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Published on 04/21/12 at 12:23In what country was she made? : Korea (among Unsung)
What type of bridge: Wooden originally (type archtop what) I think replacing the term by a special tunomatic archtop home Stewmac
USE
I love the handle, it is wide enough not too thick and not too embedded in the varnish as is the case with some Epiphone (they must have nail in Eiphone cheap, with some models we feel hold a piece of plastic).
Ergonomics is remarkable, it has the balance of a sound, perfect for playing asis (standing it must be a hair less convenient because of the size of the fund)
Access to acute is very honest (well it is not a solid body of metalheads, but it happens)
What interests me about this guitar is precisely ergonomics.
I play alone at home (not in group and also I'm learning guitar), The Broadway can play sitting comfortably (the solid body sitting is not great and semi-hollow type Dot is terrible seated) .dropoff window
SOUNDS
She has two humbucker supposed to give the vintage. The only comparison I are the Seymour Duncan SH1, the sound is similar but more rough on Broadway.
Let's say that if I had any ambitions, time and under, I would change the pickups for SH1. Anyway, in the state they are going rather well, just the definition is not fantastic, clear, given the level of guitar, this guitar deserves that over time it is above components team range.
Note that I do not play jazz (not level) I play blues and a bit of picking, it is perfect, we can consider it as an entry-acoustic (well it is not Martin, but home, it does not hurt)
NOTICE GLOBAL
I bought there is little I cracked suites.
My previous guitars they were guitars, this one's MY guitar, it makes all the difference
The price / quality ratio is outstanding, unless for Electronics Korean version is a bit feeble but it's upgrade, the violin is top
The feature I like most is its versatility (electric / acoustic) and its extreme comfort while playing seated
In addition it is beautiful (which does not hurt)
What type of bridge: Wooden originally (type archtop what) I think replacing the term by a special tunomatic archtop home Stewmac
USE
I love the handle, it is wide enough not too thick and not too embedded in the varnish as is the case with some Epiphone (they must have nail in Eiphone cheap, with some models we feel hold a piece of plastic).
Ergonomics is remarkable, it has the balance of a sound, perfect for playing asis (standing it must be a hair less convenient because of the size of the fund)
Access to acute is very honest (well it is not a solid body of metalheads, but it happens)
What interests me about this guitar is precisely ergonomics.
I play alone at home (not in group and also I'm learning guitar), The Broadway can play sitting comfortably (the solid body sitting is not great and semi-hollow type Dot is terrible seated) .dropoff window
SOUNDS
She has two humbucker supposed to give the vintage. The only comparison I are the Seymour Duncan SH1, the sound is similar but more rough on Broadway.
Let's say that if I had any ambitions, time and under, I would change the pickups for SH1. Anyway, in the state they are going rather well, just the definition is not fantastic, clear, given the level of guitar, this guitar deserves that over time it is above components team range.
Note that I do not play jazz (not level) I play blues and a bit of picking, it is perfect, we can consider it as an entry-acoustic (well it is not Martin, but home, it does not hurt)
NOTICE GLOBAL
I bought there is little I cracked suites.
My previous guitars they were guitars, this one's MY guitar, it makes all the difference
The price / quality ratio is outstanding, unless for Electronics Korean version is a bit feeble but it's upgrade, the violin is top
The feature I like most is its versatility (electric / acoustic) and its extreme comfort while playing seated
In addition it is beautiful (which does not hurt)