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SlapKid « Class, total balèze »
Published on 01/26/11 at 16:08Well, I've had three days scheduled for primary use with guitar amp input electroacoustic piezoelectric. The idea is to eliminate the relative sterility of this type of sensor and also reduce the volume difference between fingers and pick.
Fashion studio for me so in fact it is a multiband utrasimple to use the pedal in that class compared to the instrument (I choose the mode studio, the LEDs blink and I max balance potato that I am setting practice. The pedal takes this as a base and I have nothing to do ...)
UTILIZATION
Given the limited time and limited use that I do ... This is intuitive but the manual is poor here compared to his sister's innovative drive.
SOUND QUALITY
It's been a while since I galley with compression for electroacoustic, and now ter-mi-born!
Treatment quality is unbelievable, everything comes out sharp and clear, nothing is pinched or flattened in the frequencies, nada. I only have the benefits of treatment, a constant volume but leaving the intentions seem to play, and the sound is super nice, warm and rather sweet without sacrificing accuracy or detail.
I do not think it was actually possible, suddenly my bin piezo (nylon over steel) are doing very well!
I am a channel for nylon, one for metal and it's over worries!
OVERALL OPINION
Halluciné by the quality of the result, and I am bitten compressors. Forget all the pedal compression, not really the weight.
Next use the input preamp for electric guitar (ada programmable) to adjust the various guitars without touching the preamp.
This type of use is interesting because the pedal has a mode more noisegate to be useful in the loop of the preamp, it saves a pedal and a power supply more ...
In short you will not find better than this compressor in pedal format, and the price includes the second section a more independent power supply featherweight. I think it's been given the quality.
Where I am sick of it by reading the praises of the boss cs3 ... the real crap and I weigh my words (unfortunately I have one, the money thrown away if any)!
Fashion studio for me so in fact it is a multiband utrasimple to use the pedal in that class compared to the instrument (I choose the mode studio, the LEDs blink and I max balance potato that I am setting practice. The pedal takes this as a base and I have nothing to do ...)
UTILIZATION
Given the limited time and limited use that I do ... This is intuitive but the manual is poor here compared to his sister's innovative drive.
SOUND QUALITY
It's been a while since I galley with compression for electroacoustic, and now ter-mi-born!
Treatment quality is unbelievable, everything comes out sharp and clear, nothing is pinched or flattened in the frequencies, nada. I only have the benefits of treatment, a constant volume but leaving the intentions seem to play, and the sound is super nice, warm and rather sweet without sacrificing accuracy or detail.
I do not think it was actually possible, suddenly my bin piezo (nylon over steel) are doing very well!
I am a channel for nylon, one for metal and it's over worries!
OVERALL OPINION
Halluciné by the quality of the result, and I am bitten compressors. Forget all the pedal compression, not really the weight.
Next use the input preamp for electric guitar (ada programmable) to adjust the various guitars without touching the preamp.
This type of use is interesting because the pedal has a mode more noisegate to be useful in the loop of the preamp, it saves a pedal and a power supply more ...
In short you will not find better than this compressor in pedal format, and the price includes the second section a more independent power supply featherweight. I think it's been given the quality.
Where I am sick of it by reading the praises of the boss cs3 ... the real crap and I weigh my words (unfortunately I have one, the money thrown away if any)!