Guitar stringed Godin (Canadian), cutaway solid cedar table mounted on the bottom and think eclipses cherry mahogany neck, 21 frets, rosewood bridge and touch the river, in Tusq frets, semi finished quip-gloss of a piezo pramp LRBaggs deluxe (serious mdium, aige, prsence, mid volume and tune). The model I possde SERIES is a limit. It uses the model CHARACTERISTICS s6 sign of "the original". The cherry and the bottom line eclipses t to find the same color as the table. Deplus, paint Laminated (matte black) of the head is replaced by a burr veneer of pica. The table is solid cedar 400 years of age estimated guarantee (the son of the wood are extremely raproch tightened and which allowed an acoustic release exeptionnelle.
The handle end of it (46mm), flat on his back (which is good because I like not really back too dtest round the back "V".

UTILIZATION

One highlight of this guitar is that it is a jouabilit any evidence.
The handle does not slip while allowing dplacement ffective and ais.
CHAC is the acute trs acceptable (for a folk).
This guitar allows a large variety of sound (of good quality and therefore trs trs is versatile (especially if you play games on the rope)
The handle MRIT rglage however (as with any guitar brand) for dvoil all its qualities.
Small default innrant cutting and Cutaway: the beginners, if you play sitting down, the guitar tends to drag the support of the leg. But you get used to finding a position rapidemment adquate

SOUNDS

In my case, I'm over the moon because it is extremely versatile and always exclente that matter the style jou. The sound of a gentle and cozy little striker proved powerful. Harmonics are exeptionnelle (despite uen cedar table and not in pica) and trs rich. The sound is always equilibrated trs (sometimes a bit smoother if you want a good serious or if you search for the crystal-clear).
This remark is valid dernire but not electro acoustic because the great diversity and range of rglages provides virtually all the sounds you want. As against the choice of the amplifier is critical to maintain the quality and the natural sound of this guitar. The choice of amp is trs li personal use that is not done.

OVERALL OPINION

This is the deuxime folk guitar I bought (in 1990) I have other guitars (Takamine "santa-fquot;, takamine" jumbo "and a tailor" W12ce ") and none makes use of the S6. My other guitars, although large bill, attach a sound and is sorely lacking in versatility as they have a clean, non-malleable personality. In addition, this guitar better than my old takamine, the noise level (not at the table for Aesthetics trs is fragile). It was so soft that when I try the new seagull, I find plutt bland and dull in their sound.
Needless to say I find the report quality price exclent seen the price of my other guitars and use that I did.
If this silent again, I would do it again (taking a little patience it gets better again).