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Yannou le Jacky
Published on 03/21/04 at 14:08
Best value:
Excellent
16 bass amp simulations
4 amp simulations keyboard
4 simulations for acoustic guitar
8 simulations for electric guitar
23 speaker simulations
Classical effects: distortion, delay, chorus, reverb, wah-wah, flanger, ...
Other effects: p-Funk'n (filter), auto-wha, ultra bass (octave), synth bass, synth MIDI.
Simulation and effects entierment numriques.
Version 19 "2U V-amp Bass.
Conection complete:
Stereo XLR output symtrique (for the live recording directly to the console)
Stereo line out for connecting the amp (possibility to disable the simulation of these sotie HP)
between line (to connect a CD player or another to play on top)
headphone
MIDI I / O (with MIDI Through)
send / return insert pre-DSP (allows connecterdes effects before treatment)
2x send / return insert post (DSP functions such as the loop of the amp)
Sync Worldclock
numriques outputs AES / EBU and SPDIF caoxial (works in 44.48 and 96 kHz, it was s ^ RCIS if the output only works in 24 bits or also 16)
Fully controllable via MIDI,
pRSET editable via MIDI on a PC with utility tlchargeable the site of the constructor.
UTILIZATION
The configuration is simple, whether the effects, simulations, configuration gnrale, there is no need to navigate a lot of pages of menus, most parameters can be accessed either directly or through a key combination.
The edition of some parameters remains somewhat dlicate ncssite and a little juggling of the keystrokes request.
The manual sometimes lacks precision, but comprhension operation of the device restecomprehensible. Some features would be worth more detail.
Regrtable point: some parameters are paramtrables unquement effects via MIDI, they must therefore be set up using a MIDI controller, or software prvu this
SOUND QUALITY
Test only a low
The amp simulations sound good. They are varied enough to go from a very modern sound jazz classic. The rglages of pramplis ralistes and are effective, each setting has different effects depending on the amplifier selected. Simulations of speakers that are just as Varis amps.
Effects (classical or not) are of good quality. I just dplore the abscence of a distortion pedals dedicates the low, the quioblige rglages very subtle with guitar pedals to get to ring distortion on the low. It is, cons, always possible to keep true to distorion pedal in addition to the V-amp. The other effect prcaution use with the bass is utrabass quia tend to be sloppy and dcrocher in the bass. Compar an OC-20 boss from home, it is more prcis and sounds cleaner, but the V-Bass cepeda dcroche still less in frquences serious.
The compressor can swell the bass sound Fawn quite significant, and is sufficient. Do not expect all the same gallery a compressor prampli lamps, both in sound that can deparamtrage.
OVERALL OPINION
The bass v-amp is a good product for a very good quality-price ratio. In sound quality may be slightly less for other products (including the Line6 Bass Pod), it remains cheaper and netent plsu versatile with its keyboard simulation, acoustic and electric.
4 amp simulations keyboard
4 simulations for acoustic guitar
8 simulations for electric guitar
23 speaker simulations
Classical effects: distortion, delay, chorus, reverb, wah-wah, flanger, ...
Other effects: p-Funk'n (filter), auto-wha, ultra bass (octave), synth bass, synth MIDI.
Simulation and effects entierment numriques.
Version 19 "2U V-amp Bass.
Conection complete:
Stereo XLR output symtrique (for the live recording directly to the console)
Stereo line out for connecting the amp (possibility to disable the simulation of these sotie HP)
between line (to connect a CD player or another to play on top)
headphone
MIDI I / O (with MIDI Through)
send / return insert pre-DSP (allows connecterdes effects before treatment)
2x send / return insert post (DSP functions such as the loop of the amp)
Sync Worldclock
numriques outputs AES / EBU and SPDIF caoxial (works in 44.48 and 96 kHz, it was s ^ RCIS if the output only works in 24 bits or also 16)
Fully controllable via MIDI,
pRSET editable via MIDI on a PC with utility tlchargeable the site of the constructor.
UTILIZATION
The configuration is simple, whether the effects, simulations, configuration gnrale, there is no need to navigate a lot of pages of menus, most parameters can be accessed either directly or through a key combination.
The edition of some parameters remains somewhat dlicate ncssite and a little juggling of the keystrokes request.
The manual sometimes lacks precision, but comprhension operation of the device restecomprehensible. Some features would be worth more detail.
Regrtable point: some parameters are paramtrables unquement effects via MIDI, they must therefore be set up using a MIDI controller, or software prvu this
SOUND QUALITY
Test only a low
The amp simulations sound good. They are varied enough to go from a very modern sound jazz classic. The rglages of pramplis ralistes and are effective, each setting has different effects depending on the amplifier selected. Simulations of speakers that are just as Varis amps.
Effects (classical or not) are of good quality. I just dplore the abscence of a distortion pedals dedicates the low, the quioblige rglages very subtle with guitar pedals to get to ring distortion on the low. It is, cons, always possible to keep true to distorion pedal in addition to the V-amp. The other effect prcaution use with the bass is utrabass quia tend to be sloppy and dcrocher in the bass. Compar an OC-20 boss from home, it is more prcis and sounds cleaner, but the V-Bass cepeda dcroche still less in frquences serious.
The compressor can swell the bass sound Fawn quite significant, and is sufficient. Do not expect all the same gallery a compressor prampli lamps, both in sound that can deparamtrage.
OVERALL OPINION
The bass v-amp is a good product for a very good quality-price ratio. In sound quality may be slightly less for other products (including the Line6 Bass Pod), it remains cheaper and netent plsu versatile with its keyboard simulation, acoustic and electric.