JMB-Experience Classic 70's

Fuzz pedal, a bit wider than Boss, but much more compact than the original Big Muff. To see the ingredients on the jmb site, everything is not the pedal is completely analog, old as I like.

USE

Ultra easy to use, there is a first sound we like in 10 sec. Moreover there are no instructions provided. Adjusting the volume, choose the level of distortion and tonality, and the sauce is sent.

SOUND QUALITY

Diffrentes used with guitars on a Mesa head, there is a typical fuzz sound a bit messy but still audible (especially with single coils). This is also for this cot cracra maitris I took it. The potential gain is quite phenomenal and can replace without problem the best channel distortion. adpend for the rest of tastes and colors, for my part I put the gain and Tone on 13h and for me. I also test the c70 as boost saturation and it's pretty fun, we feel that has suffered, it sounds like hell with the impression that a storm is about to clater into the amp, plus the Feedback departing properly. Boost as I was afraid she do with my Tubescreamer duplicate and in the end we are left with many DIFFERENT registers (ts boosts without starting in extreme).



NOTICE GLOBAL

I possde the pedal for a few days. Like many I thought turn to a big muff (I had tried a long time ago). By educating myself a little I fell on the c70 seems a good compromise to have a super mod also without falling into financial dlires some pedals. I think she marries perfectly with my telecaster, and that although complte the distortion of the mesa. So I probably would do this choice, even if it is not the door of every budget. Finally emphasize Jean-Michel aka jmb is very friendly, and the pedals that are manufactured FRENCH! dropoff Window

Fuzz pedal, a bit wider than Boss, but much more compact than the original Big Muff. To see the ingredients on the jmb site, everything is not the pedal is completely analog, old as I like.

USE

Ultra easy to use, there is a first sound we like in 10 sec. Moreover there are no instructions provided. Adjusting the volume, choose the level of distortion and tonality, and the sauce is sent.

SOUND QUALITY

Diffrentes used with guitars on a Mesa head, there is a typical fuzz sound a bit messy but still audible (especially with single coils). This is also for this cot cracra maitris I took it. The potential gain is quite phenomenal and can replace without problem the best channel distortion. adpend for the rest of tastes and colors, for my part I put the gain and Tone on 13h and for me. I also test the c70 as boost saturation and it's pretty fun, we feel that has suffered, it sounds like hell with the impression that a storm is about to clater into the amp, plus the Feedback departing properly. Boost as I was afraid she do with my Tubescreamer duplicate and in the end we are left with many DIFFERENT registers (ts boosts without starting in extreme).



NOTICE GLOBAL

I possde the pedal for a few days. Like many I thought turn to a big muff (I had tried a long time ago). By educating myself a little I fell on the c70 seems a good compromise to have a super mod also without falling into financial dlires some pedals. I think she marries perfectly with my telecaster, and that although complte the distortion of the mesa. So I probably would do this choice, even if it is not the door of every budget. Finally emphasize Jean-Michel aka jmb is very friendly, and the pedals that are manufactured FRENCH! dropoff Window

Any analog fuzz, French production (see features on the site JMB Experience).
Hyper robust construction.

UTILIZATION

3 knobs adjustment. No manual, but on the site of JMB Experience you will find a card that gives some kind settings (Comfortably Numb, Sorrow, U2, Slash ...).
So very simple, and very quickly found its sound.

SOUND QUALITY

I sold my Little Big Muff (too gaudy for my taste). The Classic 70 is well above on every point of view. I use it with a Strat (Mexican, but completely changed) with microphones MS Tornado Gilmourish. Found no problems atmosphere Gilmour. Pure bliss!
What I particularly like about this pedal is that it delivers more midrange than the Big Muff.
I never found a pedal that do as well.

OVERALL OPINION

I use it for less than a week, but do not need more time to judge this little gem.
We feel that there is a real work of development behind, in the interest of guitarist (not in the interest of an artist who would sign such a model).
It's top is 100% French, this is a pedal that is not ready to leave my pedalboard!
On top of that, I find that being able to communicate with the designer, Jean-Michel (very nice), it is more significant. At least for enthusiasts like me Matis

Three knobs: Volume, Tone, Sustain. Can connect the pedal with an alim 9v center negative boss types.

UTILIZATION

You do get THE sound that goes without worry.

SOUND QUALITY

Highlight of the pedal: the sound quality. It does not seem to stifle the signal just as it does not blow up the treble frequencies. Another highlight, the two buttons and sustain tone used for real, well I like the style of racing knobs unlike a Big Muff that is not used according to the settings.

Weakness: not see j, c is a super fuzz.

OVERALL OPINION

Jdf2 Fuzz Face, Fuzz Techniguitare Custom kit, Mxr Classic 108 Fuzz, Big Muff various ... C is a fuzz own (hence the title of the notice: oxymoron) with a great sound reproduction, a beautiful grain. I keep it and resell some of its competitors. I bought it secondhand waiting to see emerge in the ads. I'll have to buy new to buy time, I would have to avoid buying other models to sell now.