All user reviews for the Electro-Harmonix Big Muff PI

Well I'll see prcedemment rpter other if
just say that the box is too large for the bcp circuit hh
but good design is the EHX, we like them like that: D

UTILIZATION

Simple 3 buttons (one volume ...)
no manual, do not ... have remained or have psychological problems because engines that everyone can do his ear as an ITS we are not deaf like Beethoven
So easy edition: p

SOUND QUALITY

Indeed effective, draft and fuzz desire (if not take another one fuzz pedals is a fuzz, if you want the precision you take a distortion or overdrive and microphones simple!)
with guitaree also available for bass, so good physical versatility
jai tried the 2 and 2 have a good sound
Finally, its pretty typical when legendary Big Muff: p

OVERALL OPINION

PRSD Jlutilise since one year, jai lgtps thought before the acqurir and good jen vmt'm not disappointed!
its very typical as I have said and decide whether we play with the tone knob
yeah ben jai pa essay lot of models so ...
good value for quality is to buy when prices doccaz: p a bit expensive when 60 mm, hand made it's worth a 30 while Peter! but hey the more the sound is ...
yep I do it again with xp this choice

I put 9 because nothing is perfect
Tchawa

Big Muff Fuzz (Pi) Made in America

A 9V power adapter jack (small)

3 potentimètres: <ul> volume </ul><ul> tone </ul><ul> gain </ul>

True Bypass

and then the button that makes noise: D

UTILIZATION

Easy

With only three pots that can not be very difficult to adjust (all very good progressive). Of course, adjustment is required. Easy to find her, to get one that suited me I sat down I try to turn ... and yep it's the fuzz and I have not even turn the knobs with your foot ... But many (if not all) sounds are good, there is no sound, we must have the (s) own (s) that's all. But no manual (to say what "this is dirty and there is very dirty" it had included).

Also used on bass!

SOUND QUALITY

Screaming, fuzz ...

Beh is said Fuzz, and it is difficult to do better. I'm pretty vintage, and even distortion too: The Kinks to play it more than enough for me, but this beast is seduced me! At rhythm is not too this, I think he's great, but solo and very dirt I have a Vox AC15 and a Jaguar (vintage I said no?) And quite frankly, in the Fuzz Above this is just enough!

Low level, I am very groovy, round and clear so when I tested it on my bass I made "mouaip". That said, it is good enough (I think I'm not a fan of distos bass) above the minimum gain, a special grain that sounds pretty good, but tastes good ...

OVERALL OPINION

UaUuUh!

I use it for over a year. My favorite is the reality of Fuzz and quality. Before I try like everyone else (I think) but the Boss is not the same ... And then I try other real Fuzz also very good, (but) more expensive and then it's Big Muff Big Muff. I bought 60 euros a good pedal for the price! I think even if we do not really want, and you have 60 euros too (it's never too much I know) it is a bad buy it even advisable.

This piece of fuzz a good analog for those who know not what c is c is very difficult to explain my guitar teacher described the jazz fan in the baths "the big muff fucking c is yucky!". the connection is a simple unit for the sector j have still not managed to find one but the batteries last longer if you remove the jack in use after chak

UTILIZATION

We can not find it simpler! Are three large buttons to not find them to be a little more than a big switch con kitsch well all this makes you a nice reputation in repeated with the group (including the style, but do it with the end of tank or what) I know if there is a manual TFW but in any case there is no need!

SOUND QUALITY

Then c is the fun! I l or reused virtually that with overdrive or a delay.seul c is not great but when you do not care the distortion with a good micro serious impression on al be in the Smashing Pumpkins James Iha and between Billy Corgan c is enormous! sustain is infinite kasiment nimporte on which note the low E string c is huge! I use the loop with other effects of EHX and Ibanez (delay wahwah tube screamer doctor q etc) and ca rings on a ibanez sas32 mounted duncan

OVERALL OPINION

I have the past year now I can not be separated m time of my brother the pike for its low and I feel naked! Is enormous c c ets are simple ka Guell see the other guitarist in my group when I put it with the ui distos lot of eyes is powerful c

See other review

UTILIZATION

Simple configuration ... you turn the knobs until it finds the sound for and presto:

- Volume: say anything
- Tone: not perfect but effective enough to draw sound
- Sustain: The range of the same distortion is fairly small (I can not make the difference between the knob halfway or background) but there is plenty to do.

The knobs are hard to turn what is really a good point, it will not change its perfect rglage by moving the pedals or walking around his foot over his pedalboard.

A small nanmoins default: the power plug is in the format mini-jack that is no longer current trs, forced to use a adptateur to power via a power supply 'garland.

SOUND QUALITY

This is indeed a fuzz (or rather a hybrid of fuzz and overdrive) so yes it's filthy from DEFINITIONS / draft and so we lose frquences but it is the the charm of a fuzz! Try before you buy impractical (I conois perfectly pedals that can not appeal).
Like almost everywhere else, according to the guitar sound is variable, I use it with an EMG 85/60 esp climbs and a strat us (microphones so simple), the whole branch in Peavey Classic 50 (all lamps) .

- Esp With the pedals alone is not enough and too much fuzz overdrive my taste, but uses a lightweight overdrive downstream (H & K tube factor in my case) the sound is glove! A well cradingue (but not too), this little fawn's "dcrochage Velcro" every big shot mdiator ... your exact solo is terrible.

- With this strat diffrent, the sound is too clump when I muff the couple with the tube factor but only uses your exact trs is convincing. You can really do to Hendrix, Jack White, Frusciante and Gilmour (with a small delay found a really dirty dlicieusement solo "time") to name a few ...

You can also put a clean boost upstream to gain power in his try.

OVERALL OPINION

I put 9 / 10 the pedals because it is good but not perfect sr Fuzz makes a good trs his office. The ratio quality price is right no more but this is not the ruin.

- What are the effects or types of effects available?

They say it is the queen of Fuzz ... my ears tell me that "fuzz", of course ... but "overdrive" too!

- What technology is used? (Analog, numrique, lamp ...)

Analog hard-!

- Are they ditables? Via an editor Mac / PC?

What? What PC? Command post? Putaing Cong?

- What is the connection? (Audio / MIDI)

1 input, 1 output, a power supply (not included)

- Is this a rack or rack MODEL?

Pedals!

UTILIZATION

- The configuration gnrale Is it easy?

Uh ... I would say that mold would use it!

- The edition of sounds and effects is it easy?

Yes ... since you said yes!

- The manual is clear and sufficient? ...

What manual? What was the point?

SOUND QUALITY

- Effects are they effective, suitable and adequate ralistes?

As I said above ... is called a Fuzz pedals that a max overdrive following the rglage, the guitar and amp used!
With a super clean channel ... it sends the wood as I like!

- Which instruments do you use?

SG Standard, Koch Twintone! The Panard!

- What are those you prfrez, you dtest?

I use it sparingly ... all of my config micro SG is a perfect match with shuffled with a Small Clone and I am the head of a weapon of wood!

OVERALL OPINION

- How long have you use it?

For a long time ... and as the Small Clone ... I had sold and I came back! The pots viexu what!

- What is the particular feature you like best and least?

(+): The well sr ... trs ct its versatile too! It may sound like very modern vintage too!
(-) Of experience, I think we need to couple it with an amp with great clean channel ... the foot is ... otherwise, it may eat a lot of sound and s'parpiller a little

- Have you tried many other models before acqurir?

Boss, Ibanez, Marshall etc ... I return to EH! Never the ... trs but personal! Must try!

- How do you report qualitprix?

Today, it is presqu'imbattable!

- With the exprience, you do again this choice? ...

Yes, the evidence ... j'tais party and I came back

Big Muff Frabriquée aus STATES.
the USD is less dirty and less powerful than the Russian version!
us sound less dirty.
and those ki want this pedal pke Munky of Korn User, c missed, they couple with their mesa distortion, dc the sound of the pedal alone is absolutely the same pa ...

UTILIZATION

Super simple, volume, equalizer simple, and sustain

SOUND QUALITY

His drooling hmmmmmmmmmmmmmmmmmmmm
Again I prefer the sound of the big muff Russia, for the best solos and rhythmic (e cheaper)

OVERALL OPINION

Us version is more versatile for me, we go pe dun have a big fuzz overdrive, the ORT Russian version is huge for his loverdrive but kestion STONER, DOOM or so, the sound is 20 times more powerful and cheaper!
I'll machete the Russian version and resell the US

I would say it has many sounds that are fuzz, saturation and overdrive. Basically it is when even a fuzz pedals and this is the best o it provides.
The PDAL is mtal manufacturing, it is also quite heavy which makes it sound trs, 3 knobs (volume, tone and sustain), switch on / off (a little too hard and quite a turn noisy), an input and an output jack.

UTILIZATION

With 3 knobs, it is faster around the bte and quickly found its own rglages, no need for manual

SOUND QUALITY

I use the big muff on the clean channel of a Laney TF100 (on channel saturated sound becomes too rough and incontrlable)
you can get three tones:
- With the tone knob 1 / 4 and sustain blok, we obtain a saturation trs trs consistent round like "SANTANA"
- With the tone knob a little over 50% and sustain blok, we get a super fuzz vintage of great quality very dirty type "HENDRIX"
- With the sustain knob has half results in a slightly less convincing overdrive I think.

OVERALL OPINION

I use it for 2 years
The +: the quality of its product, the robustness of the pedals
The -: one thing, the switch is too noisy and is hard enough to activate
For 70 euros it is a quality of pedals I advise everyone!

Volume, Tone gain.

+ Good quality manufacturing
+ 3PDT switch, so it's a TRUE bypass

9V power supply from mini-jack.
PDAL-quite cumbersome.

UTILIZATION

I have the knobs prfr of the Russian version that can turn the tips of their feet without falling.

if the manual is nothing, there is nothing complicated ...

is not made to play rock'n'roll.

SOUND QUALITY

A TRY BEFORE YOU BUY! we like it or not.

I play on a branch on a tl VS65R Marshall (hybrid), I tried the TAR, turboRAT, DS-1, BSIAB and others, I find that the Big Muff is one that is better for simple microphones.

The sound palette is not wide, I have a sound. I vary the gain for a few times its a little more dgueu.

It is the distortion of the Smashing Pumpkins, Cherub Rock Listen titles, Zero to get an ide.

US version is more lgrement prcise the Russian, but the diffrence is not at all empty. I have less background noise with the Russian ... weird right? Fortunately, the noise disappears when I play.

The grain is rather unique, a claque unless a rat and gave her a very "smooth".
You can not just play with.
I also use it with my bass and trs trs trs trs work well.

+ LE's
Sustain Terribas + '!
+ Allows for a rather large distortion with simple meicros
- A lot of background noise ...
- A single sound

OVERALL OPINION

I use it for one week and I thank EH Designed to have a distortion that works for both single coils !!!!!

Purchase of AF for 55, I would do without this choice hsiter Report qualitprix INTERESTED trs.

I tried Russian, there is almost no diffrence.

L I pass, see other review

UTILIZATION

The setup is super complicated, takes at least 10 tank for dipping the trick! in addition there is no manual is frankly stingy given the price of the bte!

SOUND QUALITY

Sound quality? Ben a fuzz or something more dirty blues to choose from ... In any case adchire serious!

OVERALL OPINION

What I like least? May be a bit fragile paint on the hood ... but hey what matters is the sound, and on this discomfort is not the trs good! May even be too: a Squella can leave to have a serious passion for dvora muff. So when in doubt consult your Physicians! For cases without hope there is even a double muff ...

After a few months of practice, I'm a little too dirty lass finally has the sound of a sudden he comes out of something that Relva boiled over as the zik ... Finally got a subjective question ... So I do not use more sparingly ...

- Analog fuzz pedals
- Three pots: volume, tone, sustain
between power supply 9 volts

UTILIZATION

Extremely simple setup, no need for manual

The edition is very easy course, but with these three pots are a billion possibilities, must spend much time to get what you prefer! (also hard to know ...)

by the power supply against the MODEL ncassaire is not standard, the company is mini jack

SOUND QUALITY

I use it with amp on Jazzmaster Fender Hot Rod DeVille All Tube
the sound is very very big, very very saturbr /> is not the slight crunch drive you get with it!
I used to beginners in its main distortion but I abandon the IDE because the sound is rather synthetic When we increase the tone to the treble
The sustain is very knob fficale, turns back gives a virtually continuous note!
now I use it very sparingly rather trying to get something very spcial with ... because you can not say that this is not one of pedals qualitbr /> In conclusion for the sound I would say it is rather good provided you have correctly identified the object and Russia use it as you want!

OVERALL OPINION

I have used it for 6 months
- I prefer it's very saturated gain sound very typical big muff (very big your fat)
Do I like the least is the big buzz that DGIG ds that the triggers, and the fact that it is very very versatile little
-70 Euros say anything at Thomann
-With experience, so I was looking for my main distortion I would take re not, it is very intrrssant cons of having a rack of pedals among its

-The problem since I rgl the big buzz! in fact it was an alim dfaillante in my rack that was PDAL has! now that I replace the PSU with a PSU dfaillante of quality I have no problem at all!

- A fuzz (beautiful.

- From analog (that is ca real)!

- An input, an output and a power supply.

UTILIZATION

Simpler than a you die!

A gain, a tone and volume!

A manual of 356 pages in small and described without illustration but it is Necessary for the machine matriser NOOOOON srieusement I laugh? you need a manual for three button?

SOUND QUALITY

Effective? to say the least this is a killer pedals! infact you can turn the pots at random and the sound that comes out is always a rgal for the ears!

The tone is super ca prcis can not be said of all the tones that we find in his life as a musician gain and volume is such a pleasure prcis and AC makes some p dales with 5 or 6 buttons can s'avrer prcise less than this.

I use a Gibson Les Paul and a half MODEL mikael kelly amp box at a marshall 4x12 cabinet with celestion greenback is VOX AC30 CCH a head or an ENGL powerball

and whatever the guitar or the head it sounds wonderful!

idalie for Solos quite sufficient power or greasy chrords

OVERALL OPINION

I use it recently but it's become a dj PDAL indispenssable me

I prfre? its simplicity yet with a terrible sound that kills you retue APRS and you are dead!

Before I try to buy a lot of pedals and distos boss gt3, 5.10, and no sexual n'tait as the Big Muff in fact I like it as much as the heads of my distos amp (vox and engl)

report quality price is right trs in 70 for the sound that comes out of the pedals is reasonable trs

I would do if the choice?? But with eyes closed, my friends, in fact I wonder if I'm not going CRER the sect of worshipers of the big muff!

Bn srieux if like me you ask, but what hell I might as well try distos pedals of the 50 of this store and try the Big Muff and harder ... try out without having bought.

Does everything said.

UTILIZATION

Trs easy to use, and the sound of Muff, recognizable.

SOUND QUALITY

Muff is a good the pedals in his inimitable, and I think any fan of the Smashing Pumpkins identify aussitt. That said, I'm loving this group j'apprcie the pedals for a different reason:
She normment Character! While it is not of great versatility, but I prfre sound like the a sound bland. Plutt than distortion pedals of which "can cover all records" and who ultimately have no personality.

I've seen enough notice abroad (embassy at random), which does not seem to like the rough aspect of the thing. Either. But it's a fuzz, and do not be surprised. This is a particular sound, we like to play with or not. And the fact is that many, many guitarists (Billy Corgan, for example?) Or bass (the Muse) like to play with the one which I think is the guarantee it has something for her ^ ^

OVERALL OPINION

A classic. We love or we dtest. Me, I love it!
However, since the effects are passs by store and you can get ouf of the fuzz for the same price. Or clones of the old muff at good prices. So, it s me parat less essential to the pedalboard.
At present I gave him a Soda Meiser prfr Devi Ever. Pumpkins fan, there is a trs's Siamese Dream.

One volume, one tone, sustain.
An input, no output.
Switch.
9v power supply or 9V battery. Simplicity itself.
Inside the large box, a small circuit for a big analog fuzz.

Only minor drawbacks: for the power supply sector, they have a mini jack. And size of the box may surprise (after m'enfin you can buy the little big muff, eh).

UTILIZATION

Change is a super simple, and knobs of the race is very long. So, it fits easily into any-any configuration.

I just had a little problem with the battery door, it was necessary to force some to close, the battery sticking out of the chassis ... But hey, prefer the power supply sector.

SOUND QUALITY

Fuzz is a very clean I think. The output level is impressive. The sustain is over-saturating the signal from 3am, but it's still not too rough (for a fuzz, right) and wow, but what sustain! Against by the sound quickly becomes plastic as soon as you exceed 1 hour on the tone. This gives the creamy fuzz with the tone and sustain under 11h: a treat. In short it sends the puree, while remaining gentle enough if one does not abuse the tone that quickly turns squeaking. In addition it generates very, very short of breath (in me anyway y'en hardly, even at high volume).

I use with my RX200 Lag on my Marshall 8080 (while waiting to re-use my Laney GH100S), coupled with an equation Boss GE-7, because a good equation it changes your life, anyway. I love the large well rounded and warm that can be drawn. Sounds good vintage.

OVERALL OPINION

I've had a little less than 2 years now I know why I waited so long before I decide.
Sure, it's not a super versatile pedal, but I get tired of his grain.
I bought it brand new € 60, with the dollar very weak at the time. At that price, it's worth it.
If she were to let me go (but any-nan, a big muff is indestructible), I would buy one pronto. Unless, a Hot Tubes ... But it's not the same budget.

Fuzz-Analog,
-Volume Control (not a Blend between signal and effect, just volume effect: for when the pedals is enabled the direct bye bye!)
Tonalitbr-/>-Sustain
Between -1, 1 output jack 1 / 4,
9V-location.
A minijack-in power supply and an ON / OFF button (not included and not readily available (in Royez anyway), [not the button, the power supply!])

Nothing complicated!
8 because we regret not having a knob to Dry Out as the POG!

UTILIZATION

Config simple, easy edition, the manual is a sheet that explains nothing! But you one really need being told how a Fuzz with 3 buttons??

SOUND QUALITY

Then the quality! I had an accumulation of the pedals on my GT6-B, and see nothing! is 100 times better! we get a little sustain trs trs looooooooooooooong and dirty, a very acute Fuzz TRS deaf

the volume knob does the volume effect RULES and no direct signal is heard from the pedals when it is active resulting in a loss of your branch if you forcment Instrument> Effects> Amp , so he better put it in the effects loop of the amp but still there even when a loss lgre when we set off!

EDIT: problem with rgl plaant the Big Muff in the loop A of a Boss LS2 and leaving the loop B empty. You put the two LS in "A + B mix" and the knob A becomes the volume of the WB and the volume knob B signal Direct! Magic!
Otherwise, it does bypass the sound ABSOLUTELY NOT! THANK YOU Uncle Tom, thank you!
No "pok" has the engagement.

I use it with a Jazz Bass Ash American Deluxe Saddle button on a head and a SWR SM 500 SWR Goliath III cabinet is simply gnial!

Some speak of a standard breath! WRONG! in the instructions it says:

<p class="bbcode-cite"> Quote: <span>To Achieve icts long sustain, the Big Muff Pi HAS very high maximum gain. This
Requires That pickups and shielded cables Be Well and Properly grounded to Avoid
When excessive hum high sustain control settings are used. "</span>
It is on everyone does not speak English, I do. Lol.

It is therefore prcis that the pedals are used with instruments and microphones well insulated and shielded cables and quality that the amp must be put earth! sre if it is played with a scraper, an amplifier has two jacks and balls in a house that is 100 years old will not help!

Again, 8 Dry Out a cause of which is not the

OVERALL OPINION

I use it for 2 months for real, four-year accumulation (Phew, it's over this time l!), I love it, I have not tried other models, c is it that I had a t love at first sight like with my Jazz Bass!
Report QualitPrix-amazing! 70 euros is given!
I do it again this choice without hsiter! I can not do without!

It's simple, 3 knobs, volume (important when you are apart ...), tone, the difference, and which sustain the spirit of the pedals! Clearly, the 3 trs rglages are efficient and can find the sound that goes well, which is a good trs.
Alim in jack, large aluminum box in a box made of wood, coating sky below, vintage all the way, it's science fiction era trs David Vincent!

UTILIZATION

This is strictly for overuse, so it's to rock and my friends, it's a strat srieux.Idal is hendrixien, hit the nail if c ' is rgl.
Super low volume rglage 10am 11am 9am, but the foot is 15h 11h 15h to go ... because the sustain level is trs cool when pushed. The Tone was soon screaming going south, it is best to stay-in.
word, no breath, sound, big sound, gender or crmeux acid is as gots, trs pais, with a fine attack, a sound that becomes deaf, harmonic , erratic but not too much like a fuzz face. The trs rglages are effective and can have a big fuzz or overdrive trs sweet as another kind trs aggressive hypersaturation 80s. The sustain is to go as low taking the guts, class.

SOUND QUALITY

Start with a one amp lamps is the best config for the pedals. It grows excs the good bourgeois strat well wishes and sweet that will become ever Screamer! Only default, it is somewhat invasive in a pedal board, but it's a bit like her, invading and beautiful once, in the upscale excs. It's a fuzz, not a nice boost!
Again, the Tone is SETTING THE trs questionable or screaming if pushed to extreme rglages but it is also used to make a fuzz of its kind ... a 80's bad for a well done.

OVERALL OPINION

This is more consistent, less nervous and medium plus contrlable a fuzz face. In short, a fuzz of great class, a real with a real analog sound. In between, it is less exclusive and more versatile.
I bought it on ebay 40 euros there prs two years, it's cheap for the enjoyment indfniment renewal!
Arrange to be alone for an hour and drop you a high volume, Start neck pickup, big muff calls and play with a bit of sensuality ... close the eyes. Think that you could be in another life and you will understand why one day you learned to play guitar electric.
10 of 10 on the scale of fuzz, if you only have 5 has to do everything.

Manufactures in the United States is nothing less than the "fuzz" based on four legendary advantages of distortion team of silicon transistors. Technically we should talk about a distortion even if the Costs It has to do a fuzzy monster. : P

Three (roughly enough to mumuse with toes XD) well ractifs knobs, Volume, tone and sustain. Playing it as much on a sustain itself as the crtage signal and thus the violence of the effect.

We are analogue pedals prsence a pure juice, few CONTRL, did what we asked to do and that&#39;s it (for the delight of the noisy).

Also note, the prsence a true bypass and an LED RED!!

All condensed in a housing mastoc, trs charismatic, seemingly robust could no problem organizing your pedalboard in its scope but give him a mouth of hell)

After going a lil less on canvas prsence as a power supply socket of an old mini jack, has the amricaine, who has asked to buy some adapters.

Knowing that those who would gns for the last two points can fall back on the Little Big Muff. / \ I compared the two with a friend possdant other and they sound significantly diffrent, we still do not understand why ...

UTILIZATION

Sound of the trs typ Muff as we find our happiness pretty quickly if you know what to expect. Through 5 minutes of rglages, quickly found "the" sound befitting our ears.

The volume allows you to weigh the db of boost you have in triggering the bug. It may be helpful to get out of the mix when you play a solo, and you can always return it if you have a rhythm, regardless of the amount of "sustain" addition.

The tone covers a wide range, the bass sound is the extreme, even the humming nasal tuft in SETTINGS trslgers around 12 hours we have a well with a wide prdominance of serious.

Sustain allows you to have a sound like a more extreme vintage. Before / around 12 o&#39;clock we find the sonoritsa Santana, Hendrix. APRS is a 12 hours a fuzz IDAL for rhythmic grunge / garage style Mudhoney over 3 hours it turns into the big sound crados, which wakes the acute and rained harmonics. It becomes a master in the sport and rhythmic ca CLEAR serious about solos.

Let those who find it lacks controls console themselves because its tempra ractif still allows enough even to do some more research if the DSIR. Whether playing the equalizer on the amp, the volume of the guitar (it even has a lot Ragit trs low volume, ca provides a relatively espce crunch exploitable) but have not RVer, does not mean ractif versatile sound that typ caractriel Big Muff, ca propelled out of the mix ... ... But it will not please every ear.

The manual is on a sheet of paper ...

SOUND QUALITY

To be effective in the east. You get what you want, large enough to sustain pt to go to a pizza cafcommander / go to the toilet during a bend ...

Clearly it&#39;s the fuzz exception is dirty, it&#39;s heavy, has a peak in brief death DGIG ca! Metallic / not for the sensitive

RULES I like it (a tone chouilla below 12 hours and sustain hair APRS 15h) it serves me as serious as vibrant as sharp squeaks or I walk on the sleeve of my Jazzmaster Classic Player Special. I usually play on a Vox Valvetronix, but that&#39;s nothing compared to what I could get by plugging in two MI 60 all lamps. I use it mostly on the bridge pickup, it gives me obviously more precision to master the craft. I also tried with a Telecaster amricaine and also suits him perfectly.

Once again, it&#39;s a really CHARACTERISTICS better know what it is before you buy.

The breath is the only problem I do not play when it really can be Submitted by the SETTING THE PDAL (more volume / = more sustain out of breath). Note all the same I play a Jazzmaster, the electrical installation of my old apartment did a lot of noise and the fact that I could not test it other than in spices Survolt es (computers, wifi, other amps, the other a scratch oversized go deaf drummer ...).

As for those who love the sound of the pedals but that does not support his breath should not do without it because it fits well with a trs pti cheap noise gate. I tested with the noise gate to a friend Harley Benton and ca rsoud quivoque not the problem.

In short if the breath scares you, or you know the prdispositions your guitar in the Contents, go your way, buy or make a noise gate with it! ^ ^

OVERALL OPINION

I&#39;ve had one month and I love to madness. I had to search a bit before finding the sound I wanted, I found it and I am satisfied with TRS. I tried all the Big Muff in the range (the Little Tone Wicker and version) as the tone wicker accessory really nice, but ultimately difficult to use in groups (violent boost volume) too much worse (j &#39; pe will try to bypass my tone alone), the Little with his slightly differ and (DLIR kid) a case which certainly is more convenient but not the trappings of kitsch former I port my choice of the most classic Fuzz.

Pay 68 euros, it&#39;s still reasonable for a fuzz of this magnitude, even if for any distortion pedals.

Of course I would do this choice even if I wish I could get hold of an old Russian Big Muff ...

See other reviews for more details.

Fuzz the legendary ...

This is one that has the most mouth on the pedalboard! FMeasure size is not super convenient but throws!

It's a real tank, there is something to jump feet together it to lock (that said, I deprecated all the same!). It is a pleasure to play with three standard knobs (Volume, Tone, Sustain).
Attention, it possde power mini jack so you do buy a small adapter if you use a standard power supply.

UTILIZATION

Trs easy to use. 3 knobs. RULES you your sound by playing on Sustain and Tone, volume and tone ADJUSTED you go! Trs quickly found our sound if you know what to expect well-sr! It is not always easy to master that in some wild bte rglages but it's so good!

SOUND QUALITY

The pedals do not please absolutely everyone. Versatility is far from being the quality Premire. This is the type most pedals of my pedalboard. A single grain and unmistakable. A must try so ... Prior to

Anyway I like! Oh yes I love! It's bold, it mchant, it's dirty! It's not a Fiott of pedals ( <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_lol.gif" alt="" /> pedals ...... Fiott ........ drop).

Tone is an extreme one: the hum trs deaf to his screaming and breaking the ears! It's all in the right measure ...

The Sustain (= saturation) Go pais good vintage sound of many wild dirty distortion.

I use it for two styles: vintage sounds fawn Hendrix ... nerv and garage rock power chord to blow.

L o is the most common is when a couple of overdrive / distortion nicer ... For solos it gnial. Personal, sometimes a great big bend silmple roar that makes the big muff is better than a solo full of technique (I'm not so good a trs suits me!)!

I use a Laney VC15 (all lamps) with a strat lonestar (with Seymour Duncan humbucker).

Obviously, many in this small nerve boi-box product of breath ... you your prvenus.

OVERALL OPINION

I use it for 6-7 months. OCCAZ buy 45 euros I think. It is the only fuzz I've tried. I ignored his legends. And I'm not! It is trs type, and it has that I like, but the risk of scaring some people. So try before.

Fuzzzzzzzzzzzzzzz, legendary, mythical same!
Editable if it has a thumb and an index (or major)
Given the size it must not float in a rack too: p
EHX analog inside!
Jack and that's enough! even the taking of power supply (-1)

It's big, huge even, I love this pedal format. Looking at the circuit inside one wonders why the case is so big, one-third would have been enough.

8 / 10 because of the power supply mini jack and the size of the housing that will interfere with many.

UTILIZATION

Oune little easier, just background and that's it ...
Nah, kidding, but make donf from time to time that describes the ears.

The manual so there is one, but for what it is ...

Again on August 1

SOUND QUALITY

For it is not very versatile against the effect (not even).
Done to send the wood, nothing else, it'll cradder your sound, make porridge, to go on feedback are no better, pair it with another type of distortion is even better with the effects of modulations (before or after) it is always good.

On a guitar is genial, a bass solo (alone in either) it's going it's cool, we realize that we as a group has more bass and suddenly it's less fun.

always 8!

OVERALL OPINION

I use it for a long time (5-6 years I think)
I wish I could test the older models (mine is a reissue) or sovteck, but it's not easy to find.

The price is ridiculous for the quality of this pedal and I would definitely do it again this election (even with a bass).

And a 9 because I'm a fan!

Fuzz pedal / Disto arch known, used by David Gilmour, Santana ...
At the base was made thinking about Hendrix as a future user, but it would not have had time to play ...
3 buttons classsiques: Vol, Tone, Sustain (gain or drive)

It is a fuzz which draws on the distortion, ie the saturated portion is not a predominance of acute.

It uses conventional silicon components (diodes and transisors) here not as a Germanium Fuzz Face or the Factory.
A more right, more direct, less draft more balanced.

UTILIZATION

Not much to say, three buttons is childish.

The case is HUGE, that's means and the taking of power supply is not classic, a small jack end, not the Boss of 9v.

SOUND QUALITY

Big sound very heavy, not for the musette what

Here strong predominance of low, mid dug.

OVERALL OPINION

It's big and well packed, perfect for solos or power chords. In the long run I think the lack of mediums is heavy, there are alternatives to the pedals inspired by the muff and correct its flaws (lack of mediums, too much compression)

Pete Cornish P2
The Muff from Gilmour. Version, which buries the MUFF great but is very expensive: € 517 in 2011

http://www.petecornish.co.uk/index2.html

Classic 70's experience of JMB. MUFF-based sound is almost identical to a P2, very present, made in France.

http://jmb.experience.free.fr

Top DG1 or DG2 tone also quite expensive (Brazil), its identical to the P2 as well.

http://www.toptone.com.br

Fuzz pedal famous brand of analog Electro Harmonix: used by the greatest: Santana David Gilmour and Billy Corgan ...

UTILIZATION

Configuration is very simple: three buttons: Volume Tone Sustain: you turn the knobs change the sound ... add that on mine there at the top of the pedal a button to remove the His Tone but I play with the tone, note that we can feed it with a 9V battery but it is a good me a connection string and Visual Sound One Spot 2V and GO GO GO: no breath Slab: TFW taste of bowl. is a matter of taste after.

SOUND QUALITY

I was told that it sends and bin it sends sound Guedin: note that I play with earplugs since I was this big pedal too good: it sends a filthy well, it's going to Feedback, I can not control it with a Wah ... Sonic Youth fans will be thrilled as the fans exploded pumpkins (Smashing Pumpkins: The sound of Siamese Dream and Gish: it is a foot fetish Billy Corgan: For those interested: Here's Big Muff settings : Volume Tone to 13h to 13h and to sustain donf.

OVERALL OPINION

I've had about 3 weeks at the base I had to buy a new one but there was more in my store favorite but someone had put a deposit on sale: a 1983 model (with the black button at the top to remove the key) in good condition: we say that the model is old: better: bah is the case: OCCAZ purchased at 50E I made a deal. I play on a Mexico Start with a VOX AC 15 and AC sends frankly I'm having to play Cherub Rock and lots of other stuff.
I have one at the base of DS2 Boss: I like it but the Big Muff is something else.
Of course I do it again this election but I will not buy a new one: I will try to find a OCCAZ but this morning the search.

After it is a matter of taste: so we like it or not.
Me it does and it makes too much in a pedalboard.

Analog fuzz pedal with Standard 1/4" input and output jacks
Control knobs for volume, tone, and sustain (ammount of fuzz)
True bypass stomp switch, 1/8" power input, bottom battery box.
All housed in a huge enclosure.

UTILIZATION

I think fuzz pedals should be kept simple and it does not get much more simple than the big muff. No instructions are necessary and I don't even remember there being a manual when I bought this. You just hook up your cables, put some power whether it's an adapter or battery, turn some knobs, stomp the switch and go.

SOUND QUALITY

There is a reason why this pedal has become such a classic. I have been through many fuzz boxes from run of the mill all the way through some of the most sought after boutique boxes and the classic big muff can run with all of them. Some may think the EQ is limited but there is actually a lot of range in that one tone control. From fizzy to huge it's all there. I have run this pedal with guitar, Bass, keys, and even vocals and been able to get some useable or even great sounds out of it. To this day it is still my favorite fuzz for bass. I mostly use it on guitar as that is m main instrument. The wall of sound is what I typically go for with a fuzz and it is easily achieved with this pedal. There is not much in the way of lower gain tones but I find that to be pretty common with most fuzz boxes.


OVERALL OPINION

For the money I just don't think this can be beat. I have other fuzz pedals that sound better in some situations and have a more refined sound but they cost much more than this. There are some inconsistencies with it though. I have played others that sounded quite different from mine. I wouldn't say worse but different. The huge size is also a turn off to some people. The size of the circuit could easily be crammed into a box half this size so if you're handy with a soldering iron it might be a good idea.

I went to Guitar Center one day looking for something to buy because I had money burning a whole in my pocket. Decided to pick the Big Muff up since I have seen so many players use or talk about this pedal. Took it home and wow!!!...This is the first time I have played a fuzz box before and very different than natural amp distortion or other OD pedals such as Boss or Ibanez. To my pleasant and utter satisfaction I was getting very cool sustain to which I had never gotten with regular OD pedals before. I was even getting a violin type sound with playing around with the Sustain knob.

The layout is as follows...

Volume,Tone, Sustain,

Volume is at is says. Tone will color your tone to dark or bright depending on how you dial it in. Sustain add the gain and violin like qualities to your tone.

What I like best about this pedal was how the sustain was very long and drawn out. Very useful in certain situations. I probably wouldn't use this as my everyday rig tone but it adds a cool and fun element to your arsenal.

UTILIZATION

Specs:

True bypass
Singing sustain with attitude
Crushing distortion
Adjustable tone
9-volt battery included
Optional 9DC-100 power supply available

Well it does not get much simpler than this. Maybe the easiest pedal to figure out. The manual was a mute point as anyone can figure out how to use this thing. It did help a little to find that violin setting which I did not know it could do until I read the manual. So that was a plus to add in the box.

SOUND QUALITY

When it comes to fuzz boxes I don't think there is anything better than the Big Muff. I have played a tone of fuzz pedals and nothing really comes close to the Big Muff. It is very warm and thick. Other pedals I have played seem to be thinner and more metallic sounding. This pedal is so simple and cheap at $80 it is not something that will necessarily break the bank.

I would use this with a Tele, Strat, and a Les Paul. Each instrument sounded very good and usable. It beefed up my Tele and just made my LP explode into sustaining saturation. I ran it in front of a Vox AC30 and a '74 Marshall JMP. The combo with the Vox was quite good and a tone that I actually miss since I don't have my Vox anymore. I have gone through a ton of pedals throughout my years and this is one that has stayed with me and I will never sell.

One downside is that I have an older one that is not true bypass which is a bummer now that the newer ones have this feature. However, I'm not going to shell out the extra $80 to get one with true bypass when I don't use it that much anymore

OVERALL OPINION

I love this pedal. Easy to use and the most classic fuzz box this world has ever known. I would say the only down side is the size of the box. It is HUGE and takes up a ton of space on your pedal board.

Another thing is the odd plug which is on the male side. It doesn't use a normal Boss or Ibanez plug so beware of that. It feels kind of hollow to which you would think it could break but I have never had a problem with mine.

At new these pedals come in at around $79, which is an excellent price for this item. I would recommend this pedal to any guitar player. It to me is a staple in rock n roll and should be owned by everyone. For the money some spend on gear this is one that will always sound the same and provide that irrefutable classic fuzz tone.