TopicPosted on 06/16/2013 at 23:49:12[Getting started] Insert Effects and Aux Effects
To avoid connection errors, it's important to distinguish between insert and aux effects. Their operation is different, so their integration in the audio path is different too. That's why it's important to distinguish inserts from auxiliaries to process a signal.
This thread was created automatically after the publishing of an article. Feel free to post your comments here!
Space 16
3
New AFfiliate
Member 11 years ago
2Posted on 06/18/2013 at 16:26:46
I have to explain this many times a year to people, Its amazing how simple yet misunderstood it is. I will be sending the next person asking right here
I just read this article and I must say, I really enjoyed it.
Quote:
That's why inserts are usually used for effects that change the waveform of the audio signal, like dynamic processors (gate/expander, compressor/limiter), saturation/distortion effects, bitcrushers, de-essers, filters (EQs, wah effects, etc.), audio restoration tools, and psycho-acoustic processors (harmonic generators, stereo width processors, etc.).
We've also mentioned that an aux adds an effect without actually changing the source signal, which makes them ideal for effects that are mixed with the original signal. We are talking about "acoustic generators" (reverb, delay, echo, etc.), pitch effects (harmonizer, octaver, pitch-shifter, etc.) and modulation effects (chorus, flanger, phaser, etc.).
A special remark: if you have the choice, use a post-fader aux so that the effect amount (ratio between effect signal and direct signal) stays the same, regardless of the fader position in the channel.