possible, it is that I had
- How do you report qualitprix?
The investment can be stepfather standard but not the wrong, given the quality of manufacturing professionalism about the results obtained, the ratio price quality of these monitors is incredibly good.
- With the exprience, you do again this choice? ...
Here it is their primary default
Once we have gote, it is impossible to get everything seems dull and Sparer imprcis cte of these non-standard monitors.
Thank you, Mr. Alain Roux have cre these monitors do not change anything!
Alain Ernst
- What technical specifications motivated your choice?
I had to monitors REFERENCE CHARACTERISTICS indisputable.
Given my profession, I use them on all styles of music. This can range from subtle acoustic transient, heavy and powerful sounding electronic music.
- For what purpose?
Main monitors in mastering rgy ( http://www.freeson.ch/ )
- What environment cost? ...
Attention particulire t contribution of lacoustique rgy ( http://www.freeson.ch/traveaux.html ) , t nothing left to chance to achieve a sound balance of the most demanding.
A washing, it is fitted dun bass trap of 5m3 effective til 19Hz, the walls are slanted latraux (angle 4) to avoid standing waves, ceiling and walls are related s alternately by absorption, diffraction and dispersion to optimize the sound diffusion and to control the time rverbration.
SOUNDS
- The curve frequency drives is it neutral enough?
Something quite special to be cit each monitor is measured and delivered with its individual curve frequency drives.
The range of the new model frquences PSI A25-M t wide.
New rponse + / - 1.5 dB 38Hz - 20kHz / - 6dB 32Hz 23kHz
The balance feels that any listening level (volume).
I used to work volume low enough (must prserver eardrums) but I like to push a little from time to time (this must be fun).
- Stereo image is good?
I work in an environment where the sound is exemplary, it immediately puts in obviousness the rendering of the image of a pair of Stereo Monitors
ISPs are absolutely gorgeous
- The sound is clear and prcis across the spectrum?
Difficult to judge a monitor on the plan in any objectify the influence of the place of your exact Whereas COST influence.
In order to judge the neutrality of the curve of a monitor frquences, environment cost is paramount.
Also monitor the location of equal importance it took me two weeks to find the location in my IDAL rgy
Incredibly on monitors of this stature, the 3 cm dplacement this feels much
APRS rgler this time the location of monitors in the pice, I am delighted.
Of all my customers who spend at the studio PSI A25-M are unanimously
Cost "entertainment":
We feel like our CD redcouvrir of references everything becomes clear cost a good record on these speakers is a rel pleasure, I would say same as it becomes enjoyable
Of course there is the reverse of the mdaille A dynamic mix terribly boring without these monitors and not a terrible drive causes an unbearable weariness
We can not say it's the default monitor is simply that we are frustrated not to find this feeling of plnitude, the coup is s'em ....
These monitors allow express the perfection of the shot seem more mdiocrit mdiocre Here
In the workplace:
Nothing wrong, these speakers bring out all the default of a mix, they leave nothing to spend
Here it is the quality Premire research on studio monitors, they do not forgive.
- The dynamic is it respect? ...
That's one of the most spectacular of these monitors, they possdent an incredible dynamic.
Anecdote, professionals in the field of high Fidler is go to the studio. In costing the ISPs they taient scotch by the dynamics they dgagent. So they believe that I spent taient audio files to 24bit because of APRS them it is not possible to have such a dynamic line of 16bit rat c'tait many masters HAVE COMPLETED in 16bit
Another positive cash in the PSI max even with a mix of trs load low frequencies, you can push the threshold of pain ... these monitors do not distorsionnent.
Ct level and max. m dlivrent a program they no less than 121dB (pair)
OVERALL OPINION
- How long have you use it?
6 months intensive use
- What is the particular feature you like best and least?
Nothing wrong, I love all the same color that I confess not to be little unanimity.
I had the opportunity costs of the sub complment A225-M, I do not t in this configuration sduit bass seemed dominant, but good to be said that the positioning monitors and the acoustics of the pice left largely DSIR.
Cot SETTING THE attnuateur there is a calibration for low volume and a attnuateur gnral.
This may limit some stepfather face competition, but this should not be mistaken, they are highly professional instructors made to a working environment COST.
For the rest they are positioned and attnue bases if we want to approach the walls.
- Have you tried many other models before acqurir?
J'hsitais long between PSI and A21-M 8250 A Genelec DSP m'intressait much for their acoustic correction technology
When I heard the PSI A25-M n'tait no doubt possible, it is that I had
- How do you report qualitprix?
The investment can be stepfather standard but not the wrong, given the quality of manufacturing professionalism about the results obtained, the ratio price quality of these monitors is incredibly good.
- With the exprience, you do again this choice? ...
Here it is their primary default
Once we have gote, it is impossible to get everything seems dull and Sparer imprcis cte of these non-standard monitors.
Thank you, Mr. Alain Roux have cre these monitors do not change anything!
Alain Ernst