View other reviews for this product:
sbastien6229 « Not bad! »
Published on 10/11/10 at 04:20
Best value:
Excellent
Dual compressor / limiter / gate / d-ssor numrique linkable. Entirely possibility of working in a numrique catre optional.
In short, a little tour here (http://www.dbxpro.com/Classic_downloads.php?product=DDP) for further information and instructions for the curious.
The notice prcdant as much full, I stop me for the description.
Just ... eq parameter does not work on the stamp, but on the spectrum frquentiel that will handle the RFP !!!).
So we can not as a power equalizer with eq of a console, but you can choose Frequencies to be accentuated or not during compression.
It is, however, not a multiband compressor. Manuel
UTILIZATION
quite clear and very full. In addition in French!
Quite a few factory presets, convenient to find a rglage adapted an instrument or effect ... APRS being crafted. It can be used as an insert on a track, or on a bus on the main outputs. At ease everywhere.
The edition is quite comfortable, unfortunately we go through menus and submenus ... Gnant not to register its presets (xmmoires users), less good for rgler quickly. +
SOUND QUALITY
Complete.
+ Gate / compressor effective.
+ No color, no breath.
+ Good converters na / year.
+ Transparent.
- The sound produced may be a little mtallique (beware rglages)
- Limiter strange. Rgler difficult in peak limiter to contrl levels in a digital creation area.
- The compressor tends to eat high Frequencies low compression (but it is the disease of all compressors means ranges), so sometimes limit the amount of compression or play eq (bof!)
- Transparent.
It is used on BD and SN, sometimes on the bass. By limiting the outlet, a compressor / gate to the mix. In this configuration it is doing its job. Between
OVERALL OPINION
150/200, secondhand, it remains a very good deal. I bought 140 there over a year.
I think it is fairly comprehensive and effective in the live (recordable presets), a little Lger for the (home) studio. AD / DA converters transparent, at least I do not expect diffrence (see my channel audio).
I can not compare it with other compressors hardware (except for a small Behringer, but hey no point dwelling on the comparison). Compared to plugs Wave (rebirths) we are in the same range, efficiency and sound rendering issue.
Briefly assess your environment against (live in studio), your hardware and your desires / needs.
If you are looking for a compressor / gate effective, comprehensive, transparent and low cost, eyeing the RFP, especially if the price is within the range Describes above.
If you are looking for a compressor with character, go your way. Ditto for the compressive crative.
I currently eyeing on a dbx160, and a compressor lamp (TLA series genre classic). I do not regret my purchase, however, and if j'upgrade my studio, I will use it to spoil the toms on a drum bus, or compress clear guitars, for example ...
In short, a little tour here (http://www.dbxpro.com/Classic_downloads.php?product=DDP) for further information and instructions for the curious.
The notice prcdant as much full, I stop me for the description.
Just ... eq parameter does not work on the stamp, but on the spectrum frquentiel that will handle the RFP !!!).
So we can not as a power equalizer with eq of a console, but you can choose Frequencies to be accentuated or not during compression.
It is, however, not a multiband compressor. Manuel
UTILIZATION
quite clear and very full. In addition in French!
Quite a few factory presets, convenient to find a rglage adapted an instrument or effect ... APRS being crafted. It can be used as an insert on a track, or on a bus on the main outputs. At ease everywhere.
The edition is quite comfortable, unfortunately we go through menus and submenus ... Gnant not to register its presets (xmmoires users), less good for rgler quickly. +
SOUND QUALITY
Complete.
+ Gate / compressor effective.
+ No color, no breath.
+ Good converters na / year.
+ Transparent.
- The sound produced may be a little mtallique (beware rglages)
- Limiter strange. Rgler difficult in peak limiter to contrl levels in a digital creation area.
- The compressor tends to eat high Frequencies low compression (but it is the disease of all compressors means ranges), so sometimes limit the amount of compression or play eq (bof!)
- Transparent.
It is used on BD and SN, sometimes on the bass. By limiting the outlet, a compressor / gate to the mix. In this configuration it is doing its job. Between
OVERALL OPINION
150/200, secondhand, it remains a very good deal. I bought 140 there over a year.
I think it is fairly comprehensive and effective in the live (recordable presets), a little Lger for the (home) studio. AD / DA converters transparent, at least I do not expect diffrence (see my channel audio).
I can not compare it with other compressors hardware (except for a small Behringer, but hey no point dwelling on the comparison). Compared to plugs Wave (rebirths) we are in the same range, efficiency and sound rendering issue.
Briefly assess your environment against (live in studio), your hardware and your desires / needs.
If you are looking for a compressor / gate effective, comprehensive, transparent and low cost, eyeing the RFP, especially if the price is within the range Describes above.
If you are looking for a compressor with character, go your way. Ditto for the compressive crative.
I currently eyeing on a dbx160, and a compressor lamp (TLA series genre classic). I do not regret my purchase, however, and if j'upgrade my studio, I will use it to spoil the toms on a drum bus, or compress clear guitars, for example ...