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davidsynthé
Published on 02/24/04 at 05:53
Extract http://virtualacoustic.free.fr
Instructions available here: http://virtualacoustic.free.fr/HTML/downloadVL.html
The particularity of these sries synthtiseurs is that they use one hundred percent by the synthse MODELS physical. There is a SERIES of synthtiseurs VL, but among them, the VL1, marketed in 1994, is the most successful. The VL70m VL7 and are a simplification of VL1 and VL1-m VL70-m and are expanders.
UTILIZATION
Extract http://virtualacoustic.free.fr
The VL1 marks a step in the history of synthtiseurs musical performance and engages in a new dimension. Learning matriser the Controller of VL1 with breath that is ais dapprendre dun play acoustic instrument and can play any instrument nimporte wind with one and the same device. It is possible dobtenir with virtual instruments and effects impossible in Ralite: ambitus a gigantic, impossible with a virtuosity linstrument rel constraints, etc.
SOUNDS
Extract http://virtualacoustic.free.fr
Demos available here: http://virtualacoustic.free.fr/HTML/Demos.html
The VL1 offers numerous advantages in terms of music programming, not only in terms of sound reproduction but also in reproductive behaviors specific to acoustic instruments that make them, if musical instruments. MODEL The physical can be programmed to provide a number of deals inhrentes the instrument (the length of a pipe or stiffness of the reed, for example).
But it is only playing that can be rgler with precision the sound produced by a particular configuration. Because of its natural acoustic behavior, the VL1 is naturally a little more difficult matriser synthtiseur a classic, but its the CONTRL CHARACTERISTICS allows precisely dvelopper its huge potential.
The VL1 sounds better and offers more depth and ism in the musical sense of the word, than any of synthse Systm.
Same pressure on the same key will not produce the same ncessairement his giving an impression even closer to the Ralite. The instrument is "alive".
Changes of note note, reproduce the same fluid as those expressing by acoustic instruments. What happens between the notes is as musically important as the notes themselves, same.
The capacity of expression is remarkable. Plutt CONTRL a simple volume or pitch, you can rgler of paramtres as the breath or the pressure of the reed so doing Fawn prcise and appropriate on the stamp of sound.
In addition to reproductions trsralistes existing acoustic instruments, the VL1 can produce synthetic sounds.
OVERALL OPINION
http://virtualacoustic.free.fr
Yamaha, Korg and Technics are the first manufacturers trying OF USE technique synthse by physical MODELS. Their business is stratgies diffrent, and dmarches distinct. We must all prciser synthtiseurs by using synthse employ physical MODELS The models exclusively waveguide. If manufacturers adopt this synthse giving different names trs (S / VA, MOSS, Acoustic Modelling) it is indeed always the same technique.
Whereas when all that fails to synthtiseurs traditional physical The models seem to be a nice place on the market.
Instructions available here: http://virtualacoustic.free.fr/HTML/downloadVL.html
The particularity of these sries synthtiseurs is that they use one hundred percent by the synthse MODELS physical. There is a SERIES of synthtiseurs VL, but among them, the VL1, marketed in 1994, is the most successful. The VL70m VL7 and are a simplification of VL1 and VL1-m VL70-m and are expanders.
UTILIZATION
Extract http://virtualacoustic.free.fr
The VL1 marks a step in the history of synthtiseurs musical performance and engages in a new dimension. Learning matriser the Controller of VL1 with breath that is ais dapprendre dun play acoustic instrument and can play any instrument nimporte wind with one and the same device. It is possible dobtenir with virtual instruments and effects impossible in Ralite: ambitus a gigantic, impossible with a virtuosity linstrument rel constraints, etc.
SOUNDS
Extract http://virtualacoustic.free.fr
Demos available here: http://virtualacoustic.free.fr/HTML/Demos.html
The VL1 offers numerous advantages in terms of music programming, not only in terms of sound reproduction but also in reproductive behaviors specific to acoustic instruments that make them, if musical instruments. MODEL The physical can be programmed to provide a number of deals inhrentes the instrument (the length of a pipe or stiffness of the reed, for example).
But it is only playing that can be rgler with precision the sound produced by a particular configuration. Because of its natural acoustic behavior, the VL1 is naturally a little more difficult matriser synthtiseur a classic, but its the CONTRL CHARACTERISTICS allows precisely dvelopper its huge potential.
The VL1 sounds better and offers more depth and ism in the musical sense of the word, than any of synthse Systm.
Same pressure on the same key will not produce the same ncessairement his giving an impression even closer to the Ralite. The instrument is "alive".
Changes of note note, reproduce the same fluid as those expressing by acoustic instruments. What happens between the notes is as musically important as the notes themselves, same.
The capacity of expression is remarkable. Plutt CONTRL a simple volume or pitch, you can rgler of paramtres as the breath or the pressure of the reed so doing Fawn prcise and appropriate on the stamp of sound.
In addition to reproductions trsralistes existing acoustic instruments, the VL1 can produce synthetic sounds.
OVERALL OPINION
http://virtualacoustic.free.fr
Yamaha, Korg and Technics are the first manufacturers trying OF USE technique synthse by physical MODELS. Their business is stratgies diffrent, and dmarches distinct. We must all prciser synthtiseurs by using synthse employ physical MODELS The models exclusively waveguide. If manufacturers adopt this synthse giving different names trs (S / VA, MOSS, Acoustic Modelling) it is indeed always the same technique.
Whereas when all that fails to synthtiseurs traditional physical The models seem to be a nice place on the market.