Jai quip my vintage 52 telecaster US age of 14 years of two Van Zandt True Vintage. These pickups are good trs. Cest typical vintage sound in a good way, with a little more output, a crunch easier & more musical, a sound much more rich and complex without betraying the typical sound of the Telecaster, the one who looks TOC blues, blues-rock and any other records where this guitar works well as the country, the Rythm'n Blues, Pop & the list goes on. This guitar is not quite as flexible as her little sister Stratocaster but we hear it everywhere, too. Lamlioration obtained as compared to the original pickups, it's a bit like the sound of this guitar s'tait dvoil sunny since the installation of microphones Texas. A much better sound with bass, treble singing more, the hottest mediums & a lot more sustain. All this makes my tl now increasingly clear sounds for which it is to serve rpute now sounds fairly saturated in the registry vintage, which formerly silent almost impossible.
The pickups do dorigine made too few good quality of violin making. The complexity of his guitar unplug disappeared once amplified by a small irrprochable Marshall 30 watt all-tube. Now cest done trs & well done. Quavec far better than the Seymour Duncan Alnico javais placed in the bridge position without vritable amlioration from the micro dorigine quickly replaced until both Vand Zandt glare that make me happy to play the guitar, magnifying its quality & spcificitsvritables.
These microphones are expensive, but considering the quality of ballast less painful.
Jaimerais to try to see a kit Kinman sils are as good as Van Zandt not noiseless.Toutefois they gnrent trs that little noise (hardly any actually) in my configuration simple: the guitar direct Lampl, not deffets & a good earth.
PS I sold this guitar for that opinion. I should not have!
I tried the version Kinman blues with a layer of good quality & trs I can say that although excellent, they are not quite as good & much less above "roots" that Van Zandt.