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stcollard
Published on 03/01/06 at 10:57
Re-Hi,
The debate Acoustic / ELECTRONICS will always and all the better ... (Sign of passion)
Still, the distance between the latter is reduced significantly.
Then it's a matter of personality and taste.
This amazes me and fills me with mail, especially for the budget.
I will not give up my old pearl Fiber-Glass but probably use it in addition to Roland. I do not consider the Roland as a simple practice but as an instrument in itself and some quality. Only the price could believe in a lower quality compared to its big sisters.
Actually, I did compare them. I found that Roland does not diminish the quality depending on the range but the potential.
The TD3 is:
- Simple, cleared (just enough to not get lost);
- A good aesthetic taste (compared to the entry level Yamaha)
- And good robustness.
- Gives off a quality image ...
The sounds are true to an acoustic and even more when the scales of each instrument against each other made.
The benefits of e:
- Respect for neighbors and family (to repeat during the night, unexpected);
- Respect for his hearing and that of others during rehearsals;
- Concert in small places as possible in good conditions and without acoustic moderate his hits;
- Facilitation of registration;
- Embedded tools: metronome, délencheurs MIDI, ...
- No breakage of chopsticks;
- ...
Tips:
1. To navigate quickly between sets:
let press the + or - button
2. and to go even faster:
let press the + or - button press and press and let the other (+ or -) also
3. The TD3 do not have to default to the mesh head pad, it must be configured for optimal efficiency of the pad.
4. I do not understand the criticism of the hi-hat pedal. Closed sound occurs when the pedal is pressed, the semi-open when the pedal is made just slightly with his foot on the bumper and the open when the pedal is released. To address the low sound produced by the charley played at the foot, it is possible to independently increase the other sounds of Charley. If that's not enough, make the balance of each instrument according to Charley at the foot.
The debate Acoustic / ELECTRONICS will always and all the better ... (Sign of passion)
Still, the distance between the latter is reduced significantly.
Then it's a matter of personality and taste.
This amazes me and fills me with mail, especially for the budget.
I will not give up my old pearl Fiber-Glass but probably use it in addition to Roland. I do not consider the Roland as a simple practice but as an instrument in itself and some quality. Only the price could believe in a lower quality compared to its big sisters.
Actually, I did compare them. I found that Roland does not diminish the quality depending on the range but the potential.
The TD3 is:
- Simple, cleared (just enough to not get lost);
- A good aesthetic taste (compared to the entry level Yamaha)
- And good robustness.
- Gives off a quality image ...
The sounds are true to an acoustic and even more when the scales of each instrument against each other made.
The benefits of e:
- Respect for neighbors and family (to repeat during the night, unexpected);
- Respect for his hearing and that of others during rehearsals;
- Concert in small places as possible in good conditions and without acoustic moderate his hits;
- Facilitation of registration;
- Embedded tools: metronome, délencheurs MIDI, ...
- No breakage of chopsticks;
- ...
Tips:
1. To navigate quickly between sets:
let press the + or - button
2. and to go even faster:
let press the + or - button press and press and let the other (+ or -) also
3. The TD3 do not have to default to the mesh head pad, it must be configured for optimal efficiency of the pad.
4. I do not understand the criticism of the hi-hat pedal. Closed sound occurs when the pedal is pressed, the semi-open when the pedal is made just slightly with his foot on the bumper and the open when the pedal is released. To address the low sound produced by the charley played at the foot, it is possible to independently increase the other sounds of Charley. If that's not enough, make the balance of each instrument according to Charley at the foot.