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hg6990
Published on 03/03/07 at 04:20
There was a PLETOR effects that have already been mentioned above, the simulation models more or less saturated, a noise gate (very handy)
-Oulah! the I do not know what's on it that it no loupiotte in nya ...
We can very easily make their own patch.
I put 9 because perfection does not exist, but for me there is all you need.
UTILIZATION
-Configuration is very simple after all he is still reading the manual is very clear.
-I did all an idea of the multi effects "Boh is good, but I will put 6 months to understand everything gnagnagni" finally bein in a week I knew about it can be used (well m interested in that.)
'Well, if you take the beef means (me) and you would put this little babasse boudinnés between her fingers, and although it happens very quickly ... That sounds good to ask for?
SOUND QUALITY
-Effects are all well and fairly customizable beautiful ... I personally use delay and chorus flanger on solos or passages can clear a glaucous.
On the disto-we enter the serious (I play mainly heavy metal, punk, hardcore, some hard rock kind) so I need some good distos ...
I personally use mostly simulation peavey 5150 for a metallica type distortion with good harmonics and sounds good fat. I also use in a more simulation heavy zoom extreme distortion: a huge gain very compressed, it is little more straight forward ... for the pantera, soulfly current slayer or this stuff is crazy ...
Crunches are honest, but not that of a marshall JTM45 me they suit me.
Its clear them are beautiful but sometimes a little too slammin for my taste. A simulation of acoustic guitar pretty good (for a folk guitar in any case, I haven t managed to find a setting that looks like a classical guitar)
Voila, so fans of big sound, release you, this is a war machine, the more noise gate eliminates the breath ...
For fans of the light crunch and find the sound may be too synthetic and too responsive to the finesse of the game ..
OVERALL OPINION
I use it for over a month
Pro-rated his little perhaps, the time of passage of a small patch to another (5 milliseconds, say otherwise, there is no lag ... which is a real highlight because the live behringer V-amp has a latency of 1 second.)
What I like least ... I honestly do not know ... other than the 9 volt transformer not included, it is the mouth of foutage
-I had purchased the behringer multi-FX that do not work (after three changes) and which in any case were not really at the height of G2.
I also tested the V-amp pro (which is integrated into the V-AMPIRE behringer lx112) and who also does not really bear comparison.
-95 Euros ... its seem to me largely honest when you see what's in it ... except the abscence of transformers is very honest ...
I do not know, but I think so, or else (but with Thune and more
experience) zoom g9 must tear sphyncteres a mom ...
Ultimately, it is a great product that I would keep a long time, ie, I play it with an all-tube amp ibanez valbee (so a good amp), but with a guitar storm entry ... seeing my current sonoritées I'm anxious to see what it can give with my washburn dreams ...
-Oulah! the I do not know what's on it that it no loupiotte in nya ...
We can very easily make their own patch.
I put 9 because perfection does not exist, but for me there is all you need.
UTILIZATION
-Configuration is very simple after all he is still reading the manual is very clear.
-I did all an idea of the multi effects "Boh is good, but I will put 6 months to understand everything gnagnagni" finally bein in a week I knew about it can be used (well m interested in that.)
'Well, if you take the beef means (me) and you would put this little babasse boudinnés between her fingers, and although it happens very quickly ... That sounds good to ask for?
SOUND QUALITY
-Effects are all well and fairly customizable beautiful ... I personally use delay and chorus flanger on solos or passages can clear a glaucous.
On the disto-we enter the serious (I play mainly heavy metal, punk, hardcore, some hard rock kind) so I need some good distos ...
I personally use mostly simulation peavey 5150 for a metallica type distortion with good harmonics and sounds good fat. I also use in a more simulation heavy zoom extreme distortion: a huge gain very compressed, it is little more straight forward ... for the pantera, soulfly current slayer or this stuff is crazy ...
Crunches are honest, but not that of a marshall JTM45 me they suit me.
Its clear them are beautiful but sometimes a little too slammin for my taste. A simulation of acoustic guitar pretty good (for a folk guitar in any case, I haven t managed to find a setting that looks like a classical guitar)
Voila, so fans of big sound, release you, this is a war machine, the more noise gate eliminates the breath ...
For fans of the light crunch and find the sound may be too synthetic and too responsive to the finesse of the game ..
OVERALL OPINION
I use it for over a month
Pro-rated his little perhaps, the time of passage of a small patch to another (5 milliseconds, say otherwise, there is no lag ... which is a real highlight because the live behringer V-amp has a latency of 1 second.)
What I like least ... I honestly do not know ... other than the 9 volt transformer not included, it is the mouth of foutage
-I had purchased the behringer multi-FX that do not work (after three changes) and which in any case were not really at the height of G2.
I also tested the V-amp pro (which is integrated into the V-AMPIRE behringer lx112) and who also does not really bear comparison.
-95 Euros ... its seem to me largely honest when you see what's in it ... except the abscence of transformers is very honest ...
I do not know, but I think so, or else (but with Thune and more
experience) zoom g9 must tear sphyncteres a mom ...
Ultimately, it is a great product that I would keep a long time, ie, I play it with an all-tube amp ibanez valbee (so a good amp), but with a guitar storm entry ... seeing my current sonoritées I'm anxious to see what it can give with my washburn dreams ...