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f.i.t.n
Published on 01/08/09 at 00:22
Everything said above. Basically the important points: pedal (or rather gas plant) of FUZZ, a switch "true bypass", 6 knobs on the front + 1 seventh place on the edge of the pedal and intended to make it sound more or less, or Vintage Modern . As for the other 6 is like the Port Hi. 1 input, 1 output, output 9v. Basically, very complete. Very nice design. As the hand-made (and French siouplait) I was curious and I opened the beast and there's nothing to say on it. That's good, it's beautiful, it's clean.
UTILIZATION
Then it's the focal point of this pedal as are a lot of settings and can be confusing initially ca (me for example who am the kind plug and play) and I did well because my brain smoking according to the position the knobs were a high-pitched buzz that some permanent as I struggle to enjoy and then later to say it can give a style when you want to engage in a quiet noise inaudible. Basically, I got used to it, especially I found a config that does not buzz, but what I can recall at any time just by turning the knobs Texture and / or Insane.
In general, it is unlike any other pedal I've had in my hands, and I think that is what Jean Michel wants us to feel. In any case, very successful. To get the sound you have in mind is really tame, like research or experimental noise.
SOUND QUALITY
It's yucky in the extreme. I own this pedal next to a Plexitone Carl Martin. And many in the genre or the cat and dog day and night, I served. The Plexi sounds very right, but the DI wish to drool and dirty sound fits very well in music "alternative" old school way and Hendrix. Anyway the highlight of this pedal is that no matter the settings it sounds always the Fire of God. I play with a Les Paul and AC but it really sends a Start or Telecaster that I prefer. I appreciate the Cut knob that offers the possibility to add background noise found on the old pedal when it is less than 3 / 4. However the Filter button is almost to 0 in my config because I find that there is some compression that appears when the knob rises from 3 or 4, which significantly modifies the sound and eats a little momentum. Otherwise it's all good.
OVERALL OPINION
So in the first 10 minutes, I hated it, then the next 10 minutes I loved it. I came to this pedal by accident, and was showcased on Ebay I was looking for a Fuzz that of the ordinary (note, I tried the 2 that are also of hell, a reissue Fuzz Face and Blue a new little killing, IM MI Audio Fuzz home will box with her little sister the Neo Fuzz) and there was a link that I clicked and I was sent to the site of Jean Michel j ' I loved listening to the demo, I bought the next day.
However, I have a problem with this pedal, my looper (Carl Martin Combinator 2) can not handle it. The impedance of this pedal is not to be compatible with that of the looper. And so when I pass by the looper, I lost a phenomenal and an audio tone that goes beyond the inaudible so I am currently in "talks" with Jean Michel for me it solves this problem. Which brings me to the next.
This guy is a cream. I have rarely seen (if ever) such an SAV. always listening, obviously very concerned about what will become his pedals, and always to offer a solution.En Anyway bravo. For that alone, I would do without hesitation that choice even if the pedal was a dark stew (nan not exaggerate), but it is far away. It does, life is good with my new pedal. Thank you Jean Mi
NB: Oh yes, I finally found something to say about this pedal, which I expressed to Jean Michel. For the pure French product, it would be nice to have entries in the right language. I know, it's less "fashionable" but ... may be more credible.
UTILIZATION
Then it's the focal point of this pedal as are a lot of settings and can be confusing initially ca (me for example who am the kind plug and play) and I did well because my brain smoking according to the position the knobs were a high-pitched buzz that some permanent as I struggle to enjoy and then later to say it can give a style when you want to engage in a quiet noise inaudible. Basically, I got used to it, especially I found a config that does not buzz, but what I can recall at any time just by turning the knobs Texture and / or Insane.
In general, it is unlike any other pedal I've had in my hands, and I think that is what Jean Michel wants us to feel. In any case, very successful. To get the sound you have in mind is really tame, like research or experimental noise.
SOUND QUALITY
It's yucky in the extreme. I own this pedal next to a Plexitone Carl Martin. And many in the genre or the cat and dog day and night, I served. The Plexi sounds very right, but the DI wish to drool and dirty sound fits very well in music "alternative" old school way and Hendrix. Anyway the highlight of this pedal is that no matter the settings it sounds always the Fire of God. I play with a Les Paul and AC but it really sends a Start or Telecaster that I prefer. I appreciate the Cut knob that offers the possibility to add background noise found on the old pedal when it is less than 3 / 4. However the Filter button is almost to 0 in my config because I find that there is some compression that appears when the knob rises from 3 or 4, which significantly modifies the sound and eats a little momentum. Otherwise it's all good.
OVERALL OPINION
So in the first 10 minutes, I hated it, then the next 10 minutes I loved it. I came to this pedal by accident, and was showcased on Ebay I was looking for a Fuzz that of the ordinary (note, I tried the 2 that are also of hell, a reissue Fuzz Face and Blue a new little killing, IM MI Audio Fuzz home will box with her little sister the Neo Fuzz) and there was a link that I clicked and I was sent to the site of Jean Michel j ' I loved listening to the demo, I bought the next day.
However, I have a problem with this pedal, my looper (Carl Martin Combinator 2) can not handle it. The impedance of this pedal is not to be compatible with that of the looper. And so when I pass by the looper, I lost a phenomenal and an audio tone that goes beyond the inaudible so I am currently in "talks" with Jean Michel for me it solves this problem. Which brings me to the next.
This guy is a cream. I have rarely seen (if ever) such an SAV. always listening, obviously very concerned about what will become his pedals, and always to offer a solution.En Anyway bravo. For that alone, I would do without hesitation that choice even if the pedal was a dark stew (nan not exaggerate), but it is far away. It does, life is good with my new pedal. Thank you Jean Mi
NB: Oh yes, I finally found something to say about this pedal, which I expressed to Jean Michel. For the pure French product, it would be nice to have entries in the right language. I know, it's less "fashionable" but ... may be more credible.