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Nissan Fairlady
Published on 01/05/10 at 07:03
Value For Money :
Excellent
effects: we chose a chorus, delay, or reverb. there are 8 I think, with 2 parameters for each. Then come the filters, which come and go at will signal in a feedback loop ... hard to describe. generator larsens parrait me the correct term to name this box is in effect.
They are not editable, the trick is not rack, he mixes digital and analog for the effects for the filters, it's the connection jack.
difficult to note that part. if it seeks to transform a sound coming from a synth or boitar (my case) is good I think. I do not know what to say ... I know not what a midi cable come apart in there fuck up the price. I put 7 because there is no MIDI (and more) but the phone jacks are it seems, not very huge. also this machine is tiny and the buttons are glued to each other. I'm going to like that 6. I would have done something more in length me. there were more room.
actually no I is 7 because the idea is original.
UTILIZATION
general configuration is really not easy. the manual is sufficient insofar as it is written: turn the knobs to see! it deserved some more advice. editing sounds and effects is not easy. the guy who made it even know what the bottom two rotations. but I put 5 because it's fun, it seems to play little chemist. Rotations are nice and do not knock. moving from one end to the other without it makes strange noises. well for inspiration.
SOUND QUALITY
effects are unlikely. the thing plays itself if we take care. it sound analog, it sounds so realistic. I care about my snares it. it appears compressed, full, smooth, revebérée, filtered, equalized. super cool, but radical. but cool. it seems vstifiée around but no, I care about the XR20 in line. not affect internal XR20. my snare any evanescent out again, brilliant, vaporous or dynamic, naughty or ghostly, depending. I love it.
I hate it when this little thing I come away with an infra saturated unmanageable cons. at mid race, the low pass filter is already in infrastructure, I see no interest thing. must not fall below the midday with filters if you cut the sound. I guess it must be justified electronically, the pots should be graded like that, but it spoiled the party.
I put 8 because the T resonator is super helpful in my set. I do a kind of drum'n'bass hip-hop industrial minimal, and the kick snare and bass are required to have a lot of personality to it is glamorous. and personality, this T resonator has is undeniable. we can even if you're smart and patient, vintage analog bass generate, edit and play with a sampler, which makes the machine really cheap. And yes: analog bass for 200 euros!
I takes only 8 because some resonances may blow the case and the time is recorded shit. must redo the plug.
OVERALL OPINION
I use it for 2 months. I took some time before sensing the need to fuck the input gain was flat out. it just overwrites the signal but the saturation is beautiful, and it avoids ending up with resonances that go around to the extent it lowers the level of the track. and yes: if the sound is a treat to catch, the resonances that are generated by the machine will not stronger! logic ...
there are no other models that are close to this. I compare with my Electrix Filter Factory, which has a filter and we can assign an LFO and that's it. electrix the massacre is a barbarian, but jomox is a small smart. kind in nature, to survive, we need a Swiss Army knife and a machete. Finally, it helps.
the feature I like most is being able to route anything to anyone. as shown in the box in fact. at the beginning we understand it, and then once you're inside it's really fendar. I love that the LFO is synchronized to the attack, it's weird, a charlet can become low because of this, with management of the attack and all the rest.
I judge the value for money very good. What finally normal. what are the other things that are expensive. not hesitate a single second between that and a kaosspad example. apart than that: he must not play drunk if you fart a boomer and it makes trouble with the boss of the box. on the other hand, that, that sounds good. no digital artifacts disgusting, no tics or cracks. but enormous vroooooooooooooooom or gniiiiiiiiiiiiiiiiiiiii, things that are what! it's like playing the guitar with a glued Zique before a huge amp cranked. if not careful, this feedback. but yes, the Larsens are really sexy! (Do not worry, there are around buttons to manage the feedback. Resonant loops are created but we can get out of a bad situation if you pick up fast enough or that bell.)
They are not editable, the trick is not rack, he mixes digital and analog for the effects for the filters, it's the connection jack.
difficult to note that part. if it seeks to transform a sound coming from a synth or boitar (my case) is good I think. I do not know what to say ... I know not what a midi cable come apart in there fuck up the price. I put 7 because there is no MIDI (and more) but the phone jacks are it seems, not very huge. also this machine is tiny and the buttons are glued to each other. I'm going to like that 6. I would have done something more in length me. there were more room.
actually no I is 7 because the idea is original.
UTILIZATION
general configuration is really not easy. the manual is sufficient insofar as it is written: turn the knobs to see! it deserved some more advice. editing sounds and effects is not easy. the guy who made it even know what the bottom two rotations. but I put 5 because it's fun, it seems to play little chemist. Rotations are nice and do not knock. moving from one end to the other without it makes strange noises. well for inspiration.
SOUND QUALITY
effects are unlikely. the thing plays itself if we take care. it sound analog, it sounds so realistic. I care about my snares it. it appears compressed, full, smooth, revebérée, filtered, equalized. super cool, but radical. but cool. it seems vstifiée around but no, I care about the XR20 in line. not affect internal XR20. my snare any evanescent out again, brilliant, vaporous or dynamic, naughty or ghostly, depending. I love it.
I hate it when this little thing I come away with an infra saturated unmanageable cons. at mid race, the low pass filter is already in infrastructure, I see no interest thing. must not fall below the midday with filters if you cut the sound. I guess it must be justified electronically, the pots should be graded like that, but it spoiled the party.
I put 8 because the T resonator is super helpful in my set. I do a kind of drum'n'bass hip-hop industrial minimal, and the kick snare and bass are required to have a lot of personality to it is glamorous. and personality, this T resonator has is undeniable. we can even if you're smart and patient, vintage analog bass generate, edit and play with a sampler, which makes the machine really cheap. And yes: analog bass for 200 euros!
I takes only 8 because some resonances may blow the case and the time is recorded shit. must redo the plug.
OVERALL OPINION
I use it for 2 months. I took some time before sensing the need to fuck the input gain was flat out. it just overwrites the signal but the saturation is beautiful, and it avoids ending up with resonances that go around to the extent it lowers the level of the track. and yes: if the sound is a treat to catch, the resonances that are generated by the machine will not stronger! logic ...
there are no other models that are close to this. I compare with my Electrix Filter Factory, which has a filter and we can assign an LFO and that's it. electrix the massacre is a barbarian, but jomox is a small smart. kind in nature, to survive, we need a Swiss Army knife and a machete. Finally, it helps.
the feature I like most is being able to route anything to anyone. as shown in the box in fact. at the beginning we understand it, and then once you're inside it's really fendar. I love that the LFO is synchronized to the attack, it's weird, a charlet can become low because of this, with management of the attack and all the rest.
I judge the value for money very good. What finally normal. what are the other things that are expensive. not hesitate a single second between that and a kaosspad example. apart than that: he must not play drunk if you fart a boomer and it makes trouble with the boss of the box. on the other hand, that, that sounds good. no digital artifacts disgusting, no tics or cracks. but enormous vroooooooooooooooom or gniiiiiiiiiiiiiiiiiiiii, things that are what! it's like playing the guitar with a glued Zique before a huge amp cranked. if not careful, this feedback. but yes, the Larsens are really sexy! (Do not worry, there are around buttons to manage the feedback. Resonant loops are created but we can get out of a bad situation if you pick up fast enough or that bell.)