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freedave « Yeah ... »
Published on 12/25/11 at 12:27A type pedals in mtal mtal with his mtalique. From Russia with suitable manufacturing and everything that goes around dballage commercial (the pedals that can survive a nuclear war ...)
UTILIZATION
Super easy to use except that:
1 / The power supply is about 9-12V which is not clear (it is 9 or 12?)
2 / When the branch with a 12 V power supply it emits a weird noise trs, trs a kind of whistle agaant makes me think that there are no dogs that can capture the ultra sounds. With a 9 V power supply against, no worries at home but is not the case for everyone.
3 / It is a prampli and not at all a distortion pedals. Morali she did not see anything that I used an amp and even when I plugged into console, I have a dj amp emulator (type fender for clean sounds, a Yamaha Dg Stomp), which is against jobs.
4 / The output level is too powerful!
5 / The qualisation trs trs is sensitive, the kind of stuff that requires you redo your sound carefully before each concert as significant changes are a notch on the other.
SOUND QUALITY
Look carefully, you will find a well that will do heavy (or illusion, it depends) in many cases. BUT (there is a but) it is a mono-style pedals: mtal and nothing else. Not the kind of stuff that will make you write a pop ballad between two scales, or that will give you a superb crunch by turning down the knob of the guitar. Moreover, as the say at once, even a 1 distorts srieux. Another thing: the bass is humming or even in invasive rglant at least there is a halo rather Gnant. At the end, it was one sound to one style, and finally one wonders why they threw the old multi rotten 80s, has sounded the same. They say it's analog but it was here the default of digital (its too little ractif compress much less expressive). The only guitarist I know who joueait Soldano on it and as Garry Moore put it bluntly: we are far from the trs warm, bluesy thereof. There are too acute, too low and not enough mdium it is precisely in the mids that everything goes the guitar! Ask a ingnieur a sound of pedals ... a short kid with a lot of beginners shaggy cut.
OVERALL OPINION
I do not know what to make of this kind of stuff. Why make pedals and as few limits as expressive? I'll write something that is not good but I have the S1 branch simultanment (100 euros) and a Hyper Gain at Artec (35 Euros I think) and there is no photo, The Artec sounded much warmer and living the AMT and above, we get a nice crunch trs turning down the knob of his guitar (a Xavier Petit). In short, the price is not justified and done everything we can settle for a small boost to a true analog distortion if you want the super gain. In any Manir, this gain is a bit of a crap: when playing hard enough, any modern pedals sound pretty heavy, rglage question.
Is this what I Rasht pedals: yes if I had an obligation to spend my life in the shoes of a kid of 16 years ... You will think I'm a little cow and c is true that much of my pedals the construction is solid. It's solid stuff trs, trs fni well - the hand he seems - but all too typical to use a pro. All great quitar make their sound hand, even the guys who play metal. Van Halen put his gain 7, Steve Vai same, there's a reason this: Exceeds a certain level of gain, the sound becomes boiled and draft.
UTILIZATION
Super easy to use except that:
1 / The power supply is about 9-12V which is not clear (it is 9 or 12?)
2 / When the branch with a 12 V power supply it emits a weird noise trs, trs a kind of whistle agaant makes me think that there are no dogs that can capture the ultra sounds. With a 9 V power supply against, no worries at home but is not the case for everyone.
3 / It is a prampli and not at all a distortion pedals. Morali she did not see anything that I used an amp and even when I plugged into console, I have a dj amp emulator (type fender for clean sounds, a Yamaha Dg Stomp), which is against jobs.
4 / The output level is too powerful!
5 / The qualisation trs trs is sensitive, the kind of stuff that requires you redo your sound carefully before each concert as significant changes are a notch on the other.
SOUND QUALITY
Look carefully, you will find a well that will do heavy (or illusion, it depends) in many cases. BUT (there is a but) it is a mono-style pedals: mtal and nothing else. Not the kind of stuff that will make you write a pop ballad between two scales, or that will give you a superb crunch by turning down the knob of the guitar. Moreover, as the say at once, even a 1 distorts srieux. Another thing: the bass is humming or even in invasive rglant at least there is a halo rather Gnant. At the end, it was one sound to one style, and finally one wonders why they threw the old multi rotten 80s, has sounded the same. They say it's analog but it was here the default of digital (its too little ractif compress much less expressive). The only guitarist I know who joueait Soldano on it and as Garry Moore put it bluntly: we are far from the trs warm, bluesy thereof. There are too acute, too low and not enough mdium it is precisely in the mids that everything goes the guitar! Ask a ingnieur a sound of pedals ... a short kid with a lot of beginners shaggy cut.
OVERALL OPINION
I do not know what to make of this kind of stuff. Why make pedals and as few limits as expressive? I'll write something that is not good but I have the S1 branch simultanment (100 euros) and a Hyper Gain at Artec (35 Euros I think) and there is no photo, The Artec sounded much warmer and living the AMT and above, we get a nice crunch trs turning down the knob of his guitar (a Xavier Petit). In short, the price is not justified and done everything we can settle for a small boost to a true analog distortion if you want the super gain. In any Manir, this gain is a bit of a crap: when playing hard enough, any modern pedals sound pretty heavy, rglage question.
Is this what I Rasht pedals: yes if I had an obligation to spend my life in the shoes of a kid of 16 years ... You will think I'm a little cow and c is true that much of my pedals the construction is solid. It's solid stuff trs, trs fni well - the hand he seems - but all too typical to use a pro. All great quitar make their sound hand, even the guys who play metal. Van Halen put his gain 7, Steve Vai same, there's a reason this: Exceeds a certain level of gain, the sound becomes boiled and draft.