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ghismo « It gives cravings :) »
Published on 11/21/12 at 02:10I bought this game and the extra cable to play with friends.
The game system is very good for work titles. It starts with only a few notes, then gradually as one moves correctly phrases, it adds to.
This is very gradual, and even friends who discover the instrument arrive fast enough to (almost) sound stuff.
I personally have re-do the repeat mode riffs. In this mode, it works by the piece part. There are several choices for work: with more notes or a tempo accelerates. And the interface is really amazing. It takes some time before the loop riff that works, we know if it goes live or not. In very little time you get to play the title, with subtleties in the game that might otherwise not be transcribed. Ah! if only I had this kind of tool when I started!
I mainly use the games on bass, and I'm pretty amazed at the accuracy of the tool (I consider this game more like a tool than a game actually). A low yet it is not a foregone conclusion, but it works pretty well (even if sometimes we made big scores so that is not really good, who to believe?
.
But if indeed it is a tool we can also regret that there is no mode with tab / partition instead of scrolling notes on guitar hero. If in addition we could learn to read music! ...
So I would also like to make some inroads into the world of guitar. And with electro-acoustic, it goes as nickel.
I agree with previous transcription is not always as we would transplanted, but nothing prevents us from where we want to transpose on its handle. It works with sound, not with a camera, the is the. A low, only the lower four strings are taken into account, me playing on 6 shifts I often play on the strings, RockSmith does not move in too.
I was also quite impressed by the tuner, which is really cool if we could have it in a stomp or a small box, that would be cool ...
And the sound that comes through an effects processor that works well, and allows without taking the head sound settings have the same (or almost) as the original.
The real black for me lies in the menus that are really damn bad. When you finish a title, we often want to switch to working riffs, and then must return to the home, find the track of all the others, launch the stuff ... So we spend a lot of time to navigate the menus, and then to wait between two phases games. It's a bit heavy, but it is probably a fault of youth.
And then inviting a friend over to play (you can play both), it gave us the desire to form a group, and since then repeat in the studio every week.
Well done Ubi.
The game system is very good for work titles. It starts with only a few notes, then gradually as one moves correctly phrases, it adds to.
This is very gradual, and even friends who discover the instrument arrive fast enough to (almost) sound stuff.
I personally have re-do the repeat mode riffs. In this mode, it works by the piece part. There are several choices for work: with more notes or a tempo accelerates. And the interface is really amazing. It takes some time before the loop riff that works, we know if it goes live or not. In very little time you get to play the title, with subtleties in the game that might otherwise not be transcribed. Ah! if only I had this kind of tool when I started!
I mainly use the games on bass, and I'm pretty amazed at the accuracy of the tool (I consider this game more like a tool than a game actually). A low yet it is not a foregone conclusion, but it works pretty well (even if sometimes we made big scores so that is not really good, who to believe?
. But if indeed it is a tool we can also regret that there is no mode with tab / partition instead of scrolling notes on guitar hero. If in addition we could learn to read music! ...
So I would also like to make some inroads into the world of guitar. And with electro-acoustic, it goes as nickel.
I agree with previous transcription is not always as we would transplanted, but nothing prevents us from where we want to transpose on its handle. It works with sound, not with a camera, the is the.
A low, only the lower four strings are taken into account, me playing on 6 shifts I often play on the strings, RockSmith does not move in too. I was also quite impressed by the tuner, which is really cool if we could have it in a stomp or a small box, that would be cool ...
And the sound that comes through an effects processor that works well, and allows without taking the head sound settings have the same (or almost) as the original.
The real black for me lies in the menus that are really damn bad. When you finish a title, we often want to switch to working riffs, and then must return to the home, find the track of all the others, launch the stuff ... So we spend a lot of time to navigate the menus, and then to wait between two phases games. It's a bit heavy, but it is probably a fault of youth.
And then inviting a friend over to play (you can play both), it gave us the desire to form a group, and since then repeat in the studio every week.
Well done Ubi.