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Midas Venice 320
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Midas Venice 320
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loicm loicm
Published on 05/24/07 at 07:25
Refer to the manual...
Note that not everything is post EQ and pre fader&nbsp; ... Beware!

UTILIZATION

The input section is very simple to master, but the master section is a real mess, as a lot of Midas.

... gotta read the manual to finally know exactly what is happening.

Why not true six pre / post&nbsp; auxs and 6 returns?

There is no phase inverter ... The hi pass is not adjustable.

SOUNDS

The console is transparent as we can not fit too much into it.

The summation general suffers when the track was 20 @ 0 dB.

It twists and sound quickly becomes vriament not good. It is not a very strong level of output. (More than 4-5 dB is the cata.
The timing of the gain in Equa the coup.

A signal at 0 dB to -18 dB pfl happens in general with the fader to 0 dB ... You can always pass the leads in the master and one sub-group to get more but it's not very clean.

The Equasis are good but not precise enough to make real notch.

The console does not blow.

It's still a great console for small benefits. Simple and light. The board was laid in 30 min.

I still prefer a digital control for small festochs.

I use it often returns with 6 mtd 115b and a face 2 * mtd 115 XT 218 + sub per side.

Config ideal for mixing in 15 m of a scene from 6 * 6 open-air 600.

OVERALL OPINION

I use it often returns with 6 mtd 115b and a face 2 * mtd 115 XT 218 + sub per side.
Config ideal for mixing in 15 m of a scene from 6 * 6 open-air 600.
It's a safe bet for making baby siting on small festoch.

After There's better but more expensive.

But I still find the reputation of the console above its actual perfs.

It's great as ca oats too.