Log in
Log in

or

Thread May 6, 2017 editorial: comments

  • 14 replies
  • 13 participants
  • 1,400 views
  • 13 followers
Mike Levine

Mike Levine

1066 posts
Author
First post
1 Posted on 05/06/2017 at 10:00:02

Testing: Four, Seven, Pi

It’s May, the weather’s getting nice again here on the East Coast, and I should be “happy and peppy and bursting with love,” as the song goes. But alas, I have a rant on my mind, although I freely admit that in the grand scheme of things it isn’t particularly important. It’s more like a pet peeve.

The subject of said rant is the seemingly innocuous phrase, “Testing: one, two,” (and its variant, “Checking: one, two.”) We’ve all heard it a million times. I actually tried to find its origin, which I thought would have been fun for context, but came up dry on Google. If anyone does know, please comment.

Okay, so what’s the problem with “Testing, one two”? I’m sick of it, that’s what! Do we have to always say the same thing, over and over and over during soundchecks? “Testing: one, two. One, one one, two, two two. One, two. One, one, two.” AHH! How about a little variety? 

Maybe use some different numbers? “Testing: four, nine”? Maybe skip the numbers altogether and tell a joke: “Take my monitor mix, please!” Or maybe a Shakespeare-like mic check, just to change things up: “Doth this mic worketh or doth it not, that is the question.”

Here’s an idea, how about learning to say “Testing: one, two” in another language? French: “Teste, une, deux.” Spanish: “Probando uno, dos.” Even Swahili: “Kupima moja, mbili.” Anything but “Testing: one two, one two, testing one two…” C’mon folks, we can do better.

OK, rant over, it’s safe to return to your computer. Let me segue (but definitely not Segway) to a piece of news that, believe it or not, I’m actually happy about. It was recently announced that Propellerhead Reason 9.5 will add support of VST plug-ins. That’s a pretty big deal, because while Reason is a very cool DAW with lots of awesome MIDI instruments, a killer large-format-style mixer and unparalleled time compression and expansion, it’s always been a world unto itself. Yes, you can run it as a ReWire slave to your main DAW, but that complicates things quite a bit.

For many years, Reason didn’t support any third-party processors or instruments. It was a totally closed system. In fact, Propellerhead rightfully touted that factor as one of the keys to its stability. Then Propellerhead developed the Rack Extensions format, which allowed outside developers to create what are essentially plug-ins for Reason, but they still had to be specifically designed for Reason. That’s a big difference from a format like VST, which offers compatibility with multiple hosts.

The question is, by adding support for the wide world of VST plug-ins, will Reason become as buggy as your average host? We will find out soon, as the Reason 9.5 release is due in late May. Stay tuned.

I welcome your comments on this, as well as about my rant.

I’ll be back with my next column on Saturday, June 3rd.

AstraLeadGuitar

AstraLeadGuitar

16 posts
New AFfiliate
2 Posted on 05/06/2017 at 11:33:30
Hello, Mike.
Hope all goes swimmingly for you. We enjoyed your editorial and agree as to the banality of "one, two" for mic tests. My dad Kenn goes up to the mic at sound checks and says "Hello, mike! How are you?!"
Or before a radio interview (i.e., not on air!) he has been known to recite the limerick used by David Niven as a screen test. If you'll indulge the colourful lingo:-p!
Well, I hope that introduces a little variety...:oo:
All the best and rock on!
Astra.

Astra: Lead Guitarist, Singer-Songwriter.

www.astramusic.org

2Kings315

2Kings315

3 posts
New AFfiliate
3 Posted on 05/06/2017 at 11:38:00
Ah, bon, mon amis. A les prochain teste, on suite, je fais utilizes les Frances.

Actually, I usually sing the Oreos song "Little girls have pretty curls... "

Merci beaucoup,

2Kings315
TheStoneCrusher

TheStoneCrusher

1 post
New AFfiliate
4 Posted on 05/06/2017 at 12:39:24
I have abandoned the old "testing 1, 2, 3 . . ." Instead I use "testing . . . 68! Pretty close but a bit short."
Bottomzone

Bottomzone

2 posts
New AFfiliate
5 Posted on 05/06/2017 at 14:23:36
I concur! What's even worse is having some hit the mic as a test. Just talk or sing into the mic!!!
robertm2000

robertm2000

16 posts
New AFfiliate
6 Posted on 05/06/2017 at 14:35:49
One that I've used for many years is "Now hear this! A dry martini is actually quite wet!"
Bottomzone

Bottomzone

2 posts
New AFfiliate
7 Posted on 05/06/2017 at 14:55:28
Good one!!!:bravo:
jonny3d

jonny3d

2 posts
New AFfiliate
8 Posted on 05/06/2017 at 15:00:44
I'll never forget John Lennon's classy count-in on his classic "A Day In The Life" , he counted-in: "Sugarplum Fairy...Sugarplum Fairy"
Jimham70

Jimham70

2 posts
New AFfiliate
9 Posted on 05/06/2017 at 15:06:11
My mother taught me when to refrain from commenting so I will abstain from revealing my thoughts on your rant.
As for DAW compatibility with VSTs ... there's a "Reason" why I chose Studio One years ago. (Pun Intended) Pro Tools was the standard but they want you to sign a contract and offer up your first born child while continuing to fall behind other DAWs in every category.
Maybe Reason decided to target "smart" customers instead settling for victims who failed to do their research. My old flip phone was much more "stable" than my new smart phone but I never see anyone that uses those anymore. Maybe Samsung and Apple should have just stayed with that technology for the stability.
Maybe Reason could include a feature when you plug your mic in that automatically says "testing one, two" and leaves off the "three".
cspsound

cspsound

1 post
New AFfiliate
10 Posted on 05/07/2017 at 00:31:48
I was under the impression that the "Test, one two" was used as it carries all the frequency zones used by a system ---- "test" has high frequencies in the "te" plus the "s" syllabance sound, "one" has the low frequency breathy "wh" sound as well as the upper mid frequency "n" sound, while "two" has the high frequency "t" as well as the "oo" lower mid frequency sound.

I may be wrong, but that was what I was taught almost 60 years ago.

David
cookies
We are using cookies!

Yes, Audiofanzine is using cookies. Since the last thing that we want is disturbing your diet with too much fat or too much sugar, you'll be glad to learn that we made them ourselves with fresh, organic and fair ingredients, and with a perfect nutritional balance. What this means is that the data we store in them is used to enhance your use of our website as well as improve your user experience on our pages and show you personalised ads (learn more). To configure your cookie preferences, click here.

We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.

Our cookies
Cookies not subject to consent
These are cookies that guarantee the proper functioning of Audiofanzine and allow its optimization. The website cannot function properly without these cookies. Example: cookies that help you stay logged in from page to page or that help customizing your usage of the website (dark mode or filters).
Google Analytics
We are using Google Analytics in order to better understand the use that our visitors make of our website in an attempt to improve it.
Advertising
This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :) We are using Google Ad Manager to display part of our ads, or tools integrated to our own CMS for the rest. We are likely to display advertisements from our own platform, from Google Advertising Products or from Adform.

We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.

Our cookies
Cookies not subject to consent

These are cookies that guarantee the proper functioning of Audiofanzine. The website cannot function properly without these cookies. Examples: cookies that help you stay logged in from page to page or that help customizing your usage of the website (dark mode or filters).

Google Analytics

We are using Google Analytics in order to better understand the use that our visitors make of our website in an attempt to improve it. When this parameter is activated, no personal information is sent to Google and the IP addresses are anonymized.

Advertising

This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :) We are using Google Ad Manager to display part of our ads, or tools integrated to our own CMS for the rest. We are likely to display advertisements from our own platform, from Google Advertising Products or from Adform.


You can find more details on data protection in our privacy policy.
You can also find information about how Google uses personal data by following this link.