Lower manufactures in Korea
basswood body, maple neck, key in synthetic ebonol
24 cases, 1 micro Ibanez bridge
easel quick change strings
volume and low and high qua
ramp to different techniques of right hand

USE

Handle very fine and a very quick thanks low action and a low spacing of the strings
ebonol not prevent the n button a warm sound and ensures a perfect homogeneity notes all over the neck
access to acute perfect
ergonomics close to the ideal: very low Legre and balance, short, very practical mechanical easel
also superb finish with a very nice bag provided
Branch and it was on SOUND

SONORITS

Remarkable fretless sound with a little bit of hardness in acute can be of the ebonol
is at best (old Jazzbass included)
c is very versatile yet with its unique micro and qua 2 strips
seen remarkable sonority of linden and the ebonol has worth to replace its prampli by more efficient (the Barto NTBT for ex.)
you can also replace the microphone with a more soft and dull if you like (I think of Barto yet)

NOTICE GLOBAL

After a few gigs, repeated and a disc, it is a remarkably low
super quality for money as tjrs Ibanez (see BTB556!)
I have it selected after lots of tests without consideration price
I have the team after qq months of a micro Barto Jazzbass CMJB59 and a switch passive / active
PS: I made the studio, the ing has nothing been done as has sounded forth
I also owns the GWB1 which is not better but simply differente (except the preamp more effective)