Yamaha PLG150-VL
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davidsynthé 02/01/2004

Yamaha PLG150-VL : davidsynthé's user review

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Extract http://virtualacoustic.free.fr
Demos available here: http://virtualacoustic.free.fr/HTML/Demos.html

The VL1 and VL70m PLG150-VL and mark a step in the history of synthtiseurs musical performance and engage in a new dimension. Learning matriser the VL1 or VL70m with Controller of breath is more than ais dapprendre dun play acoustic instrument and can play any instrument nimporte wind with a single m my device. It is possible dobtenir with virtual instruments and effects impossible in Ralite: ambitus a gigantic, impossible with a virtuosity linstrument rel constraints, etc.

The PLG150-VL offers numerous advantages in terms of music programming, not only in terms of sound reproduction but also in reproductive behaviors specific to acoustic instruments that make them, if musical instruments. MODEL The physical can be programmed to provide a number of deals inhrentes the instrument (the length of a pipe or stiffness of the reed, for example).

But it is only playing that can be rgler with precision the sound produced by a particular configuration. Because of its natural acoustic behavior, the PLG150-VL is naturally a little more difficult matriser synthtiseur a classic, but its the CONTRL CHARACTERISTICS allows precisely dvelopper its huge potential .

Yamaha, Korg and Technics are the first manufacturers trying OF USE technique synthse by physical MODELS. Their business is stratgies diffrent, and dmarches distinct. We must all prciser synthtiseurs by using synthse employ physical MODELS The models exclusively waveguide. If manufacturers adopt this synthse giving different names trs (S / VA, MOSS, Acoustic Modelling) it is indeed always the same technique.

Whereas when all that fails to synthtiseurs traditional physical The models seem to be a nice place on the market.