Seymour Duncan SH-4 JB Model - "A mainstay in my arsenal for years"
Seymour Duncan's JB pickup has been burning up stages, studios and bedrooms for over 30 years now. It has become one of the most popular all-around blues/rock/metal pickups in existence. Many guita…
Seymour Duncan SH-12 Screamin' Demon - "Good sounding pickup, but misleading name"
George Lynch designed the Screamin Demon with Seymour Duncan when he realized that you don't need a super high output pickup in your guitar to get singing, high gain tones. He preferred that the amp…
DiMarzio DP159 Evolution Bridge - "Sharp and searing, but still touch sensitive"
The Evolution bridge pickup by DiMarzio is a the outcome of the Steve Vai's very high demands as a player who knows exactly what he wants in a piece of gear. DiMarzio built the Evo to his specs and …
Motor City Pickups Afwayu - "Hottish pickups with clarity and punch"
After getting my first Dean Soltero, I wanted to upgrade a couple of things on the guitar of which one of the main things was the pickups. My typical go to pickup is usually the Seymour Duncan JB but…
Fishman Rare Earth Magnetic Soundhole Humbucking Pickup - " It's all good!"
translatedThis mic is excellent: it is very balanced between all the strings, it is not very powerful but enough to attack a table or DI, it has a real acoustic sound (even if it is not the equivalent of a con…
DiMarzio DP151 PAF Pro - "Essentially it has a slamming sound ..."
translatedOriginally purchased to replace the neck pickup of origin of a Ibanez RGA. It will be held over one month before being replaced by its exact opposite tone: an air box. Then mounted on an Ibanez Sab…
Gibson 498T - " Modern, tight grain, medium"
translatedI just mount it on my Epiphone Les Paul Standard, it's all good. Before I had a couple Gibson 500T 496R, but I'm tired. The sound is quite compressed, modern, I feel there is a slight hollow in the …
Gibson 500T - Don_Viviano's review
translatedI used it for 3 or 4 years on my Epiphone Les Paul Standard. The microphone is very powerful, and super charged with mediums. The grain is not so tight as that, even if it's still modern, but it is…
Schaller Golden 50 (Bridge) 220B - " Vintage copy of the Gibson classic 57?"
translatedI have a couple of Golden Classic installed on my Gibson LP Studio. They are split-(but I do not use it). The microphone has a grain vintage, very airy and with relatively little gain. I think it i…
Seymour Duncan APH-1N Alnico II Pro HB Neck - Serial riffer's review
translatedMicro marrying very balanced particularly well the spirit of the Les Paul which he highlighted the fat with some sensuality. Micro Whereas as ideal for the Classic Rock, a well-tempered character b…
Seymour Duncan APH-1N Alnico II Pro HB Neck - " good mic"
translatedused for 2 years mounted on my Vigier Excalibur Indus good mic, but does not fit a guitar in alder (in my opinion) muieux is place on a les paul type guitar (some famous artists have done and prov…
Gibson Burstbucker 2 - brui2fon's review
translatedThese are microphones that have an output level high enough, a sound halfway between modern and vintage ie that it was bcp gain and a well rounded with good beefy bass and midrange sharp, a pretty g…
Seymour Duncan SHR-1B Hot Rails Strat Bridge - " Very good mic"
translatedI used the hot track for 3 months on my jackson dx10d and the microphones is as impressive as it is good clean sound that's saturated! the only small downside is the power of the microphone: it is ex…
DiMarzio DP182 Fast Track 2 - " Good DiMarzio"
translatedI used 3 months on my jackson dx10d, before I could try the hot track from Duncan, DiMarzio super distortion and paf pro! what I like most is the sound clear and full, it is a treat! I had mounted o…
DiMarzio DP151 PAF Pro - " Slamming, round and warm !!!!!!!"
translatedI use the paf pro in one month on a jackson dx10d coupled with a super distortion ... I tried the duncan hot rail in the Fast Track 2 and the super distortion! what I like most is the qualitée of m…