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Oli_34160
Published on 10/11/09 at 05:08
Hp Floor amp simulator and power lamps (one 12AX7) non-programmable, analog, rackmount (1U) mono. 1 between 6.35 and 1 output jack or XLR.
I emphasize that this device also simulates a floor of amplification!
Had he does MIDI and programmable, it would t the invention of audio shekel!! Only for a and a, I would not 10.
UTILIZATION
Configuration gnrale Is it easy?
Well, actually .... not really. And I admit I tried t give up and sell it. It takes a little look at the real amps CHARACTERISTICS (classes, pentode and triode, push-pull amplifiers, etc.). To understand how it works (thank you for your advice, Emmanuel ...). It works much like real amps, and I'm sure you can get exactly the same Russia that made your favorite amp for all the lamps are rglages to act on the custom settings that cr ent the characters of each amp.
The manual is clear and sufficient?
In English only. You will need to make a "small" effort comprhension because there are important things to know.
The edition of sound effects or is it easy?
Technically yes (just turn the knobs and pushing buttons). The problem is: What are the actions you have over these interfaces!
SOUND QUALITY
Amazing! a real slap like lamps! Versatile unique, you can get. I never heard a. .. Well I may be not heard much either ... In fact, it plutt the ide that I am an amp lamps (the only one I had, a Carvin 100W c'tait, and prs back 15 years!). But we feel a warmth, compression, plain as saturated that transcends prampli located upstream (ie JMP1 modified according to Dr Boost relamp in EH).
In practice there are two advantages DIFFERENT:
<ol>
A true floor of amplification with a power tube and 12AX7 to simulate an electronic diffrent powers, architectures or textures of power amps.
The simulation Tage HP itself, where one can choose the size of HP and the CHARACTERISTICS of the enclosure.
Finally, a Tage equalizer which, in fact, simulates ractions microphones containing the hp.
</ol>
OVERALL OPINION
In conclusion:
I bought it used, even here, two months ago. I have certainly not had the opportunity to test or possder many amps to make a comparison. The other guitarist possde a JCM900 100W All Tube 2x12. And I seem to have more body and warmth to it with my JMP1/ampulator taken over by the PA.
So yes, I would do this choice because this thing is killing vritable compared to the sounds I could get the pass. But I'm not a REFERENCE ... Anyway, my collgue below seems to have much more lments of references and the same happens conclusion as me. So ...
The only thing I regret is that the Company ADA did not have time to get a midi-version of the trust and programmable Ampulator. Ah yes ... The name was a good laugh ... my drummer! But hey ... It's just a drummer ... <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_biggrin.gif" alt="biggrin" />
I emphasize that this device also simulates a floor of amplification!
Had he does MIDI and programmable, it would t the invention of audio shekel!! Only for a and a, I would not 10.
UTILIZATION
Configuration gnrale Is it easy?
Well, actually .... not really. And I admit I tried t give up and sell it. It takes a little look at the real amps CHARACTERISTICS (classes, pentode and triode, push-pull amplifiers, etc.). To understand how it works (thank you for your advice, Emmanuel ...). It works much like real amps, and I'm sure you can get exactly the same Russia that made your favorite amp for all the lamps are rglages to act on the custom settings that cr ent the characters of each amp.
The manual is clear and sufficient?
In English only. You will need to make a "small" effort comprhension because there are important things to know.
The edition of sound effects or is it easy?
Technically yes (just turn the knobs and pushing buttons). The problem is: What are the actions you have over these interfaces!
SOUND QUALITY
Amazing! a real slap like lamps! Versatile unique, you can get. I never heard a. .. Well I may be not heard much either ... In fact, it plutt the ide that I am an amp lamps (the only one I had, a Carvin 100W c'tait, and prs back 15 years!). But we feel a warmth, compression, plain as saturated that transcends prampli located upstream (ie JMP1 modified according to Dr Boost relamp in EH).
In practice there are two advantages DIFFERENT:
<ol>
A true floor of amplification with a power tube and 12AX7 to simulate an electronic diffrent powers, architectures or textures of power amps.
The simulation Tage HP itself, where one can choose the size of HP and the CHARACTERISTICS of the enclosure.
Finally, a Tage equalizer which, in fact, simulates ractions microphones containing the hp.
</ol>
OVERALL OPINION
In conclusion:
I bought it used, even here, two months ago. I have certainly not had the opportunity to test or possder many amps to make a comparison. The other guitarist possde a JCM900 100W All Tube 2x12. And I seem to have more body and warmth to it with my JMP1/ampulator taken over by the PA.
So yes, I would do this choice because this thing is killing vritable compared to the sounds I could get the pass. But I'm not a REFERENCE ... Anyway, my collgue below seems to have much more lments of references and the same happens conclusion as me. So ...
The only thing I regret is that the Company ADA did not have time to get a midi-version of the trust and programmable Ampulator. Ah yes ... The name was a good laugh ... my drummer! But hey ... It's just a drummer ... <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_biggrin.gif" alt="biggrin" />