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nobazz « what the fuck? »
Published on 01/07/14 at 02:15I will not go on the characteristics of the machine, everything is said in the test. Skepticism about the longevity of the synth because of the publisher and the lack of updates, I have only to remark: given the current price of the synth, to dedicate a basic netbook for edition does not seem inconsistent.
UTILIZATION
Everything is perfectly clear, it does not mean that it is easy to master if not the bases in terms of synthesis. I think alot have bought promo, but have not had the courage to put their hands in the camboui ... For them, the banks found interesting as that provided free of charge with alternate editor Venomed:
http://mkdr.net/m/index.php?option=com_content&task=view&id=60&Itemid=28
These sounds can be used as bases and then go into the unfathomable depths of modular synthesis, provided not drown. The real problem is, if everything is clear ...
SOUNDS
I love its texture, its aggressive side. The sound panel is awesome, unique even considering the price, considering that once the bank can be made without problems be used alone. In fact, I do not see any other synth also affordable which allows, after edition, boarding such a sonic palette without lugging a laptop. A tablet? It will change range and overcomes the keyboard ... So yes, the anxiety of not being able to edit away from soft ... 'm Finally going to bother to program once and enter a whole live set, I find the concept rather well thought out. Especially the visual editor works well, and it is still easier to make complex cross-references to a screen on a 2-line LCD. The ion was also the editor for that.
It is true that the filter is not effective, that the knobs are molassons ... I want to forgive him for all that it offers in return: master keyboard with sound card (even if it is extra), midi interface, its capabilities with arpeggiator ... Even the drum kit is cool, mostly used as a basic ingredient for the new sound material ...
OVERALL OPINION
I've had about 1 year, I do not use it every day it is. This is ptete my geek side but I love his face ... And when I see it and I'm out of ideas, it is a real pleasure to me the editor paste in a screen and experiment with stuff. It is placed next to my tenori, and like him I think he has a single hand, extraordinary both in sound and in its design. It makes you want to taffer sound otherwise, even if ergonomics is not perfect.
I think everything has been said here about the Venom, but it ruffles my hair to see people complain at the price or it is currently sold ... Like I said, I think many do not see their creative potential, in addition to its sound color. I had not much to add to the test, but I wanted to do it justice. If Psycraft could finish updating the app, it would be cool. Otherwise, the alternative program I linké above (which requires a VST host by against) is also rather well done.
Long live the Venom!
UTILIZATION
Everything is perfectly clear, it does not mean that it is easy to master if not the bases in terms of synthesis. I think alot have bought promo, but have not had the courage to put their hands in the camboui ... For them, the banks found interesting as that provided free of charge with alternate editor Venomed:
http://mkdr.net/m/index.php?option=com_content&task=view&id=60&Itemid=28
These sounds can be used as bases and then go into the unfathomable depths of modular synthesis, provided not drown. The real problem is, if everything is clear ...
SOUNDS
I love its texture, its aggressive side. The sound panel is awesome, unique even considering the price, considering that once the bank can be made without problems be used alone. In fact, I do not see any other synth also affordable which allows, after edition, boarding such a sonic palette without lugging a laptop. A tablet? It will change range and overcomes the keyboard ... So yes, the anxiety of not being able to edit away from soft ... 'm Finally going to bother to program once and enter a whole live set, I find the concept rather well thought out. Especially the visual editor works well, and it is still easier to make complex cross-references to a screen on a 2-line LCD. The ion was also the editor for that.
It is true that the filter is not effective, that the knobs are molassons ... I want to forgive him for all that it offers in return: master keyboard with sound card (even if it is extra), midi interface, its capabilities with arpeggiator ... Even the drum kit is cool, mostly used as a basic ingredient for the new sound material ...
OVERALL OPINION
I've had about 1 year, I do not use it every day it is. This is ptete my geek side but I love his face ... And when I see it and I'm out of ideas, it is a real pleasure to me the editor paste in a screen and experiment with stuff. It is placed next to my tenori, and like him I think he has a single hand, extraordinary both in sound and in its design. It makes you want to taffer sound otherwise, even if ergonomics is not perfect.
I think everything has been said here about the Venom, but it ruffles my hair to see people complain at the price or it is currently sold ... Like I said, I think many do not see their creative potential, in addition to its sound color. I had not much to add to the test, but I wanted to do it justice. If Psycraft could finish updating the app, it would be cool. Otherwise, the alternative program I linké above (which requires a VST host by against) is also rather well done.
Long live the Venom!