All user reviews for the Behringer Powerplay Pro-XL HA4700

- How long do you use?
I use it for a year in my home studio or in concert. In home studio he used to multiply the number of headphones to prevent the return of her in the mikes, and the concert is the ultimate comfort, especially for an accurate listening and adapted to each musician. With good balance and a left-right division wise, we listen to that is to be without a head full ...

- What is so special that you like most and least?
The separate tracks that allow each musician to have his own sound. However the quality of the connection is not exceptional but it is not impacting. To see a longer use ...

- Have you tried many other models before buying it?
I have not tried the other model, but on paper is one of the most comprehensive and flexible ...

- How would you rate the quality / price?
The value for money is great! It was worth the money, and for that price it's a shame to do without ...

- With experience, the choice would you do? ...
With the experience I would do but less time waiting before I decide!

Ok, the "hyper pros" say it's the m. .. e. ..
But frankly for € 109 ... new at Thomann Go look ... Vas ... That happiness.

My problem?
Hear my guitar and make it get along ... Well done!! And everyone is happy ...

If it is to spit on the product, thank you not to make 36,000 mistakes, loulous!!

- 10 months (109 € Thomann)
- 1 + 1 general admission per channel (/! Not available on 8000) + 3 headphone / Canal
- Nothing is solved my problem for this great price!
- RAD (Nothing to say: perfect).
- Yes, because I'm not Rotchild! And I is not the top 50!

Mr. Poet, when the red LED lights is not good! It's in the manual!
I use with Shure e2c, and my guitar is a mid-range headphones ... And no problemo!

9 / 10 'cuz nobody is perfect!!

NB: THIS IS NOT A SPLITTER!! It's good for a local rehearsal, those who still believe that we can have the stuff to 100 € pro shoves his finger in the eye!

I use it to grate returns and in-ear headphone rptition from 6 months (I'm not the sr MODEL roughly half that of I-2007).

No lie about the possibilities, many. But:

-Its really a dnatur ... trs's really not beautiful: the breath, or even big buzz, bass disappear (there rcuprent eq Intgr but not fte, not pr cis), treble aggressive ... I used to serve me a small table to prampli behringer headphones, and it is incomparable!
>>> On its ear fatigue much faster than normal.

-The notches on the volume of output headphones are not practical ... can not rgler in precision is not practical ...
>>> On in-ear, one passes easily from too low to too high a notch!

Obviously the price has made the service his small, but it really dcevant, and I am yet prt dfendre behringer on other products (including mx8000, a little less brave recently after 10 years of loyal service, but even when, or BCF2000 so convenient to not have a round or small consoles, some compressors ...)

short, I do not know what we can find honnte good prices, but it's even uglier this product ...

Behringer, there are many bad, but when there is good ... it's very good!

Let me explain my use of this device that I use for about six months, with in-ear headphones and extension jack 5 meters ... (Except for me: UHF: p)

I first enter every instrument in the rack Behringer DI-DI Pro 800.
<a href="https://fr.audiofanzine.com/boite-direct/behringer/ULTRA-DI-PRO-DI-800/avis/" rel="nofollow" target="_blank">https://fr.audiofanzine.com/boite-direct/behringer/ULTRA-DI-PRO-DI-800/avis/
</a>
On the bottom of each channel of the DI-Pro 800, an XLR cable from the console to join the mix.
In front of each channel of the DI-Pro 800, an output "unbalanced out" jack fate, exactly the same signal that what comes with XLR I thus connects each channel of the DI-800 to Pro each channel of HA4700.

Ass of HA4700, I have 2 jack inputs / XLR which I connected the output "Control Room" from my mixer so that each headphone mix receives general.

The 2 XLR / jack located next door, return exactly the same signal that what goes into these entries (even off camera), thereby bringing in a second string HA4700 if you have more than 4 zicos, or so simply plugging the speakers back in addition.

<strong>Each</strong> of the 4 channels of HA4700 therefore receives <strong>generally</strong> the mix, <strong>and for each</strong> instrument connected to it (via the DI-800 Pro for my part, which allows me to further equipment connected to each channel).

Result: not only is each musician <strong>hears mostly his own instrument, and the main mix</strong> (ie all other instruments) referred to by the mixer, but in addition, each musician may, for his headphone:

- Determine a preference between [+ instrument] / [+ Mix]
- Determine the bass made in his headphone
- Test for Acute
- Determine the volume of his headphone
- Have an overview of its volume, each channel being provided with an LED VU meter.

And it's not over! Far left of the facade, an instrument input "general" will be returned to all headphones. Me, I plug in a metronome for musicians that are all square <img class="smiley" src="/images/audiofanzine/interface/smileys/icon_lol.gif" alt="" /> And it does not pass in front ^ ^

The use of the DI-800 in addition to Pro as I do is not essential, but without it, your instruments are not connected <strong>to the headphone amplifier,</strong> and thus does not pass in front (well, each output headphone is split, one forward one aft, you can use it to swing back the sound, but suddenly if you increase the volume on your headphones, then inevitably you increase the volume of your instrument).

Then level sound quality is not great, but that's not what we want: the listening volume is rendered still more than enough to get along despite a battery, an electric guitar and a whole mix , and using it with in-ear earphones and a UHF system, its just the foot in comfort for every musician get along perfectly, and still hear the music perfectly as well.

So, even pregnant need to rehearse, or even pregnant back on stage, which considerably reduces the risk of feedback, and lets you mount the volume of the microphones!

It's a purchase I do not regret: to repeat or do a concert, the difference in comfort with / without, literally day and night.

I use it for a few weeks, I tried a samson before, but they are based on the same operational amplifier, only the channels change.
opportunities are attractive, Front AUX, 12 headphones manageable

it is not expensive, and frankly for a small home studio, it's really very good!
course, we feel that the quality of manufacture is not a standard utlisation intense and caution, but a headphone amp does not troll around!

I carefully considered my choice and knowing I'd do it again!
you just know what lo'n wants is a product intended to be fixed, manage headphones, and not of HP.
I did not notice any saturation or breathing, even pushing the knobs. I drive the Sennheiser HD560 (old high end), hd 477, hd 515, hd 201, hd 450, hd 435, and no problems, we come easily to match the levels.

short, a very nice vehicle to advise! but being aware that for the accurate recording, you need a more accurate monitoring than him.
Me, I plug my best headphones directly to the mixing desk to monitor, since the powerplay connects the output line, he!